Billy Byers

William Mitchell Byers (May 1, 1927 – May 1, 1996) was an American jazz trombonist and arranger.

Early life
Byers was born in Los Angeles on May 1, 1927. He suffered from arthritis from a young age and was unable to continue his plans of a career as a pianist.

Career
Byers picked up trombone and played with Karl Kiffe before serving in the United States Army in 1944 and 1945. In the second half of the 1940s he arranged and played trombone for Georgie Auld, Buddy Rich, Benny Goodman, Charlie Ventura, and Teddy Powell. Following this he composed for WMGM (AM) radio and television in New York City. In the middle of the 1950s he was in Paris arranging; he also led a session of his own, released as Jazz on the Left Bank, at this time. Later in the 1950s in Europe he played with Harold Arlen (1959–1960) and with the orchestra of Quincy Jones. He became Jones's assistant at Mercury Records in the 1960s, and arranged for Count Basie albums. He also recorded some Duke Ellington standards on his own. He toured Europe and Japan alongside Frank Sinatra in 1974. Byers had extensive credits arranging and conducting for film, and won the Drama Desk Award for Outstanding Orchestrations for City of Angels.

Personal life
Byers died in Malibu, California, on May 1, 1996. Material from his career is held by the Library of Congress in Washington, D.C.

As leader/co-leader

 * The Jazz Workshop (RCA Victor, 1955)
 * New Sounds in Swing (Jazztone, 1956) with Joe Newman - also released as Byers' Guide
 * Jazz on the Left Bank (Epic, 1956) with Martial Solal
 * Impressions of Duke Ellington (Mercury, 1961)

As sideman
With Count Basie With Bob Brookmeyer With Al Cohn With Billy Eckstine With Coleman Hawkins With Al Jarreau With J. J. Johnson With Quincy Jones With Lee Konitz With Jack McDuff With Gary McFarland With Hal McKusick With Carmen McRae With Joe Newman With Lalo Schifrin With Bud Shank
 * More Hits of the 50's and 60's (Verve, 1963) - as arranger and conductor
 * Pop Goes the Basie (Reprise, 1965) - as arranger and conductor
 * Basie Swingin' Voices Singin' (ABC-Paramount, 1966) with the Alan Copeland Singers
 * Gloomy Sunday and Other Bright Moments (Verve, 1961)
 * Mr. Music (RCA Victor, 1955)
 * The Golden Hits of Billy Eckstine (Mercury, 1963) - as arranger
 * The Hawk in Hi Fi (RCA Victor, 1956) - as arranger and conductor
 * Breakin' Away (Warner Bros., 1981) - as arranger
 * Goodies (RCA Victor, 1965) as arranger/conductor
 * The Birth of a Band! (Mercury, 1959)
 * Quincy Jones Explores the Music of Henry Mancini (Mercury, 1964)
 * Golden Boy (Mercury, 1964)
 * Quincy Plays for Pussycats (Mercury, 1959-65 [1965])
 * The Great Wide World of Quincy Jones (Mercury, 1959)
 * You and Lee (Verve, 1959)
 * Prelude (Prestige, 1963)
 * The Jazz Version of "How to Succeed in Business without Really Trying" (Verve, 1962)
 * Triple Exposure (Prestige, 1957)
 * Something to Swing About (Kapp, 1959)
 * I Feel Like a Newman (Storyville, 1956)
 * Music from Mission: Impossible (Dot, 1967)
 * Windmills of Your Mind (Pacific Jazz, 1969)

With Charlie Shavers


 * Excitement Unlimited (Capitol, 1963)

With Julius Watkins With Andy Williams With Cootie Williams With Kai Winding With Frank Zappa
 * French Horns for My Lady (Philips, 1962) - as arranger
 * Under Paris Skies (Cadence Records, 1960)
 * Cootie Williams in Hi-Fi (RCA Victor, 1958)
 * Kai Olé (Verve, 1961)
 * The Grand Wazoo (1972)
 * Waka/Jawaka (1972)