Draft:List of works on Mariah Carey
Books[edit]
| Book title | Year | Author(s) | Publisher | Pages | Identifiers | Subject |
|---|---|---|---|---|---|---|
| Mariah Carey: Her Story | 1995 | Chris Nickson | St. Martin's Griffin | 153 | ISBN 0-312-13121-6 |
|
| Mariah Carey Revisited: Her Story | 1998 | 182 | ISBN 0-312-19512-5 |
| ||
| Mariah Carey: The Unauthorized Biography | 2001 | Marc Shapiro | ECW Press | 167 | ISBN 1-55022-444-1 |
|
| Why Mariah Carey Matters | 2023 | Andrew Chan | University of Texas Press | 145 | ISBN 978-1-4773-2507-0 |
Book chapters[edit]
| Chapter title | Year | Author | Book | Pages | Identifiers | Subject |
|---|---|---|---|---|---|---|
| "Faking the Funk? Mariah Carey, Alicia Keys, and the Politics of Passing" |
2012 | Caroline A. Streeter |
Tragic No More: Mixed-Race Women and the Nexus of Sex and Celebrity University of Massachusetts Press |
61–88 | ISBN 978-1-55849-985-0 |
|
| "B(l)ack to Last Drop? Mariah Carey, Halle Berry, and the Complexities of Racial Identity in Popular Culture" |
2013 | Sika A. Dagbovie-Mullins |
Crossing B(l)ack: Mixed-Race Identity in Modern American Fiction and Culture University of Tennessee Press |
105–120 | ISBN 978-1-57233-977-4 |
|
| "It's Mariah Carey, Dahhhling!" | 2023 | Lily E. Hirsch |
Can't Stop the Grrrls: Confronting Sexist Labels in Pop Music from Ariana Grande to Yoko Ono Rowman & Littlefield |
137–150 | ISBN 978-1538169063 |
|
| "'Proceed with Caution': Mariah Carey – The Ultimate Diva in Popular Music and Culture?" |
2023 | Shara Rambarran |
Diva: Feminism and Fierceness from Pop to Hip-Hop Bloomsbury Academic |
25–41 | ISBN 978-1-5013-6825-7 |
|
Journal articles[edit]
| Article title | Year | Author(s) | Journal | Pages | Identifiers | Subject |
|---|---|---|---|---|---|---|
| "Audio Reviews" | 2000 | Vincent Stephens | Popular Music and Society Taylor & Francis |
103–120 [115–116] |
doi:10.1080/03007760008591787 Vol. 24, issue 4 |
|
| "Audio Reviews" | 2003 | Vincent Stephens | Popular Music and Society Taylor & Francis |
227–241 [234–235] |
doi:10.1080/0300776032000095530 Vol. 26, issue 2 |
|
| "Pop Goes the Rapper: A Close Reading of Eminem's Genderphobia" |
2005 | Vincent Stephens | Popular Music Cambridge University Press |
21–36 | doi:10.1017/S0261143004000261 Vol. 24, issue 1 |
|
| "A Vision of Love: An Etiquette of Vocal Ornamentation in African-American Popular Ballads of the Early 1990s" |
2004 | Richard Rischar | American Music University of Illinois Press |
407–443 | doi:10.2307/3592985 Vol. 22, issue 3 |
|
| "Audio Reviews" | 2005 | Vincent Stephens | Popular Music and Society Taylor & Francis |
117–124 [121-123] |
doi:10.1080/0300776042000300034 Vol. 28, issue 1 |
|
| "The Emancipation of Mimi? Les enjeux du tournant communicationnel de Mariah Carey" |
2011 | Gérôme Guibert | Volume! Éditions Mélanie Seteun |
65–91 | doi:10.4000/volume.2681 Vol. 8, issue 2 |
|
| "There's No Beginning and There Is No End: Mariah Carey and the Refusal of Time" |
2023 | Amelia Groom | e-flux Journal e-flux |
11–23 | e-flux.com issue 138 |
|