Ernest Edmonds

Ernest Edmonds (born 1942, London, England) is a British artist, a pioneer in the field of computer art and its variants, algorithmic art, generative art, interactive art, from the late 1960s to the present. His work is represented in the Victoria and Albert Museum, as part of the National Archive of Computer-Based Art and Design.

Life and work
Ernest Edmonds is a pioneer of digital art. In 2017 he received the ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement In Digital Art. He also is an international expert on Human-Computer Interaction who specialises in creative technologies for creative uses. In 2017 he received the ACM SIGCHI Lifetime Achievement Award for the Practice of Computer Human Interaction. He was one of the first to predict the value of iterative design and a very early advocate of iterative design methods and Agile software development. He founded the ACM Creativity and Cognition Conference series and was part of the founding team for the ACM Intelligent User Interface conference series.

Edmonds studied Mathematics and Philosophy at Leicester University. He has a PhD in logic from the University of Nottingham, is a Fellow of the British Computer Society, and a Fellow of the Institution of Engineering and Technology. He has nearly 300 refereed publications in the fields of human-computer interaction, creativity and art and was a pioneer in the development of practice-based PhD programmes. Ernest Edmonds is Emeritus Professor of Computational Art at De Montfort University, Leicester, UK.

Art
Edmonds’ art is in the constructivist tradition and he first used computers in his art practice in 1968. He first showed an interactive work with Stroud Cornock in 1970. He first showed a generative time-based computer work in London in 1985. He has exhibited throughout the world, from Moscow to LA. The Victoria and Albert Museum, London, holds some of his artwork and is collecting his archives within the National Archive of Computer Based Art and Design.

In 2014, Edmonds curated a seminal historical exhibition, Automatic Art, at GV art gallery, London.

Selected exhibitions
Ernest Edmonds, De Montfort University Gallery Leicester UK Constructs, Colour, Code: Ernest Edmonds 1967–2017 Ernest Edmonds, Conny Dietzschold Gallery, Sydney Transformations: Digital Prints from the V&A collection, Royal Brompton Hospital, UK Light Logic. Site Gallery, Sheffield, UK Selected New Acquisitions. Victoria and Albert Museum, London Intuition and Integrity, Kinetica, London; Lighthouse, Brighton; Lovebytes, Sheffield, Phoenix, Leicester Transformations: Digital Prints from the V&A collection, Great Western Hospital, Swindon, UK Visualise Poetry, Language, Code, Cambridge, UK Grid Gallery, Vivid festival, Sydney When Ideas Become Form—20 Years, Conny Dietzschold Gallery, Sydney Cities Tango, Conny Dietzschold Gallery, Sydney and ISEA, Belfast Ernest Edmonds and Alf Loehr, Conny Dietzschold Gallery, Sydney Speculative Data and the Creative Imaginary, National Academy of Sciences Gallery, Washington DC ColorField Remix, WPA\C Experimental Media Series (performance), Corcoran Gallery of Art, Washington DC White Noise, Australian Centre for the Moving Image, Melbourne Ernest Edmonds and David Thomas, Conny Dietzschold Gallery, Sydney Minimal Approach… Concrete Tendencies, Tin Sheds Gallery, University of Sydney Australian Concrete Constructive Art, Conny Dietzschold Gallery, Sydney SIGGRAPH Art Exhibition, Los Angeles GRAPHITE Art Exhibition, Singapore Sonar2004Festival, Barcelona Global Echos. Mondriaanhuis, Amersfoort Constructs & Reconstructions, Loughborough University 2000: Relativities, Bankside Gallery, London, and tour Galerie Jean-Mark Laik, Koblenz Science in the Arts—Arts in Science, Hungarian Academy of Fine Arts, Budapest Digital Arts, The Mall Gallery, London Friends of Mesures. Vervier and Antwerp SISEA, Groningen—collaborative performance Avant Garde 1990, Manege, Moscow Art Creating Society. Museum of Modern Art, Oxford Heads and Legs. Liege (one-person) including a collaborative performance Constructivism versus Computer. Galerie FARO, World Trade Centre, Rotterdam Re-Views: Contemporary systematic and constructive arts. The Small Mansion Arts Centre, London Null-Dimension. Galerie New Space, Fulda (and 1989, Gmunden, Austria) Duality and Co-existence. Exhibiting Space, London (one-person). 2nd International Drawing Biennale. Middlesbrough Art Gallery, Cleveland, and tour Cognition and Control. Midland Group Gallery, Nottingham
 * 2017
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 * 2012/3
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