Exit Wounds

Exit Wounds is a 2001 American action film directed by Andrzej Bartkowiak, produced by Joel Silver, and starring Steven Seagal, DMX, Isaiah Washington, Anthony Anderson, Michael Jai White, Bill Duke, Tom Arnold and Jill Hennessy. Seagal plays Orin Boyd, a Detroit police detective notorious for pushing the limits of the law in his quest for justice. The screenplay is based on a novel of the same name by John Westermann.

This is the second of three films directed by Bartkowiak and produced by Silver that focus on martial arts-based action in an urban setting with a hip-hop soundtrack, following Romeo Must Die (2000) and preceding Cradle 2 the Grave (2003). The three films feature many of the same cast, key crew, and locations.

The film received mixed reviews from critics. It earned $19 million in its opening weekend, and went on to gross a worldwide total of $79.9 million against a budget of $33 million. Exit Wounds was the final film under Steven Seagal's exclusive contract with Warner Bros.

Plot
Detroit Police Department's detective Orin Boyd is a cop in Detroit's 21st precinct, who saves the Vice President of the United States from a right-wing militant group trying to kill him. As Boyd saved the Vice President's life via disobeying orders and killing all the militants, captain Frank Daniels transfers Boyd to the 15th precinct — the city's worst.

Boyd's new captain, former internal affairs officer Annette Mulcahy, knows of his reputation, and she tells him that she will not tolerate it. Annette sends Boyd to an anger management class where he meets Henry Wayne, the high-strung host of a local talk show called Detroit AM. Boyd comes across local drug dealer Latrell Walker and his fast-talking sidekick T.K. Johnson doing a shady deal with a man named Matt Montini. After a brief fight, Boyd discovers that Montini has been working undercover trying to nail Walker and Boyd ruined the sting, and that does not sit well with Montini's musclebound partner Useldinger.

Sergeant Lewis Strutt steps in to cool things down when Boyd gets in a fight with Useldinger. After Boyd stumbles upon the theft of $5,000,000 worth of heroin from evidence storage, Boyd and new partner George Clark begin focusing their efforts on Walker and T.K. Intrigued by what little they have on Walker, they investigate why he has been visiting Shaun Rollins. Henry discovers that Walker is not a drug dealer. Walker is a computer expert and billionaire whose real name is Leon Rollins — he is Shaun Rollins' brother. After an attempt on his life, Boyd confronts Leon, who explains that a group of corrupt cops needed a fall guy for a deal gone bad and pinned it on Shaun. It is further revealed that Strutt is the leader of the group, which also includes Montini and Useldinger. Leon and his friend Trish have been videotaping the activities of Strutt's gang, hoping that it might help prove Shaun's innocence and get him out of jail.

Boyd meets Mulcahy at a parking lot and to inform her what he has uncovered. Montini, Useldinger, and some other men try to kill Boyd and Annette. Mulcahy is killed in the chase and Boyd escapes. Boyd calls Frank and tells him that Strutt will be having a meeting at a warehouse in about an hour, to sell the heroin that was stolen. Strutt plans to try to sell it to Leon and T. K., not knowing that Leon is working against him. Frank promises that he will be there with some backup.

Boyd and Daniels show up, but Strutt tells Frank to keep Boyd under control. Boyd realizes that it is Frank who is behind everything. Clark blows open the door and barges in with backup, including police chief Hinges. Useldinger shoots Boyd and as he is about to shoot him again, George shoots Useldinger dead. Chief Hinges kills Frank by shooting him four times with a shotgun. After a fight with Boyd, Strutt grabs a case full of money and runs up to the roof, where a helicopter is waiting. Montini gets the upper hand in his fight with Leon after he damages Leon's vision with indigo fabric dye. Leon manages to stab Montini in the leg with a piece of broken glass, before killing him by having his neck impaled on a clothes rack. As the helicopter ladder is dragging Boyd across the roof with Strutt hanging on to the ladder, Boyd hooks the ladder to the roof; Strutt falls and is impaled on a metal pipe.

