Draft:Feminist Land Art Retreat

Feminist Land Art Retreat (FLAR) is a conceptual art project originating from Vancouver created by Nicole Ondre and Vanessa Disler. The project was initiated in 2010 through the use of posters of an advertisement for a fictional land art retreat taking place over 2010 Labour Day weekend in the Elaho Valley of British Columbia. This initial poster featured an image of Robert Smithson's Spiral Jetty edited to resemble the female reproductive system. Initially, FLAR put themselves across through annual posters continuing to advertise this fictional retreat that included iconography from conceptual art, feminist art, and other design disciplines.

Solo

 * Free Rein, SFU Audain Gallery, 2018.


 * No Man's Land, Acud Gallery, 2017.


 * Heavy Flow: The Re-release, Ginerva Gambino, 2017.


 * Last Resort, Kunsthaus Bregenz Billboards, 2016.


 * Duty Free, Studio For Propositional Cinema, 2015.

Group

 * The Mushroom at the End of the World by Anna Lowenhaupt Tsing, u's, 2020.
 * Still I Rise: Feminisms, Gender and Resistance (Act III), Arnolfini, 2020.
 * Still I Rise: Feminisms, Gender and Resistance (Act II), De La Warr Pavilion, 2019.
 * Still I Rise: Feminisms, Gender and Resistance (Act I), Nottingham Contemporary, 2018.
 * School of Chairs, 500 Capp Street Foundation, 2018.
 * Looks, with Emily Hill, Campbell River Art Gallery, 2017.
 * Scattered Disc, Futura, 2017.
 * VG Award 2017, Kestner Gesellschaft, 2017.
 * At the Cliffs of the River Rhine, Oslo 10, 2016.
 * In Advance of a Shipwreck: Studio for Propositional Cinema, Kunstverein Düsseldorf, 2016.
 * Dead Letter Office, JTT Gallery, 2016.
 * Von den Strömen in der Stadt, Museum Abteiberg, 2016.
 * Ein Schelm, wer Böses dabei denkt, Künstlerhaus Bremen, 2016.
 * We Are A Parasite On the Institution Of Cinema, An Institution Of Parasites (screening), Mumok, 2015.
 * Look For Us In The Inkwells We Will Always Be There, Archive Cabinet, 2015.