Dashiell Hammett

Samuel Dashiell Hammett (May 27, 1894 – January 10, 1961) was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), The Continental Op (Red Harvest and The Dain Curse) and the comic strip character Secret Agent X-9.

Hammett is regarded as one of the very best mystery writers. In his obituary in The New York Times, he was described as "the dean of the... 'hard-boiled' school of detective fiction." Time included Hammett's 1929 novel Red Harvest on its list of the 100 best English-language novels published between 1923 and 2005. In 1990, the Crime Writers' Association picked three of his five novels for their list of The Top 100 Crime Novels of All Time. Five years later, The Maltese Falcon placed second on The Top 100 Mystery Novels of All Time as selected by the Mystery Writers of America; Red Harvest, The Glass Key and The Thin Man were also on the list. His novels and stories also had a significant influence on films, including the genres of private eye/detective fiction, mystery thrillers, and film noir.

Early life
Hammett was born near Great Mills on the "Hopewell and Aim" farm in Saint Mary's County, Maryland, to Richard Thomas Hammett and his wife Anne Bond Dashiell. His mother belonged to an old Maryland family, whose name in French was De Chiel. He had an elder sister, Aronia, and a younger brother, Richard Jr. Known as Sam, Hammett was baptized a Catholic and grew up in Philadelphia and Baltimore. Hammett's family moved to Baltimore when he was four years old in 1898, and for the most part, it was the city where he lived until he left permanently in 1920 when he was 26 years old. As a teen, Hammett attended the Baltimore Polytechnic Institute, but his formal education ended during his first year of high school; he dropped out in 1908 due to his father's declining health and the need for him to earn money to support the family.

He left school when he was 13 years old and held several jobs before working for the Pinkerton National Detective Agency. He served as an operative for Pinkerton from 1915 to February 1922, with time off to serve in World War I. While working for the Pinkerton Detective Agency in Baltimore, he learned the trade and worked in the Continental Trust Building (now known as One Calvert Plaza). He said that while with the Pinkertons he was sent to Butte, Montana, during the union strikes, though some researchers doubt this really happened. The agency's role in strike-breaking eventually left him disillusioned.

Hammett enlisted in 1918 and served in the United States Army Ambulance Service. He was afflicted during that time with the Spanish flu and later contracted tuberculosis. He spent most of his time in the Army as a patient at Cushman Hospital in Tacoma, Washington, where he met a nurse, Josephine Dolan, whom he married on July 7, 1921, in San Francisco.

Marriage and family
Hammett and Dolan had two daughters, Mary Jane (born 1921) and Josephine (born 1926). Shortly after the birth of their second child, health services nurses informed Dolan that, owing to Hammett's tuberculosis, she and the children should not live with him full time. Dolan rented a home in San Francisco, where Hammett would visit on weekends. The marriage soon fell apart; however, he continued to financially support his wife and daughters with the income he made from his writing.

Career and personal life
Hammett was first published in 1922 in the magazine The Smart Set. Known for the authenticity and realism of his writing, he drew on his experiences as a Pinkerton operative. Hammett wrote most of his detective fiction while he was living in San Francisco in the 1920s; streets and other locations in San Francisco are frequently mentioned in his stories. He said, "I do take most of my characters from real life." His novels were some of the first to use dialogue that sounded authentic to the era. "I distrust a man that says when. If he's got to be careful not to drink too much, it's because he's not to be trusted when he does."

The bulk of his early work, featuring a nameless private investigator, The Continental Op, appeared in leading crime-fiction pulp magazine Black Mask. Both Hammett and the magazine struggled in the period when Hammett became established.

