Idris Muhammad

Idris Muhammad (إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.

Biography
Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique.

Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9.

Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined.

At the age of 14, Muhammad began his professional career by performing with The Hawketts on their iconic recording “Mardi Gras Mambo”. Two years later, in 1956, he played drums on Fats Domino's recording of "Blueberry Hill".

After being introduced by Joe Jones, Muhammad began touring with Sam Cooke. Later he played with Jerry Butler and Curtis Mayfield in Chicago, working largely in R'n'B, before moving to New York City in the mid-1960s. In New York, Muhammad became embedded in the jazz scene playing with Kenny Dorham, Horace Silver, Lou Donaldson and Betty Carter. He also played in the Apollo Theatre's house band. In 1967, he accepted a job in the orchestra for the initial off-Broadway production of Hair and stayed with the production when it moved to Broadway.

During this time, Muhammad was also in the Prestige label’s house band and made over 150 recordings for the Prestige, Blue Note, and CTI labels among others. He recorded with artists such as Lou Donaldson and Charles Earland who had begun merging jazz with sounds from funk, soul and rock. Muhammad also appeared as a sideman with artists such as Gene Ammons, Nat Adderley, and George Benson. Rudy Van Gelder often worked with Muhammad and had a special relationship with him. The producer greatly assisted with fine tuning Muhammad's recorded drum sound.

After four years with Hair, Muhammad left the production to tour with Roberta Flack whom he worked with for much of the next decade.

Muhammad’s first recording as a leader, Black Rhythm Revolution!, was released by Prestige in 1970 and was followed by Peace and Rhythm in 1971. Both of these albums explored a range of styles and traditions found in jazz and New Orleans rhythms. Subsequent albums released on the Kudu imprint, Power of Soul, House of the Rising Sun, and Turn This Mutha Out, took a turn towards funk. These albums have subsequently become favourites of funk enthusiasts and have been heavily sampled by hip-hop artists.

Towards the end of the 1970s, Muhammad joined Johnny Griffin's band and also spent time playing with Pharoah Sanders.

By the 1980s, Muhammad had moved to Europe. He continued to regularly play and record, collaborating with the likes of Ahmad Jamal, Chico Freeman and Sonny Rollins.

In 2011 he moved back to New Orleans. He died of kidney failure in 2014, aged 74, and was buried according to Islamic burial traditions in Fort Lauderdale, Florida.

Personal life
He changed his name to Idris Muhammad in the 1960s upon his conversion to Islam. Speaking on his name change, he later noted in an interview with Modern Drummer magazine, "One guy told me that if I changed my name, I was going to have a problem because no one would know that Leo Morris and Idris Muhammad were the same guy...But I thought, well, if I stay the same person, then people will know it’s me. And it worked like that. Everybody knew right away that it was me, because of my style of playing.”

In 1966, he married singer Dolores "LaLa" Brooks, a former member of the Crystals. She converted to Islam with him and went for a time by the name Sakinah Muhammad. They separated in 1999. Together, they had two sons and two daughters; he also had a daughter from his first marriage to Gracie Lee Edwards. One son, also named Idris Muhammed, is a professional chef who has appeared on several cooking competition shows including Beat Bobby Flay and Chopped.

Muhammad endorsed Istanbul Agop Cymbals.

As leader

 * 1970: Black Rhythm Revolution! (Prestige)
 * 1971: Peace and Rhythm (Prestige)
 * 1974: Power of Soul (Kudu)
 * 1976: House of the Rising Sun (Kudu)
 * 1977: Turn This Mutha Out (Kudu)
 * 1978: Boogie to the Top (Kudu)
 * 1978: You Ain't No Friend of Mine (Fantasy)
 * 1979: Foxhuntin'  (Fantasy)
 * 1980: Make It Count (Fantasy)
 * 1980: Kabsha (Theresa)
 * 1992: My Turn (Lipstick)
 * 1998: Right Now (Cannonball)

