Academic writing



Academic writing or scholarly writing refers primarily to nonfiction writing that is produced as part of academic work in accordance with the standards of a particular academic subject or discipline, including:


 * reports on empirical fieldwork or research in facilities for the natural sciences or social sciences,
 * monographs in which scholars analyze culture, propose new theories, or develop interpretations from archives,

as well as undergraduate versions of all of these.

Academic writing typically uses a more formal tone and follows specific conventions. Central to academic writing is its intertextuality, or an engagement with existing scholarly conversations through meticulous citing or referencing of other academic work, which underscores the writer's participation in the broader discourse community. However, the exact style, content, and organization of academic writing can vary depending on the specific genre and publication method. Despite this variation, all academic writing shares some common features, including a commitment to intellectual integrity, the advancement of knowledge, and the rigorous application of disciplinary methodologies.

Academic style
Academic writing often features prose register that is conventionally characterized by "evidence...that the writer(s) have been persistent, open-minded and disciplined in the study"; that prioritizes "reason over emotion or sensual perception"; and that imagines a reader who is "coolly rational, reading for information, and intending to formulate a reasoned response."

Three linguistic patterns that correspond to these goals across fields and genres, include the following:


 * 1) a balance of caution and certainty, or a balance of hedging and boosting;
 * 2) explicit cohesion through a range of cohesive ties and moves;  and
 * 3) the use of compressed noun phrases, rather than dependent clauses, for adding detail.

The stylistic means of achieving these conventions will differ by academic discipline, seen, for example, in the distinctions between writing in history versus engineering, or writing in physics versus philosophy. Biber and Gray propose further differences in the complexity of academic writing between disciplines, seen, for example, in the distinctions between writing in the humanities versus writing in the sciences. In the humanities, academic style is often seen in elaborated complex texts, while in the sciences, academic style is often seen in highly-structured concise texts. These stylistic differences are thought to be related to the types of knowledge and information being communicated in these two broad fields.

One theory that attempts to account for these differences in writing is known as "discourse communities".

Criticism
Academic style has often been criticized for being too full of jargon and hard to understand by the general public. In 2022, Joelle Renstrom argued that the COVID-19 pandemic has had a negative impact on academic writing and that many scientific articles now "contain more jargon than ever, which encourages misinterpretation, political spin, and a declining public trust in the scientific process."

Discourse community
A discourse community is a group of people that shares mutual interests and beliefs. "It establishes limits and regularities...who may speak, what may be spoken, and how it is to be said; in addition, [rules] prescribe what is true and false, what is reasonable and what foolish, and what is meant and what not."

The concept of a discourse community is vital to academic writers across all disciplines, for the academic writer's purpose is to influence how their community understands its field of study: whether by maintaining, adding to, revising, or contesting what that community regards as "known" or "true." To effectively communicate and persuade within their field, academic writers are motivated to adhere to the conventions and standards set forth by their discourse community. Such adherence ensures that their contributions are intelligible and recognized as legitimate.

Discourse community constraints
Constraints are the discourse community's accepted rules and norms of writing that determine what can and cannot be said in a particular field or discipline. They define what constitutes an acceptable argument. Every discourse community expects to see writers construct their arguments using the community's conventional style of language, vocabulary, and sources, which are the building blocks of any argument in that community.

Writing for a discourse community
For writers to become familiar with some of the constraints of the discourse community they are writing for, across most discourse communities, writers must:
 * identify the novelty of their position
 * make a claim, or thesis
 * acknowledge prior work and situate their claim in a disciplinary context
 * offer warrants for one's view based on community-specific arguments and procedures

The structure and presentation of arguments can vary based on the discourse community the writer is a part of. For example, a high school student would typically present arguments differently than a college student. It is important for academic writers to familiarize themselves with the conventions of their discourse community by analyzing existing literature within the field. Such an in-depth understanding will enable writers to convey their ideas and arguments more effectively, ensuring that their contributions resonate with and are valued by their peers in the discourse community.

Writing Across the Curriculum (WAC) is a comprehensive educational initiative designed not only to enhance student writing proficiency across diverse disciplinary contexts but also to foster faculty development and interdisciplinary dialogue. The Writing Across the Curriculum Clearinghouse provides resources for such programs at all levels of education.