Because of a disagreement with editor Philip C. Cody about money owed from previous stories, Hammett briefly stopped writing for Black Mask in 1926. He then took a full-time job as an advertisement copywriter for the Albert S. Samuels Co., a San Francisco jeweller. He was wooed back to writing for the Black Mask by Joseph Thompson Shaw, who became the new editor in the summer of 1926. Hammett dedicated his first novel, Red Harvest, to Shaw and his second novel, The Dain Curse, to Samuels. Both these novels and his third, The Maltese Falcon, and fourth, The Glass Key, were first serialized in Black Mask before being revised and edited for publication by Alfred A. Knopf. The Maltese Falcon, considered to be his best work, is dedicated to his wife Josephine.

For much of 1929 and 1930, he was romantically involved with Nell Martin, a writer of short stories and several novels. He dedicated The Glass Key to her, and in turn she dedicated her novel Lovers Should Marry to him. In 1931, Hammett embarked on a 30-year romantic relationship with the playwright Lillian Hellman. Though he sporadically continued to work on material, he wrote his final novel in 1934, more than 25 years before his death. The Thin Man is dedicated to Hellman. Why he moved away from fiction is not certain; Hellman speculated in a posthumous collection of Hammett's novels, "I think, but I only think, I know a few of the reasons: he wanted to do new kind of work; he was sick for many of those years and getting sicker." In the 1940s, Hellman and he lived at her home, Hardscrabble Farm, in Pleasantville, New York.

The French novelist André Gide thought highly of Hammett, stating: "I regard his Red Harvest as a remarkable achievement, the last word in atrocity, cynicism and horror. Dashiell Hammett's dialogues, in which every character is trying to deceive all the others and in which the truth slowly becomes visible through a fog of deception, can be compared only with the best in Hemingway."

Politics and service in World War II
Hammett devoted much of his life to left-wing activism. He was a strong antifascist throughout the 1930s, and in 1937 joined the Communist Party. On May 1, 1935, Hammett joined the League of American Writers (1935–1943), whose members included Lillian Hellman, Alexander Trachtenberg of International Publishers, Frank Folsom, Louis Untermeyer, I. F. Stone, Myra Page, Millen Brand, Clifford Odets, and Arthur Miller. (Members were largely either Communist Party members or fellow travelers.) He suspended his anti-fascist activities when, as a member (and in 1941 president) of the League of American Writers, he served on its Keep America Out of War Committee in January 1940 during the period of the Molotov–Ribbentrop Pact.

Especially in Red Harvest, literary scholars have seen a Marxist critique of the social system. One Hammett biographer, Richard Layman, calls such interpretations "imaginative", but he nonetheless objects to them, since, among other reasons, no "masses of politically dispossessed people" are in this novel. Herbert Ruhm found that contemporary left-wing media already viewed Hammett's writing with skepticism, "perhaps because his work suggests no solution: no mass-action... no individual salvation... no Emersonian reconciliation and transcendence". In a letter of November 25, 1937, to his daughter Mary, Hammett referred to himself and others as "we reds". He confirmed, "in a democracy all men are supposed to have an equal say in their government", but added that "their equality need not go beyond that." He also found, "under socialism there is not necessarily... any leveling of incomes."

Hellman wrote that Hammett was "most certainly" a Marxist, though a "very critical Marxist" who was "often contemptuous of the Soviet Union" and "bitingly sharp about the American Communist Party", to which he was nevertheless loyal.

At the beginning of 1942, he wrote the screenplay of Watch on the Rhine, based on Hellman's successful play, which received a nomination for the Academy Award for Best Writing (Adapted Screenplay). But that year the Oscar went to Casablanca. In early 1942, following the attack on Pearl Harbor, Hammett again enlisted in the United States Army. Because he was 48 years old, had tuberculosis, and was a Communist, Hammett later stated he had "a hell of a time" being inducted into the Army. However, biographer Diane Johnson suggests that confusion over Hammett's forenames was the reason he was able to re-enlist. He served as an enlisted man in the Aleutian Islands and initially worked on cryptanalysis on the island of Umnak. For fear of his radical tendencies, he was transferred to the Headquarters Company where he edited an Army newspaper entitled The Adakian. In 1943, while still a member of the military, he co-authored The Battle of the Aleutians with Cpl. Robert Colodny, under the direction of an infantry intelligence officer, Major Henry W. Hall. While in the Aleutians, he developed emphysema.

