Anthony Lane bibliography

A list of works by or about Anthony Lane, British journalist and film critic.

1992–1999

 * Reviews Maurizio Nichetti's Volere Volare (1991) and Lucian Pintilie's The Oak (1992).
 * Reviews Baz Luhrmann's Strictly Ballroom (1992) and Tony Bill's Untamed Heart (1993).
 * Reviews John McNaughton's Mad Dog and Glory (1993) and and Pierre Magny's Shadow of the Wolf (1993).
 * Reviews John McNaughton's Mad Dog and Glory (1993) and and Pierre Magny's Shadow of the Wolf (1993).

2000–2009

 * Reviews Charlie Kaufman's Synecdoche, New York (2008) and Kenny Ortega's High School Musical 3 (2008).
 * Reviews Danny Boyle's Slumdog Millionaire (2008) and Arnaud Desplechin's A Christmas Tale (2008).

2010–2014

 * Reviews Paul Greengrass' Green Zone (2010) and Bong Joon-ho's Mother (2009).
 * Reviews Maurice Pialat's L’enfance Nue (1968).
 * Reviews Matthew Vaughn's Kick-Ass (2010) and Banksy's Exit Through the Gift Shop (2010).
 * Reviews João César Monteiro's Hovering Over the Water (1986).
 * Reviews Ridley Scott's Robin Hood (2010).
 * Reviews Todd Phillips' Due Date (2010) and Chris Morris's Four Lions (2010).
 * Reviews Susanne Bier's In a Better World (2010) and James Gunn's Super (2010).
 * Reviews Brett Ratner's Tower Heist (2011) and Lars von Trier's Melancholia (2011).
 * Reviews Wim Wenders's Pina (2011) and Roman Polanski's Carnage (2011).
 * Reviews Otto Preminger's Laura (1944).
 * Reviews Boris Barnet's Outskirts (1933).
 * Reviews Steven Spielberg's Lincoln (2012).
 * Reviews Andrew Dominik's Killing Them Softly (2012) and Jacques Audiard's Rust and Bone (2012).
 * Reviews Tom Hooper's Les Misérables (2012), Quentin Tarantino's Django Unchained (2012) and Michael Haneke's Amour (2012).
 * Reviews Paolo and Vittorio Taviani's Caesar Must Die (2012) and Kim Jee-Woon's The Last Stand (2013).
 * Reviews John Moore's A Good Day to Die Hard (2012) and Gael García Bernal's No (2012).
 * Reviews Park Chan-wook's Stoker (2013) and Cristian Mungiu's Beyond the Hills (2012).
 * Reviews Andrzej Wajda's Ashes and Diamonds (1958).
 * Reviews Harmony Korine's Spring Breakers (2012) and Matteo Garrone's Reality (2012).
 * Reviews Danny Boyle's Trance (2013) and Pablo Berger's Blancanieves (2012).
 * Reviews Jean-Pierre Melville's Un flic (1972).
 * Reviews Joseph Kosinski's Oblivion (2013) and François Ozon's In the House (2012).
 * Reviews Shane Black's Iron Man 3 (2013) and Olivier Assayas' Something in the Air (2012).
 * Reviews Jordan Vogt-Roberts's The Kings of Summer (2013) and Justin Lin's Fast & Furious 6 (2013).
 * Reviews Nat Faxon and Jim Rash's The Way, Way Back (2013) and Pedro Almodóvar's I'm so Excited! (2013).
 * Reviews Guillermo del Toro's Pacific Rim (2013), Nicolas Winding Refn's Only God Forgives (2013) and Joshua Oppenheimer's The Act of Killing (2012).
 * Reviews Ron Howard's Rush (2013) and Stuart Blumberg's Thanks for Sharing (2012).
 * Reviews Abdellatif Kechiche's Blue is the Warmest Color (2013).
 * Reviews Paolo Sorrentino's The Great Beauty (2013) and Stephen Frears' Philomena (2013).
 * Reviews Spike Jonze's Her (2013), Ben Stiller's The Secret Life of Walter Mitty (2013) and John Lee Hancock's Saving Mr. Banks (2013).
 * Reviews Claude Lanzmann's The Last of the Unjust (2013).
 * Reviews Hany Abu-Assad's Omar (2013) and Phil Lord and Christopher Miller's The Lego Movie (2014).
 * Reviews Denis Villeneuve's Enemy (2013) and Roger Michell's Le Week-End (2013).
 * Reviews John Maloof and Charlie Siskel's Finding Vivian Maier (2013) and Bertrand Tavernier's The French Minister (2013).
 * Reviews Jim Jarmusch's Only Lovers Left Alive (2013) and David Gordon Green's Joe (2013).
 * Reviews Pawel Pawlikowski's Ida (2013) and Jon Favreau's Chef (2014).
 * Reviews John Michael McDonagh's Calvary (2014) and Jonathan Demme's A Master Builder (2013).
 * Reviews Lenny Abrahamson's Frank (2014) and Ira Sachs' Love is Strange (2014).
 * Reviews Alejandro González Iñárritu's Birdman (2014) and Damien Chazelle's Whiplash (2014).
 * Reviews Paul Thomas Anderson's Inherent Vice (2014).
 * Reviews Pawel Pawlikowski's Ida (2013) and Jon Favreau's Chef (2014).
 * Reviews John Michael McDonagh's Calvary (2014) and Jonathan Demme's A Master Builder (2013).
 * Reviews Lenny Abrahamson's Frank (2014) and Ira Sachs' Love is Strange (2014).
 * Reviews Alejandro González Iñárritu's Birdman (2014) and Damien Chazelle's Whiplash (2014).
 * Reviews Paul Thomas Anderson's Inherent Vice (2014).

