Czesława Kwoka

Czesława Kwoka (15 August 1928 – 12 March 1943) was a Polish Catholic girl who was murdered at the age of 14 in Auschwitz. One of the thousands of minor child and teen victims of German World War II war crimes against ethnic Poles in German-occupied Poland, she is among those memorialized in an Auschwitz-Birkenau State Museum exhibit, "Block no. 6: Exhibition: The Life of the Prisoners".

Photographs of Kwoka and others, taken by the "famous photographer of Auschwitz", Wilhelm Brasse, between 1940 and 1945, are displayed in the Museum's photographic memorial. Brasse discusses several of the photographs in The Portraitist, a 2005 television documentary about him. They became a focus of interviews with him that have been cited in various articles and books.

Personal background
Czesława Kwoka was born in Wólka Złojecka, a small village in Poland, to a Catholic mother, Katarzyna Kwoka ( Matwiejczuk), and a father named Paweł who probably died when she was little, with his last residence at Wólka Złojecka. Along with her mother (prisoner number 26946), Czesława Kwoka (prisoner number 26947) was deported from her village, and transported from a resettlement camp at Zamość, General Government, to Auschwitz, on 13 December 1942, during Aktion Zamosc which was initiated in November that year to create Lebensraum for Germans in eastern Europe. On 12 March 1943, less than a month after her mother's death on 18 February, Kwoka was murdered at the age of 14; the circumstances of her death were not recorded. Her death certificate, issued on 23 March, falsely noted that she died of cachexia from intestinal catarrh. However, reports indicate that the cause of death was a phenol injection to the heart.

General historical contexts of child victims of Auschwitz
Czesława Kwoka was one of the "approximately 230,000 children and young people aged less than eighteen" among the 1,300,000 people who were deported to Auschwitz-Birkenau from 1940 to 1945.

The Auschwitz-Birkenau State Museum's Centre for Education About the Holocaust and Auschwitz documents the wartime circumstances that brought young adults and children like Kwoka to the concentration camps in its 2004 publication of an album of photographs compiled by its historian Helena Kubica; these photographs were first published in the Polish/German version of Kubica's book in 2002. According to the Museum, of the approximately 230,000 children and young people deported to Auschwitz, more than 216,000 children, the majority, were of Jewish descent; more than 11,000 children came from Romani families; the other children (~3,000) had Polish, Belarusian, Ukrainian, Russian, or other ethnic backgrounds.

Most of these children "arrived in the camp along with their families as part of the various operations that the Nazis carried out against whole ethnic or social groups"; these operations targeted "the Jews as part of the drive for the total extermination of the Jewish people, the Gypsies as part of the effort to isolate and destroy the Gypsy population, the Poles in connection with the expulsion and deportation to the camp of whole families from the Zamość region and from Warsaw during the Uprising there in August 1944", as well as Belarusians and other citizens of the Soviet Union "in reprisal for partisan resistance" in places occupied by Germany.

Of all these children and young people, "Only slightly more than 20,000 ... including 11,000 Gypsies, were entered in the camp records. No more than 650 of them survived until liberation [in 1945]."

Czesława Kwoka was one of those thousands of children who did not survive Auschwitz and among those whose "identity photographs", along with captions constructed from the so-called Death Books, are featured in a memorial display on a wall in Block no. 6: Exhibition: Life of the Prisoners.

Particular historical contexts of photographs of Czesława Kwoka
After her arrival at Auschwitz, Czesława Kwoka was photographed for the Reich's concentration camp records, and she has been identified as one of the approximately 40,000 to 50,000 subjects of such "identity pictures" taken under duress at Auschwitz-Birkenau by Wilhelm Brasse, a young Polish inmate in his twenties (known as Auschwitz prisoner number 3444). Trained as a portrait photographer at his aunt's studio prior to the 1939 German invasion of Poland beginning World War II, Brasse and others had been ordered to photograph inmates by their Nazi captors, under dreadful camp conditions and likely imminent death if the photographers refused to comply.

These photographs that he and others were ordered to take capture each inmate "in three poses: from the front and from each side." Though ordered to destroy all photographs and their negatives, Brasse became famous after the war for having helped to rescue some of them from oblivion.

Auschwitz "Identification photographs" in memorial exhibits and photo archives
While most of these photographs of Auschwitz inmates (both victims and survivors) no longer exist, some photographs do populate memorial displays at the Auschwitz-Birkenau State Museum, where the photographs of Kwoka reside, and at Yad Vashem, the Holocaust Martyrs' and Heroes' Remembrance Authority, Israel's official memorial to the Jewish victims of the Shoah.

Captions attached to the photographs in the Auschwitz-Birkenau State Museum photo archives and memorial indoor exhibits have been constructed by the Museum Exhibition Department from camp registries and other records confiscated when the camps were liberated in 1945 and archived subsequently. These Museum photo archive captions attached to photographs assembled and/or developed from photographs and negatives rescued by Brasse and fellow inmate darkroom worker Bronislaw Jureczek during 1940 to 1945 identify the inmate by name, concentration-camp prisoner number, date and place of birth, date of death and age at death (if applicable), national or ethnic identity, religious affiliation, and date of arrival in the camp. Some photographs credited to Brasse, including the "identity picture" with 3 poses of Kwoka, are in the Auschwitz-Birkenau State Museum's memorial to prisoners, part of a permanent indoor exhibit called Block no. 6: Exhibition: The Life of the Prisoners, first mounted in 1955. Kwoka's likeness is also featured by the museum's Exhibition Department on its official website, in some of the Museum's published albums and catalogues, and in the 2005 Polish television documentary film about Brasse, The Portraitist, shown on TVP1 and in numerous film festivals.

The photo mural including Kwoka's "identity pictures" ("identification photographs" or "mug shots") displayed on a wall in the Auschwitz-Birkenau State Museum's permanent indoor exhibition The Life of the Prisoners in Block no. 6 is captured in Ryszard Domasik's photograph cropped (without the photographs of Kwoka) featured on its official Website.

Brasse's memories of photographing Kwoka


Brasse recalls his experience photographing Kwoka specifically in The Portraitist, an account corroborated by BBC correspondent Fergal Keane who interviewed Brasse about his memories of taking them, in a Live Mag feature article "Returning to Auschwitz: Photographs from Hell", occasioned by the film's London premiere (22 April 2007), published in the Daily Mail's Mail Online on 7 April, which does not include illustrations of these photographs of Kwoka.

Art
"Bring[ing] Czeslawa's image and voice into our lives", Theresa Edwards (verse) and Lori Schreiner (art) created Painting Czesława Kwoka, a collaborative work of mixed media inspired by Wilhelm Brasse's photographs, as a commemoration of child victims of the Holocaust.

On the 75th Anniversary of her death, a colorized version of the photographs was published by Brazilian artist Marina Amaral.