After the war, Hammett returned to political activism, "but he played that role with less fervour than before". He was elected president of the Civil Rights Congress (CRC) on June 5, 1946, at a meeting held at the Hotel Diplomat in New York City, and "devoted the largest portion of his working time to CRC activities".

In 1946, a bail fund was created by the CRC "to be used at the discretion of three trustees to gain the release of defendants arrested for political reasons." The trustees were Hammett, who was chairman, Robert W. Dunn, and Frederick Vanderbilt Field.

The CRC was designated a Communist front group by the US Attorney General. Hammett endorsed Henry A. Wallace in the 1948 United States presidential election.

Imprisonment and the blacklist
The CRC's bail fund gained national attention on November 4, 1949, when bail in the amount of "$260,000 in negotiable government bonds" was posted "to free eleven men appealing against their convictions under the Smith Act for criminal conspiracy to teach and advocate the overthrow of the United States government by force and violence." On July 2, 1951, their appeals exhausted, four of the convicted men fled rather than surrender themselves to federal agents and begin serving their sentences. The United States District Court for the Southern District of New York issued subpoenas to the trustees of the CRC bail fund in an attempt to learn the whereabouts of the fugitives.

Hammett testified on July 9, 1951, in front of United States District Court Judge Sylvester Ryan, facing questioning by Irving Saypol, the United States Attorney for the Southern District of New York, described by Time as "the nation's number-one legal hunter of top Communists". During the hearing, Hammett refused to provide the information the government wanted, specifically the list of contributors to the bail fund, "people who might be sympathetic enough to harbor the fugitives." Instead, on every question regarding the CRC or the bail fund, Hammett declined to answer, citing the Fifth Amendment, refusing to even identify his signature or initials on CRC documents the government had subpoenaed. As soon as his testimony concluded, Hammett was found guilty of contempt of court.

Hammett served time in a West Virginia federal penitentiary, where, according to Lillian Hellman, he was assigned to clean toilets. Hellman noted in her eulogy of Hammett that he submitted to prison rather than reveal the names of the contributors to the fund because "he had come to the conclusion that a man should keep his word."

By 1952, Hammett's popularity had declined as result of the hearings. He found himself impoverished due to a combination of the cancellation of radio programs The Adventures of Sam Spade and The Adventures of the Thin Man, and a lien on his income by the Internal Revenue Service for back taxes owed since 1943. Furthermore, his books were no longer in print.

Later years and death
During the 1950s Hammett was investigated by Congress. He testified on March 26, 1953, before the House Un-American Activities Committee about his own activities, but refused to cooperate with the committee. No official action was taken, but his stand caused him to be blacklisted, along with others who were blacklisted as a result of McCarthyism.

Hammett became an alcoholic before working in advertising, and alcoholism continued to trouble him until 1948, when he quit under doctor's orders. However, years of heavy drinking and smoking worsened the tuberculosis he contracted in World War I, and then, according to Hellman, "jail had made a thin man thinner, a sick man sicker ... I knew he would now always be sick."

Hellman wrote that during the 1950s, Hammett became "a hermit", his decline evident in the clutter of his rented "ugly little country cottage", where "signs of sickness were all around: now the phonograph was unplayed, the typewriter untouched, the beloved foolish gadgets unopened in their packages." He may have meant to start a new literary life with the novel Tulip, but left it unfinished, perhaps because he was "just too ill to care, too worn out to listen to plans or read contracts. The fact of breathing, just breathing, took up all the days and nights." Hammett could no longer live alone, and they both knew it, so he spent the last four years of his life with Hellman. "Not all of that time was easy, and some of it very bad", she wrote, but, "guessing death was not too far away, I would try for something to have afterwards."