As sideman
'''With Nat Adderley With Eric Alexander With Gene Ammons With George Benson With Walter Bishop, Jr. With Bobby Broom With Rusty Bryant With Donald Byrd With George Coleman With Hank Crawford With Art Davis With Paul Desmond With Fats Domino With Lou Donaldson With Charles Earland With Grant Green With Johnny Griffin With Roy Hargrove With Benjamin Herman With John Hicks With Andrew Hill With Richard "Groove" Holmes With Freddie Hubbard With Bobbi Humphrey With Willis Jackson With Ahmad Jamal With Bob James With J. J. Johnson and Kai Winding With Etta Jones With Rodney Jones With Keystone Trio With Charles Kynard With Joe Lovano With Johnny Lytle With Harold Mabern With Roberto Magris With Jimmy McGriff With Tete Montoliu With Tisziji Munoz With David "Fathead" Newman With Don Patterson With Houston Person With Ernest Ranglin With Roots With Pharoah Sanders With Horace Silver With John Scofield With Shirley Scott With Lonnie Smith With Melvin Sparks With Leon Spencer With Bob Stewart With Sonny Stitt With Gábor Szabó With Stanley Turrentine With Randy Weston With Reuben Wilson
 * Calling Out Loud (CTI, 1968)
 * Solid! (Milestone, 1998)
 * The Black Cat! (Prestige, 1970)
 * You Talk That Talk! (Prestige, 1971)
 * My Way (Prestige, 1971)
 * Got My Own (Prestige, 1972)
 * Big Bad Jug (Prestige, 1972)
 * Goodies (Verve, 1968)
 * Tell It Like It Is (A&M, 1969)
 * The Other Side of Abbey Road (A&M, 1969)
 * Bish Bash (Xanadu, 1968 [1975])
 * Coral Keys (Black Jazz, 1971)
 * Modern Man (Delmark, 2001)
 * Soul Liberation (Prestige, 1970)
 * Fire Eater (Prestige, 1971)
 * Wild Fire (Prestige, 1971)
 * Fancy Free (Blue Note, 1969)
 * Manhattan Panorama (Theresa, 1985)
 * Help Me Make it Through the Night (Kudu, 1972)
 * Wildflower (Kudu, 1973)
 * I Hear a Symphony (Kudu, 1975)
 * Tight (Milestone, 1996)
 * Life (Soul Note, 1986)
 * Summertime (A&M/CTI, 1968)
 * Blueberry Hill (1965)
 * Fried Buzzard (Cadet, 1965)
 * Blowing in the Wind (Cadet, 1966)
 * Lou Donaldson At His Best (Cadet, 1966)
 * Alligator Bogaloo (Blue Note, 1967)
 * Mr. Shing-A-Ling (Blue Note, 1967)
 * Midnight Creeper (Blue Note, 1968)
 * Say It Loud! (Blue Note, 1968)
 * Hot Dog (Blue Note, 1969)
 * Everything I Play is Funky (Blue Note, 1970)
 * Pretty Things (Blue Note, 1970)
 * The Scorpion (Blue Note, 1970)
 * Cosmos (Blue Note, 1971)
 * Sweet Poppa Lou (Muse, 1981)
 * Black Talk! (Prestige, 1969)
 * Carryin' On (Blue Note, 1969)
 * Green Is Beautiful (Blue Note, 1970)
 * Alive! (Blue Note, 1970)
 * Live at Club Mozambique (Blue Note 2006, recorded 1971)
 * NYC Underground (Galaxy, 1979 [1981])
 * To the Ladies (Galaxy, 1979 [1982])
 * Habana (Verve, 1997)
 * Get In (1999)
 * Some Other Time (Theresa, 1981)
 * In Concert (Theresa, 1984 [1986])