Novel argument
In a discourse community, academic writers build on the ideas of previous writers to establish their own claims. Successful writers know the importance of conducting research within their community and applying the knowledge gained to their own work. By synthesizing and expanding upon existing ideas, writers are able to make novel contributions to the discourse.

Intertextuality
Intertextuality is the combining of past writings into original, new pieces of text. According to Julia Kristeva, all texts are part of a larger network of intertextuality, meaning they are connected to prior texts through various links, such as allusions, repetitions, and direct quotations, whether they are acknowledged or not. Writers (often unwittingly) make use of what has previously been written and thus some degree of borrowing is inevitable. One of the key characteristics of academic writing across disciplines is the use of explicit conventions for acknowledging intertextuality, such as citation and bibliography. The conventions for marking intertextuality vary depending on the discourse community, with examples including MLA, APA, IEEE, and Chicago styles.

Summarizing and integrating other texts in academic writing is often metaphorically described as "entering the conversation," as described by Kenneth Burke:

Key elements
While the need for appropriate references and the avoidance of plagiarism are undisputed in academic and scholarly writing, the appropriate style is still a matter of debate. Some aspects of writing are universally accepted as important, while others are more subjective and open to interpretation.


 * Style
 * Contrary to stereotype, published academic research is not particularly syntactically complex; it is instead a fairly low-involvement register characterized by the modification of nominal elements through hedging and refining elaborations, often presented as sequences of objects of prepositions such as what, where, when, and whom.


 * Logical structure
 * Writing should be organized in a manner which demonstrates clarity of thought.


 * Appropriate references
 * Generally speaking, the range and organization of references illustrate the writer's awareness of the current state of knowledge in the field (including major current disagreements or controversies); typically the expectation is that these references will be formatted in the relevant disciplinary citation system.


 * Bibliography
 * Typically, this lists those materials read as background, evidencing wider reading, and will include the sources of individual citations.


 * Avoidance of plagiarism
 * Plagiarism, the "wrongful appropriation of another author's language, thoughts, ideas, or expressions", and the representation of them as one's own original work, is considered academic dishonesty, and can lead to severe consequences. However, the delineation of plagiarism is not always straightforward, as interpretations of what constitutes plagiarism can vary significantly across different cultures. This complexity is further amplified by the advent of advanced technologies, including artificial intelligence (AI), which have both complicated the detection of plagiarism and introduced new considerations in defining originality and authorship.

Academic genres
Academic writing encompasses many different genres, indicating the many different kinds of authors, audiences and activities engaged in the academy and the variety of kinds of messages sent among various people engaged in the academy. The partial list below indicates the complexity of academic writing and the academic world it is part of.

By researchers for other researchers

 * Scholarly monograph, in many types and varieties
 * Chapter in an edited volume
 * Book review
 * Conference paper
 * Essay; usually short, between 1,500 and 6,000 words in length
 * Explication; usually a short factual note explaining some part of a particular work; e.g. its terminology, dialect, allusions or coded references
 * Literature review or review essay; a summary and careful comparison of previous academic work published on a specific topic
 * Research article
 * Research proposal
 * Site description and plan (e.g. in archeology)
 * Technical report
 * Translation
 * Journal article (e.g. History Today); usually presenting a digest of recent research

Technical or administrative forms

 * Brief; short summary, often instructions for a commissioned work
 * Peer review report
 * Proposal for research or for a book
 * White paper; detailed technical specifications and/or performance report

Collating the work of others

 * Anthology; collection, collation, ordering and editing of the work of others
 * Catalogue raisonné; the definitive collection of the work of a single artist, in book form
 * Collected works; often referred to as the 'critical edition'. The definitive collection of the work of a single writer or poet, in book form, carefully purged of publishers' errors and later forgeries, etc.
 * Monograph or exhibition catalog; usually containing exemplary works, and a scholarly essay. Sometime contains new work by a creative writer, responding to the work
 * Transcribing, selecting and ordering oral testimony (e.g. oral history recordings)

Research and planning

 * Empirical research
 * Experimental plan
 * Laboratory report
 * Raw data collection plan
 * Research proposal, including research questions
 * Structured notes

Newer forms

 * Collaborative writing, especially using the internet
 * Hypertext, often incorporating new media and multimedia forms within the text
 * Performative writing (see also: belles-lettres)