Hammett died in Lenox Hill Hospital in Manhattan on January 10, 1961, of lung cancer, diagnosed just two months beforehand.

A veteran of both world wars, Hammett is buried at Arlington National Cemetery.

Archive
Many of Hammett's papers are held by the Harry Ransom Center at the University of Texas at Austin. This archive includes manuscripts and personal correspondence, along with a small group of miscellaneous notes.

The Irvin Department of Rare Books and Special Collections at the University of South Carolina holds the Dashiell Hammett family papers.

Legacy
Hammett's relationship with Lillian Hellman was portrayed in the 1977 film Julia. Jason Robards won an Oscar for his depiction of Hammett, and Jane Fonda was nominated for her portrayal of Lillian Hellman.

Hammett was the subject of a 1982 prime time PBS biography, The Case of Dashiell Hammett, that won a Peabody Award and a special Edgar Allan Poe Award from the Mystery Writers of America.

Frederic Forrest portrayed Hammett semifictionally as the protagonist in the 1982 film Hammett, based on the novel of the same name by Joe Gores. He would reprise the role of Hammett in the 1992 made-for-TV film Citizen Cohn.

Sam Shepard played Hammett in the 1999 Emmy-nominated biographical television film Dash and Lilly along with Judy Davis as Hellman.

Hammett's influence on popular culture has continued well after his death. For example, in 1975, the film The Black Bird starred George Segal in the role of Sam Spade, Jr.; the film was a sequel and parody of the Maltese Falcon. The 1976 comedic film Murder by Death spoofed a number of famous literary sleuths, including several of Hammett's. The film's characters included Sam Diamond and Dick and Dora Charleston, which were parodies of Hammett's Sam Spade and Nick and Nora Charles. In 2006, Rachel Cohn published the YA novel, Nick & Norah's Infinite Playlist, whose main characters were named for the sleuths in Hammett's Thin Man series. The book was made into a film of the same name and released in 2008. Later, Rachel Cohn and David Levithan authored several books whose main characters are named for Hammett and his partner. In 2011, they published the YA suspenseful romance, Dash & Lily's Book of Dares. That was followed by the sequels The Twelve Days of Dash and Lily in 2016 and Mind the Gap, Dash & Lily in 2020. The book series was made into a Netflix television series.

Raymond Chandler, often considered Hammett's successor, summarized his accomplishments in his essay "The Simple Art of Murder":"'Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not with hand-wrought dueling pistols, curare, and tropical fish... He is said to have lacked heart, yet the story he thought most of himself [The Glass Key] is the record of a man's devotion to a friend. He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before.'"

Short Stories
Currently, 82 complete and standalone short stories are known to be written by Dashiell Hammett. They are listed below in the order of initial publication. Unfinished writings, fragments, drafts, screen stories, and stories that were later reworked into novels are listed separately below.

The Continental Op
All 28 Continental Op stories and one unfinished story have been collected in their original unabridged forms in The Big Book of the Continental Op (2017).

Sam Spade

 * 1) The Maltese Falcon (initially a five-part serial from September 1929 to January 1930 in Black Mask)
 * 2) "A Man Called Spade"
 * 3) "Too Many Have Lived"
 * 4) "They Can Only Hang You Once"
 * 5) "A Knife Will Cut for Anybody" (unfinished)

Nick and Nora Charles

 * 1) "A Man Named Thin"
 * 2) First draft of "The Thin Man"
 * 3) "After the Thin Man" (screen story)
 * 4) "Another Thin Man" (screen story)
 * 5) "Sequel to the Thin Man" (screen story)

Screenplay

 * Watch on the Rhine, 1943 (based on Hellman's play)

Screen Story

 * "The Kiss-Off" (screen story for City Streets, 1931)
 * "Devil's Playground" (unproduced)
 * "On the Make" (screen story for Mister Dynamite, 1935)
 * "After the Thin Man" (screen story for After the Thin Man, 1936)
 * "Another Thin Man" (screen story for Another Thin Man, 1939)
 * "Sequel to the Thin Man" (unproduced)

