Andreas Lutz

Andreas Lutz (born 1981 in Freiburg i. Br.) is a German Media artist. In his work, he explores the human machine relation with the approach, to create integrated and universal communication systems.

Biography
Lutz graduated from University of Applied Sciences Offenburg with a diploma in Media and Information engineering in 2009. His initial works refer to alternative human-machine interaction. For "Because clicking is so 90s"., a Natural user interface controllable only with gestures and voice, he received the Webby Award in 2010. In 2012, he founded the interdisciplinary studio KASUGA, which is active in the experimental field of design, interaction and sound and develops audio-visual installations, integrated interactions systems and contemporary media art pieces. The work of Andreas Lutz has been exhibited at The National Art Center, Tokyo, the Center for Art and Media Karlsruhe, the OpenArt Biennale in Örebro (Sweden) and won the Excellence Award at the 19th Japan Media Arts Festival, Japan and the iF Design Award, Germany

Installations and performances

 * 2009: Because clicking is so 90s, Web application
 * 2014: Wutbürger, Video installation
 * 2016: Hypergradient, Kinetic installation
 * 2017: Dameon LED, Light installation
 * 2018: Offset XYZ, Kinetic sculpture
 * 2019: Soft Takeover, Kinetic sculpture
 * 2019: Binary Supremacy, Audio-visual live performance
 * 2020: Monolith YW, Kinetic sculpture
 * 2022: Abstract Language Model (Live), Audio-visual live performance

Solo exhibitions

 * 2017: Festival de la Imágen, Soundscapes, Manizales / Colombia
 * 2017: Galerie Mazzoli, I_AM, Berlin / Germany
 * 2019: transmediale / CTM Festival, Vorspiel, Berlin / Germany
 * 2024: Festival ZERO1, Cultures numériques, La Rochelle
 * 2024: Medialab Matadero, Mentes Sintéticas, Madrid

Group exhibitions (Selection)

 * 2013: ZKM Karlsruhe, AppArtAward Highlights for Fairgrounds Night, Karlsruhe
 * 2015: KOBE Biennale, Suki, Kobe
 * 2016: Nuit Blanche, European Quarter, Brussels
 * 2017: ISEA2017, Bio-creation and peace, Manizales / Colombia
 * 2017: FILE Festival, Galeria de Arte do Sesi, Sao Paulo
 * 2018: Goethe-Institut Italien, Dell’abitare incerto, Rome
 * 2018: ROHM Theatre Kyoto, Ghost, Kyoto
 * 2019: Semibreve Festival, Semibreve Award, Braga (Portugal)
 * 2019: Stereolux, Scopitone, Nantes
 * 2020: Luch Festival, New audio-visual art, Yekaterinburg
 * 2021: York Art Gallery, Aesthetica, York
 * 2022: Karachi Biennale, KB22, Karachi
 * 2022: Times Art Museum, Wavelength, Beijing
 * 2023: OSA Festival, Państwowa Galeria Sztuki, Sopot (Poland)
 * 2023: Sónar Barcelona, Sónar+D, Barcelona
 * 2024: Sónar Istanbul, Zorlu PSM, Istanbul

Discography

 * Fairgrounds Night (Kasuga Records; 2008)
 * Almost (Motor Music; 2011)
 * Zwölftonform (Kasuga Records; 2016)
 * Daemon#001 with Hansi Raber (Kasuga Records; 2016)
 * Daemon#002 with Hansi Raber (Kasuga Records; 2017)
 * Binary Supremacy (Kasuga Records; 2018)
 * Dyad (Kasuga Records; 2020)
 * Abstract Language Model (Kasuga Records; 2023)