 * Inc. 1 (DIW, 1985)
 * I'll Give You Something to Remember Me By (Limetree, 1987)
 * Is That So? (Timeless, 1991)
 * Grass Roots (Blue Note, 1968)
 * Shippin' Out (Muse, 1978)
 * New Colors (Hip Bop Essence, 2001)
 * Flute-In (Blue Note, 1971)
 * Bar Wars (Muse, 1977)
 * The Essence Part One (Birdology, 1995)
 * Big Byrd: The Essence Part 2 (Birdology, 1995)
 * Nature: The Essence Part Three (Birdology, 1997)
 * Picture Perfect (Birdology, 2000)
 * Ahmad Jamal 70th Birthday/Olympia 2000 (Dreyfus, 2000)
 * In Search of Momentum (Dreyfus, 2002)
 * After Fajr (Dreyfus, 2005)
 * It's Magic (Dreyfus, 2008)
 * One (CTI, 1974)
 * Touchdown (Tappan Zee, 1978)
 * Betwixt & Between (A&M/CTI, 1969)
 * My Mother's Eyes (Muse, 1977)
 * If You Could See Me Now (Muse, 1978)
 * Soul Manifesto (1991)
 * Heart Beats (1995)
 * Newklear Music (1997)
 * Wa-Tu-Wa-Zui (Beautiful People) (Prestige, 1970)
 * Friendly Fire (Blue Note, 1998)
 * Flights of Fancy: Trio Fascination Edition Two (Blue Note, 2000)
 * Fast Hands (Muse, 1980)
 * Good Vibes (Muse, 1982)
 * Workin' & Wailin' (Prestige, 1969)
 * Greasy Kid Stuff! (Prestige, 1970)
 * Mating Call (JMood, 2010)
 * City Lights (JAM, 1981)
 * Catalonian Rhapsody (Alfa, 1992)
 * Visiting This Planet (Anami Music
 * Hearing Voices (Anami Music)
 * Concrete Jungle (Prestige, 1978)
 * Keep the Dream Alive (Prestige, 1978)
 * Why Not... (Muse, 1978)
 * Person to Person! (Prestige, 1970)
 * The Real Thing (Eastbound, 1973)
 * Wild Flower (Muse, 1977)
 * Below the Bassline (Island, 1998)
 * Stablemates (In+Out, 1993)
 * Jewels of Thought (Impulse!, 1969)
 * Journey to the One (Theresa, 1980)
 * Pharoah Sanders Live... (Theresa, 1982)
 * Heart is a Melody (Theresa, 1982)
 * Shukuru (Theresa, 1985)
 * Africa (Timeless, 1987)
 * That Healin' Feelin' (Blue Note, 1970)
 * Groove Elation (Blue Note, 1995)
 * Lean on Me (Cadet, 1972)
 * Turning Point (Blue Note, 1969)
 * Sparks! (Prestige, 1970)
 * Spark Plug (Prestige, 1971)
 * Akilah! (Prestige, 1972)
 * Sneak Preview! (Prestige, 1970)
 * Louisiana Slim (Prestige, 1971)
 * Bad Walking Woman (Prestige, 1972)
 * Where I'm Coming From (Prestige, 1972)
 * First Line (JMT, 1988)
 * Turn It On! (Prestige, 1971)
 * Black Vibrations (Prestige, 1971)
 * Goin' Down Slow (Prestige, 1972)
 * Macho (Salvation, 1975)
 * Common Touch (Blue Note, 1968)
 * Don't Mess with Mister T. (CTI, BGO Records, Sony 1973)
 * The Sugar Man (CTI, BGO Records, Sony 1975)
 * The Man with the Sad Face (Fantasy, 1976)
 * Portraits of Duke Ellington (Verve, 1989)
 * Portraits of Thelonious Monk (Verve, 1989)
 * Self Portraits (Verve, 1989)
 * Spirits of Our Ancestors (Verve, 1991)
 * Love Bug (Blue Note, 1969)

Sampled

 * Beastie Boys, Paul's Boutique, "To All the Girls" (Capitol, 1989)