Articles

 * "The Great Lovers", The Smart Set, November 1922
 * "From the Memoirs of a Private Detective", The Smart Set, March 1923
 * "In Defence of the Sex Story", The Writer's Digest, June 1924
 * "Three Favorites", Black Mask, November 1924, Short autobiographies of Francis James, Dashiell Hammett and C. J. Daly.
 * "Vamping Sampson", The Editor, May 1925

On Advertising
Examples of Hammett's advertising copy for the Albert S. Samuels Company, a San Francisco jewelers, are given in: Starting in December 1925 and ending August 1926, there appeared, monthly in Western Advertising Books Reviews by S. H. Hammett is using not using D. but his other initial S. for Samuel.

Daily comic strips

 * Secret Agent X-9. 1934. King Features Syndicate (appeared in most of William Randolph Hearst's newspapers)

Other publications

 * Creeps by Night; Chills and Thrills. John Day, 1931. (Anthology edited by Hammett with an introduction.)
 * The Battle of the Aleutians. Field Force Headquarters, Adak, Alaska, 1944. (A pamphlet with text by Hammett and Robert Colodny and illustrations by Harry Fletcher.)

Novels

 * Includes Red Harvest, The Dain Curse and The Maltese Falcon.
 * Includes The Maltese Falcon and The Glass Key.
 * Includes The Maltese Falcon and The Glass Key.

Short fiction
After their initial publication in pulp magazines, most of Hammett's short stories were first collected in ten digest-sized paperbacks by Mercury Publications under an imprint, either Bestsellers Mystery,  A Jonathan Press Mystery or Mercury Mystery. The stories were edited by Ellery Queen (Frederic Dannay) and were abridged versions of the original publications. Some of these digests were reprinted as hardcovers by World Publishing under the imprint Tower Books. The anthologies were also republished as Dell mapbacks. An important collection, The Big Knockover and Other Stories, edited by Lillian Hellman, helped revive Hammett's literary reputation in the 1960s and fostered a new series of anthologies. However, most of these used Dannay's abridged version of the stories.

The first collection that prints stories in their original unedited forms is Crime Stories & Other Writings (2001) edited by Steven Marcus (especially after the third printing that incorporates the original text of This King Business). Subsequent collections that print the original texts include Lost Stories (2005), The Hunter and Other Stories (2013), and The Big Book of the Continental Op (2017).

Mercury Publications

 * $106,000 Blood Money. Bestseller Mystery B40, 1943. Collection of two connected Continental Op stories, "The Big Knockover" and "$106,000 Blood Money".
 * The Adventures of Sam Spade. Bestseller Mystery B50, 1944. Collection of three Spade stories and four others.
 * They Can Only Hang You Once and Other Stories. Mercury Mystery B50, 1949. Reprint of Bestseller Mystery B50.
 * The Continental Op. Bestseller Mystery B62, 1945. Collection of four Continental Op stories.
 * The Continental Op. Jonathan Press Mystery J40, 1949. Reprint of Bestseller Mystery B62.
 * The Return of the Continental Op. Jonathan Press Mystery J17, 1945. Collection of five further Continental Op stories.
 * Hammett Homicides. Bestseller Mystery B81, 1946. Collection of six stories, four of which feature the Continental Op.
 * Dead Yellow Women. Jonathan Press Mystery J29, 1947. Collection of six stories, four of which feature the Continental Op.
 * Nightmare Town. Mercury Mystery #120, 1948. Collection of four stories, two of which feature the Continental Op.
 * The Creeping Siamese. Jonathan Press Mystery J48, 1950. Collection of six stories, three of which feature the Continental Op.
 * Woman in the Dark. Jonathan Press Mystery J59, 1951. Collection of the three part novelette.
 * A Man Named Thin. Mercury Mystery #233, 1962. Collection of eight stories, one of which features the Continental Op.