At dawn, Leon gives Hinges the videotape that proves the corruption, hoping that the tape will help prove Shaun's innocence. Hinges does not believe the courts will care about the tape, so Hinges had Shaun released from county jail about an hour before. Boyd decides to stay with the 15th precinct with George as his partner, and T.K. becomes Henry's television co-host.

Production
The film is based on the book of the same name by John Westermann. The book is set in Long Island, New York, but the film moves the setting to Detroit. Seagal signed on to the film under a pay-or-play deal.

Filming took place in Toronto, Ontario; Hamilton, Ontario and the Centre Street Bridge in Calgary, Alberta. The club scene inside was filmed at Guvernment nightclub in Toronto. The exterior of the club was outside of Tonic nightclub in Toronto.

The film reunites actors DMX, Isaiah Washington, and Anthony Anderson with Polish film director Andrzej Bartkowiak, with whom they first worked together on the earlier 2000 film Romeo Must Die. It is the second of three films directed by Andrzej Bartkowiak and produced by Joel Silver that focus on martial arts based action in an urban setting with a hip-hop soundtrack and featuring many of the same cast. Two years later they collaborated again on the film Cradle 2 the Grave.

Eva Mendes' voice was dubbed over by another, unidentified actress without her prior knowledge, as producers felt Mendes didn't sound "intelligent enough".

Dion Lam was the film's martial arts choreographer.

Accident on set
Stuntman Chris Lamon died of head injuries on August 23, 2000, six days after a stunt went wrong on the Exit Wounds set in Hamilton, Ontario. A van was being towed along a street upside-down as part of a chase scene; he was supposed to roll safely out, but apparently struck his head. Another stuntman suffered a concussion in the same incident.

Music
A soundtrack containing hip hop music was released on March 20, 2001 by Virgin Records. It peaked at No. 8 on the Billboard 200 and #5 on the Top R&B/Hip-Hop Albums.

Box office
Exit Wounds debuted at number one at the box office, grossing $19 million at North American theaters from Friday through Sunday. It was considered a surprise hit movie, as it grossed over $50 million in America and almost $30 million throughout the rest of the world. It was hailed as Seagal's big "comeback".

Critical response
On Rotten Tomatoes it has an approval rating of 32% based on 65 reviews. The site's critical consensus states: "It probably goes without saying that Exit Wounds is loaded with plotholes and bad dialogue." On Metacritic the film has a score of 39 out of 100 based on 9 reviews, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.

Lawrence Van Gelder of The New York Times gave the film 3 out of 5 and wrote: "For those in search of action-filled escapist entertainment who are willing to jettison expectations of credibility into the nearest popcorn tub, Exit Wounds ... will do to pass time on an inclement day." Entertainment Weekly's Owen Gleiberman wrote: "In its low grade way, this blithely brutal cops and drugs thriller is an efficient hot wire entertainment." Gleiberman singled out Jill Hennessy for praise saying she "takes the minor character of Seagal's precinct commander and invests her with an intelligence and a flirty warm panache that sparkles on screen."

Todd McCarthy of Variety magazine gave the film a negative review, particularly Seagal's performance saying he "makes one wonder how he ever managed to be regarded as anything resembling a movie star." McCarthy complained that the action scenes were "routine and unimaginative" lacking the flair director Bartkowiak had shown in Romeo Must Die. McCarthy was also critical of unconvincing use of easily recognizable Toronto locations as a stand in for Detroit. Jonathan Foreman of the New York Post suggests that Barkowiak was trying to make a John Woo movie but simply did not have the skills. Foreman called the screenplay "embarrassingly clunky and inane". He concludes "It's hard to know which is more offensive, "Exit Wounds'" ineptitude or its disgusting, cynical brutality. But the people responsible for it are crass and shameless."