2015–2019

 * Reviews Barry Levinson's The Humbling (2014) and Abderrahmane Sissako's Timbuktu (2014).
 * Reviews Matthew Vaughn's Kingsman: The Secret Service (2014) and Taika Waititi and Jemaine Clement's What We Do in the Shadows (2014).
 * Reviews Kenneth Branagh's Cinderella (2015) and David Robert Mitchell's It Follows (2014).
 * Reviews Alex Garland's Ex Machina (2014) and Asghar Farhadi's About Elly (2009).
 * Reviews Olivier Assayas' Clouds of Sils Maria (2014).
 * Reviews Joss Whedon's Avengers : Age of Ultron (2015) and Thomas Vinterberg's Far from the Madding Crowd (2015).
 * Reviews Andrew Niccol's Good Kill and John Maclean's Slow West.
 * Reviews George Miller's Mad Max: Fury Road (2015).
 * Reviews Peter Docter's Inside Out (2015) and Andrea Di Stefano's Escobar : Paradise Lost (2014).
 * Reviews Judd Apatow's Trainwreck (2015) and Bill Condon's Mr. Holmes (2015).
 * Reviews Peyton Reed's Ant-Man and Joshua Oppenheimer's The Look of Silence.
 * Reviews Todd Haynes' Carol (2015) and Brian Helgeland's Legend (2015).
 * Reviews Justin Kurzel's Macbeth (2015) and Paolo Sorrentino's Youth (2015).
 * Reviews Gavin O'Connor's Jane Got a Gun and J. Blakeson's The Fifth Wave.
 * Reviews Ben Stiller's Zoolander 2 (2016) and Tobias Lindholm's A War (2015).
 * Reviews Robert Eggers' The Witch.
 * Reviews Jon Favreau's The Jungle Book (2016) and Matteo Garrone's Tale of Tales (2015)
 * Reviews Shane Black's The Nice Guys (2016) and Whit Stillman's Love & Friendship (2016).
 * Woody Allen's Café Society (2016) and Roger Ross Williams' Life, Animated (2016).
 * Reviews Paul Greengrass's Jason Bourne (2016) and Ira Sachs' Little Men (2016).
 * Reviews Andrea Arnold's American Honey (2016) and Peter Berg's Deepwater Horizon (2016).
 * Mel Gibson's Hacksaw Ridge and Jeff Nichols' Loving.
 * Mike Mills' 20th Century Women and Pedro Almodóvar's Julieta.
 * Jim Jarmusch's Paterson and Pablo Larraín's Neruda.
 * Reviews Asghar Farhadi's The Salesman (2016) and M. Night Shyamalan's Split (2016).
 * Reviews Jordan Vogt-Roberts's Kong : Skull Island (2017) and Julia Ducournau's Raw (2016).
 * Reviews Olivier Assayas' Personal Shopper (2016) and François Ozon's Frantz (2016).
 * Reviews Terence Davies' A Quiet Passion (2016) and F. Gary Gray's The Fate of the Furious (2017).
 * Reviews Ken Loach's I, Daniel Blake (2016) and Miguel Arteta's Beatriz at Dinner (2017).