World Publishing

 * Blood Money. Tower, 1943. Hardcover edition of Bestseller Mystery B40.
 * The Adventures of Sam Spade and other stories. 1945. Hardcover edition of Bestseller Mystery B50.

Dell

 * Blood Money. Dell #53, 1944. Mapback reprint of Bestseller Mystery B40.
 * Blood Money. Dell #486, 1951. Mapback reprint of Bestseller Mystery B40.
 * A Man Called Spade and Other Stories. Dell #90, 1945. Mapback reprint of Bestseller Mystery B50 but omits two stories: Nightshade and The Judge Laughed Last.
 * A Man Called Spade and Other Stories. Dell #411, 1950. Reprint of  Dell #90.
 * A Man Called Spade and Other Stories. Dell #452, 1952. Reprint of  Dell #90.
 * The Continental Op. Dell #129, 1946. Reprint of Bestseller Mystery B62.
 * The Return of the Continental Op. Dell #154, 1947. Reprint of Jonathan Press Mystery J17.
 * Hammett Homicides. Dell #223, 1948. Mapback reprint of Bestseller Mystery B81.
 * Dead Yellow Women. Dell #308, 1949. Mapback reprint of Jonathan Press Mystery J29.
 * Dead Yellow Women. Dell #421, 1950. Mapback reprint of Jonathan Press Mystery J29.
 * Nightmare Town. Dell #379, 1950. Mapback reprint of Mercury Mystery #120.
 * The Creeping Siamese. Dell #538, 1951. Mapback reprint of Jonathan Press Mystery J48, 1950.

Later collections
Along with the novels, these later collections have been reprinted in paperback versions under many imprints: Vintage Crime, Black Lizard, Everyman's library.
 * The Big Knockover. Random House, 1966. Including the unfinished novel Tulip.
 * The Continental Op. Random House, 1974. Edited and with an introduction by Steven Marcus. Comprises 7 stories. ISBN 978-0-394487-04-5
 * Woman in the Dark. Knopf, 1988. Hardcover collection of the three parts of the title novelette, with an introduction by Robert B. Parker. ISBN 978-0-394572-69-7
 * Nightmare Town. Knopf, 1999. Hardcover collection, with contents different from the digest of the same title.ISBN 978-0-375401-11-4
 * Crime Stories and Other Writings (Steven Marcus, ed.) (Library of America, 2001); ISBN 978-1-931082-00-6.
 * Lost Stories. Vince Emery Productions, 2005. Collection of 21 stories not been previously published in hardcover, including some previously unpublished stories, with several long commentaries on Hammett's career providing context for the stories. Introduction by Joe Gores. ISBN 978-0-972589-81-9
 * Vintage Hammett. New York : Vintage Books, 2005. Collection nine stories of Sam Spade, Nick and Nora Charles, and The Continental Op. ISBN 978-1-400079-62-9
 * The Hunter and Other Stories. Mysterious Press, 2013. Collection of previously unpublished or uncollected stories and screenplays, including a fragment of a second Sam Spade novel. Edited by Richard Layman and Julie M. Rivett. ISBN 978-0-802121-58-5
 * The Black Lizard Big Book of Black Mask Stories. New York : Vintage Crime/Black Lizard, Vintage Books, a division of Penguin Random House LLC, [2010]. ISBN 978-0-307455-43-7 Reprints The Maltese Falcon in its original serialized form.
 * The Big Book of the Continental Op. New York : Vintage Crime/Black Lizard, Vintage Books, a division of Penguin Random House LLC, [2017]. Collects all twenty-eight stories and two serialized novels starring Continental Op, plus the previously unpublished fragment "Three Dimes." ISBN 978-0-525432-95-1

Daily comic strips

 * Secret Agent X-9 Book 1. David McKay Publications, 1934. Collection of the comic strip written by Hammett and illustrated by Alex Raymond.
 * Secret Agent X-9 Book 2. David McKay Publications, 1934. A second collection of the comic strip.
 * Secret Agent X-9. Nostalgia Press, NY, 1976.
 * Dashiell Hammett's Secret Agent X-9. International Polygonics Ltd, 1983. ISBN 978-0-930330-05-7
 * Secret Agent X-9. Kitchen Sink Press, 1990. ISBN 978-0-878160-77-8
 * Secret Agent X-9. IDW Publishing, 2015. ISBN 978-1-631402-11-1. Collection of the comic strip written by Hammett and Leslie Charteris and illustrated by Alex Raymond.