By graduate students for their advisors and committees

 * Doctoral dissertation, completed over a number of years, often in excess of 20,000 words in length
 * Masters thesis (in some regions referred to as masters dissertation), often completed within a year and between 6,000 and 20,000 words in length.
 * Thesis or dissertation proposal

By undergraduate students for their instructors

 * Research paper; longer essay involving library research, 3000 to 6000 words in length
 * Book report
 * Exam essays

By instructors for students

 * Exam questions
 * Instructional pamphlet, or hand-out, or reading list
 * Presentations; usually short, often illustrated
 * Syllabus

Summaries of knowledge for researchers, students or general public

 * Annotated bibliography
 * Annotated catalogue, often of an individual or group's papers and/or library
 * Simplified graphical representation of knowledge; e.g. a map, or refining a display generated from a database. There will often be a 'key' or written work incorporated with the final work
 * Creating a timeline or chronological plan. There will often be a 'key' or written work incorporated with the final work
 * Devising a classification scheme; e.g. for animals, or newly arisen sub-cultures, or a radically new style of design
 * Encyclopedia entry or handbook chapter

Disseminating knowledge outside the academy

 * Call for papers
 * Documentary film script or TV script or radio script
 * Obituary
 * Opinion; an academic may sometimes be asked to give an expert written opinion, for use in a legal case before a court of law
 * Newspaper opinion article
 * Public speech or lecture
 * Review of a book, film, exhibition, event, etc.
 * Think-tank pamphlet, position paper, or briefing paper

Personal forms often for general public
These are acceptable to some academic disciplines, e.g. Cultural studies, Fine art, Feminist studies, Queer theory, Literary studies
 * Artist's book or chapbook
 * Autobiography
 * Belles-lettres; stylish or aesthetic writing on serious subjects, often with reference to one's personal experience
 * Commonplace book
 * Diary or weblog
 * Memoire; usually a short work, giving one's own memories of a famous person or event
 * Notebooks

Emotions in higher-education academic writing
Participating in higher education writing can entail high stakes. For instance, one's GPA may be influenced by writing performance in a class and the consequent grade received, potentially stirring negative emotions such as confusion and anxiety. Research on emotions and writing indicates that there is a relationship between writing identity and displaying emotions within an academic atmosphere. Instructors cannot simply read off one's identity and determine how it should be formatted. The structure of higher education, particularly within universities, is in a state of continual evolution, shaping and developing student writing identities. Nevertheless, this dynamic can lead to a positive contribution to one's academic writing identity in higher education. Unfortunately, higher education does not value mistakes, which makes it difficult for students to discover an academic identity. This can lead to a lack of confidence when submitting assignments. A student must learn to be confident enough to adapt and refine previous writing styles to succeed.

Academic writing can be seen as stressful, uninteresting, and difficult. When placed in the university setting, these emotions can contribute to student dropout. However, academic writing development can prevent fear and anxiety from developing if self-efficacy is high and anxiety is low. External factors can also prevent enjoyment in academic writing including finding time and space to complete assignments. Studies have shown core members of a "community of practice" concerning writing reports are more of a positive experience than those who do not. Overall emotions, lack of confidence, and prescriptive notions about what an academic writing identity should resemble can hinder a student's ability to succeed.

Format
A commonly recognized format for presenting original research in the social and applied sciences is known as IMRD, an initialism that refers to the usual ordering of subsections: and
 * Introduction (Overview of relevant research and objective of current study)
 * Method (Assumptions, questions, procedures described in replicable or at least reproducible detail)
 * Results (Presentation of findings; often includes visual displays of quantitative data charts, plots)
 * Discussion (Analysis, Implications, Suggested next steps)

Standalone methods sections are atypical in presenting research in the humanities; other common formats in the applied and social sciences are IMRAD (which offers an "Analysis" section separate from the implications presented in the "Discussion" section) and IRDM (found in some engineering subdisciplines, which features Methods at the end of the document).