 * Reviews Edgar Wright's Baby Driver (2017) and Bertrand Tavernier's My Journey Through French Cinema (2016).
 * Reviews Josh Safdie and Benny Safdie's Good Time (2017) and Bertrand Bonello's Nocturama (2016).
 * Reviews Yorgos Lanthimos' The Killing of a Sacred Deer (2017) and Ruben Östlund's The Square (2017).
 * Reviews George Clooney's Suburbicon (2017) and Richard Linklater's Last Flag Flying (2017).
 * Reviews Luca Guadagnino's Call Me by Your Name (2017).
 * Reviews Andrey Zvyagintsev's Loveless (2017) and Brian Crano's Permission (2017).
 * Reviews Steven Soderbergh's Unsane (2018) and Aaron Katz's Gemini (2017).
 * Reviews Richard Eyre's The Children Act (2018) and Robert Greene's Bisbee '17 (2018).
 * Reviews Jon S. Baird's Stan & Ollie (2018) and Karyn Kusama's Destroyer (2018).
 * Reviews Florian Henckel von Donnersmarck's Never Look Away (2018).
 * Reviews Ty Robert's The Iron Orchard and Christian Petzold's Transit (2018).
 * Reviews Kenneth Branagh's All Is True (2018) and Dome Karukoski's Tolkien (2019).
 * Reviews Olivia Wilde's Booksmart (2019) and Joanna Hogg's The Souvenir (2019).
 * Reviews Guy Ritchie's Aladdin (2019) and Denys Arcand's The Fall of the American Empire (2018).
 * Reviews James Mangold's Ford v Ferrari (2019) and Mike Flanagan's Doctor Sleep (2019).
 * Reviews Guy Ritchie's Aladdin (2019) and Denys Arcand's The Fall of the American Empire (2018).
 * Reviews James Mangold's Ford v Ferrari (2019) and Mike Flanagan's Doctor Sleep (2019).

2020–2024

 * Reviews Greta Gerwig's Little Women (2019).
 * Reviews Ladj Ly's Les Misérables (2019) and Chinonye Chukwu's Clemency (2019).
 * Reviews Benjamin Ree's The Painter and the Thief (2020) and Michael Winterbottom's The Trip to Greece (2020).
 * Reviews Armando Iannucci's The Personal History of David Copperfield (2019).
 * Reviews Thomas Vinterberg's Another Round (2020) and Ryan Murphy's The Prom (2020).
 * Reviews Andrei Konchalovsky's Dear Comrades! (2020).
 * Reviews Dominic Cooke's The Courier (2020) and Anthony Scott Burns' Come True (2020).
 * Reviews Jon M. Chu's In the Heights (2021) and Christian Petzold's Undine (2020).
 * Reviews Andreas Fontana's Azor (2021) and Natalie Morales's Language Lessons (2021).
 * Reviews Paul Schrader's The Card Counter (2021) and Bill Bentz's The Nowhere Inn (2020).
 * Reviews Maria Schrader's I'm Your Man (2021) and Michael Showalter's The Eyes of Tammy Faye (2021).