Film

 * Roadhouse Nights, 1930 (adaptation of Red Harvest)
 * The Maltese Falcon, 1931
 * Woman in the Dark, 1934
 * The Thin Man, 1934
 * The Glass Key, 1935
 * Satan Met a Lady, 1936 (adaptation of The Maltese Falcon)
 * After the Thin Man, 1936
 * Another Thin Man, 1939
 * The Maltese Falcon,1941
 * The Glass Key, 1942
 * No Good Deed, 2002 (adaptation of "The House in Turk Street")

Sequels based on characters created by Hammett

 * Shadow of the Thin Man (1941)
 * The Thin Man Goes Home (1945)
 * Song of the Thin Man (1947)

Serial based on characters created by Hammett

 * Secret Agent X-9, 1937, Universal Pictures
 * Secret Agent X-9, 1945, Universal Pictures

Film based on characters created by Hammett

 * The Fat Man, 1951, Universal Pictures

Radio

 * The Thin Man, June 8, 1936, Lux Radio Theatre (with William Powell and Myrna Loy)
 * After the Thin Man, June 17, 1940, Lux Radio Theatre (with William Powell and Myrna Loy)
 * The Maltese Falcon, February 1, 1942, Silver Theater (with Humphrey Bogart)
 * The Maltese Falcon, August 14, 1942, Philip Morris Playhouse (with Edward Arnold (actor))
 * The Maltese Falcon, February 8, 1943, Lux Radio Theatre (with Edward G. Robinson and Laird Cregar)
 * The Maltese Falcon, September 20, 1943, The Screen Guild Theater (with Humphrey Bogart, Mary Astor, Sydney Greenstreet and Peter Lorre)
 * The Maltese Falcon, July 3, 1946, Academy Award Theatre (with Humphrey Bogart, Mary Astor, Sydney Greenstreet)
 * The Glass Key, July 22, 1946, The Screen Guild Theater (with Alan Ladd, Marjorie Reynolds, Ward Bond)
 * Two Sharp Knives, December 22, 1942, Suspense (with Stuart Erwin)
 * Two Sharp Knives, June 7, 1945, Suspense (with John Payne and Frank McHugh)
 * Dashiell Hammett – Secret Agent X-9, January 5, 1994, BBC Radio 5, (Radio drama of Hammett's first Secret Agent X-9 script)

Series based on characters created by Hammett

 * The Thin Man 1941, NBC; 1946, CBS; 1948, NBC; 1950, ABC
 * The Adventures of Sam Spade 1946, CBS; 1949, NBC
 * The Fat Man 1946–1950, ABC
 * The Fat Man 1954–1955, Australian Broadcasting Corporation

Comic book

 * The Maltese Falcon, 1946, Feature Book #48, David McKay Publications for King Features Syndicate (Hammett's original dialogue and art by Rodlow Willard)

Television

 * Two Sharp Knives, 1949, Studio One on CBS (with Stanley Ridges and Abe Vigoda)
 * The Thin Man, 1957–1959, MGM Television for NBC (with Peter Lawford and Phyllis Kirk)
 * The Dain Curse, 1978, CBS (with James Coburn as the Continental Op)
 * Fly Paper, 1995, Season 2 episode 7 of the TV anthology series Fallen Angels (with Christopher Lloyd as the Continental Op)