Other common sections in academic documents are:
 * Abstract
 * Acknowledgments
 * Indices
 * Bibliography
 * List of references
 * Appendix/Addendum, any addition to a document

General

 * C. Bazerman, J. Little, T. Chavkin, D. Fouquette, L. Bethel, and J. Garufis (2005). Writing across the curriculum. Parlor Press and WAC Clearinghouse.  https://wac.colostate.edu/books/referenceguides/bazerman-wac/
 * C. Bazerman & D. Russell (1994). Landmark essays in writing across the curriculum.  Davis, CA: Hermagoras Press.
 * Borg, Erik (2003). 'Discourse Community', English Language Teaching (ELT) Journal, Vol. 57, Issue 4, pp. 398–400
 * Coinam, David (2004). 'Concordancing Yourself: A Personal Exploration of Academic Writing', Language Awareness, Vol. 13, Issue 1, pp. 49–55
 * Goodall, H. Lloyd, Jr. (2000). Writing Qualitative Inquiry: Self, Stories, and Academic Life (Walnut Creek, CA: Left Coast Press)
 * Johns, Ann M. (1997). Text, Role and Context: Developing Academic Literacies (Cambridge: Cambridge University Press)
 * King, Donald W., Carol Tenopir, Songphan Choemprayong, and Lei Wu (2009). 'Scholarly Journal Information Seeking and Reading Patterns of Faculty at Five U.S. Universities', Learned Publishing, Vol. 22, Issue 2, pp. 126–144
 * Kouritzin, Sandra G., Nathalie A. C Piquemal, and Renee Norman, eds (2009). Qualitative Research: Challenging the Orthodoxies in Standard Academic Discourse(s) (New York: Routledge)
 * Lincoln, Yvonna S, and Norman K Denzin (2003). Turning Points in Qualitative Research: Tying Knots in a Handkerchief (Walnut Creek, CA; Oxford: AltaMira Press)
 * Luey, Beth (2010). Handbook for Academic Authors, 5th edn (Cambridge: Cambridge University Press)
 * Murray, Rowena, and Sarah Moore (2006). The Handbook of Academic Writing: A Fresh Approach (Maidenhead: Open University Press)
 * Nash, Robert J. (2004). Liberating Scholarly Writing: The Power of Personal Narrative (New York; London: Teachers College Press)
 * Paltridge, Brian (2004). 'Academic Writing', Language Teaching, Vol. 37, Issue 2, pp. 87–105
 * Pelias, Ronald J. (1999). Writing Performance: Poeticizing the Researcher's Body (Carbondale, IL: Southern Illinois University Press)
 * Prior, Paul A. (1998). Writing/Disciplinarity: A Sociohistoric Account of Literate Activity in the Academy (Mahwah, NJ; London: Lawrence Erlbaum)
 * Rhodes, Carl and Andrew D. Brown (2005). 'Writing Responsibly: Narrative Fiction and Organization Studies', The Organization: The Interdisciplinary Journal of Organizations and Society, Vol. 12, Issue 4, pp. 467–491
 * Richards, Janet C., and Sharon K. Miller (2005). Doing Academic Writing in Education: Connecting the Personal and the Professional (Mahwah, NJ: Lawrence Erlbaum)
 * The University of Sydney. (2019). Academic Writing.
 * Prior, Paul A. (1998). Writing/Disciplinarity: A Sociohistoric Account of Literate Activity in the Academy (Mahwah, NJ; London: Lawrence Erlbaum)
 * Rhodes, Carl and Andrew D. Brown (2005). 'Writing Responsibly: Narrative Fiction and Organization Studies', The Organization: The Interdisciplinary Journal of Organizations and Society, Vol. 12, Issue 4, pp. 467–491
 * Richards, Janet C., and Sharon K. Miller (2005). Doing Academic Writing in Education: Connecting the Personal and the Professional (Mahwah, NJ: Lawrence Erlbaum)
 * The University of Sydney. (2019). Academic Writing.
 * The University of Sydney. (2019). Academic Writing.

Architecture, design and art

 * Crysler, C. Greig (2002). Writing Spaces: Discourses of Architecture, Urbanism and the Built Environment (London: Routledge)
 * Francis, Pat (2009). Inspiring Writing in Art and Design: Taking a Line for a Write (Bristol; Chicago: Intellect)
 * Frayling, Christopher (1993). 'Research in Art and Design', Royal College of Art Research Papers, Vol. 1, Issue 1, pp. 1–5
 * Piotrowski, Andrzej (2008). 'The Spectacle of Architectural Discourses', Architectural Theory Review, Vol. 13, Issue 2, pp. 130–144