Biography and criticism

 * Beunat, Natalie (1997). Dashiell Hammett: Parcours d'une oeuvre. Amiens: Encrage Edition.
 * Braun, Martin (1977). Prototypen der amerikanischen Kriminalerzählung: Die Romane und Kurzgeschichten Carroll John Daly und Dashiell Hammett. Frankfurt: Lang.
 * Duggan, Eddie (2000)
 * Fechheimer, David, ed. (1975). City of San Francisco: Dashiell Hammett Issue. 4 November 4, 1975. San Francisco: City Publishing.
 * Gale, Robert L. (2000). A Dashiell Hammett Companion. Westport, Connecticut: Greenwood Press.
 * Gregory, Sinda (1985). Private Investigations: The Novels of Dashiell Hammett. Carbondale: Southern Illinois University Press.
 * Hammett, Jo (2001). Dashiell Hammett: A Daughter Remembers. Carroll and Graf.
 * Hellman, Lillian. An Unfinished Woman. Pentimento. Scoundrel Time. Memoirs containing much material about Hammett.
 * Herron, Don (2009). The Dashiell Hammett Tour: Thirtieth Anniversary Guidebook. San Francisco: Vince Emery Productions.
 * Jaemmrich, Armin (2016). The American Noir – A Rehabilitation, ISBN 978-1523664405
 * Johnson, Diane (1983). Dashiell Hammett: A Life. New York: Random House.
 * Joshi, S. T. (2019). "Dashiell Hammett: Sam Spade and Others" in Varieties of Crime Fiction (Wildside Press) ISBN 978-1-4794-4546-2.
 * Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. New York: Harcourt Brace Jovanovich.
 * Layman, Richard (2000). Literary Masters. Vol. 3, Dashiell Hammett. Detroit: Gale Group.
 * Layman, Richard, ed. (2005). Clues: A Journal of Detection. Theme issue, Dashiell Hammett. Winter 2005. Washington D.C.: Heldref Publications.
 * Locke, John (December 21, 2019). "Hammett Takes on the Writing Racket." Up and Down these Mean Streets.
 * Lopez, Jesus Angel Gonzalez (2004). La Narrativa Popular de Dashiell Hammett: Pulps, Cine, y Comics. Biblioteca Javier Coy d'Estudis Nord-Americans, Universitat de Valencia.
 * Marling, William (1983). Dashiell Hammett. New York: Twayne.
 * Maurin, Maria Jose Alvarez (1994). Claves Para un Enigma: La Poetica del Misterio en la Narrativa de Dashiell Hammett. Universidad de Leon.
 * Mellon, Joan (1996). Hellman and Hammett. New York: Harper Collins.
 * Metress, Christopher, ed. (1994). The Critical Response to Dashiell Hammett. Westport, Connecticut: Greenwood Press.
 * Nolan, William F. (1969). Dashiell Hammett: A Casebook. Santa Barbara: McNally & Lofin.
 * Nolan, William F. (1983). Hammett: A Life at the Edge. New York: Congdon & Weed.
 * Panek, Leroy Lad (2004). Reading Early Hammett: A Critical Study of the Fiction Prior to The Maltese Falcon. Jefferson, North Carolina: McFarland.
 * Symons, Julian (1985). Dashiell Hammett. New York: Harcourt Brace Jovanovich.
 * Thompson, George J. "Rhino" (2007). Hammett's Moral Vision. San Francisco: Vince Emery Productions.
 * Ward, Nathan (2015). The Lost Detective: Becoming Dashiell Hammett. New York: Bloomsbury USA.

Libraries

 * Dashiell Hammett family papers at the University of South Carolina Irvin Department of Rare Books and Special Collections.
 * Richard Layman collection of Dashiell Hammett at the University of South Carolina Irvin Department of Rare Books and Special Collections.
 * Library of Congress lecture by Hammett estate trustee and biographer Richard Layman on the 75th anniversary of The Maltese Falcon
 * Dashiell Hammett Collection at the Harry Ransom Center at the University of Texas at Austin