Interrupted Melody

Interrupted Melody is a 1955 American musical biopic film starring Eleanor Parker, Glenn Ford, Roger Moore, and Cecil Kellaway. Directed by Curtis Bernhardt, it was filmed in CinemaScope and Eastman Color, and produced for Metro-Goldwyn-Mayer by Jack Cummings. With a screenplay by Lawrence, Sonya Levien, and William Ludwig, the operatic sequences were staged by Vladimir Rosing, and Eileen Farrell provided the singing voice for Parker. It tells the story of Australian soprano Marjorie Lawrence's rise to fame as an opera singer and her subsequent triumph over polio with her husband's help

Plot
The story traces Marjorie's long, hard road to the top, her success on two continents, and her turbulent marriage to American doctor Thomas King. While touring South America in 1941, Lawrence is stricken with polio, which not only abruptly stops her career but briefly robs her of the will to live. With her husband's help, she makes a triumphant return to opera and the concert stage, beginning by singing for hospitalized soldiers and troops overseas. She returns to the Metropolitan Opera, appearing in a full production of Wagner's Tristan und Isolde.

Cast

 * Glenn Ford as Dr. Thomas King
 * Eleanor Parker as Marjorie Lawrence
 * Roger Moore as Cyril Lawrence
 * Cecil Kellaway as Bill Lawrence
 * Peter Leeds as Dr. Ed Ryson
 * Evelyn Ellis as Clara
 * Walter Baldwin as Jim Owens
 * Ann Codee as Mme. Cécile Gilly
 * Leopold Sachse as himself
 * Stephen Bekassy as Comte Claude des Vignaux

Development
In 1947, it was reported that Marjorie Lawrence was writing her memoirs, titled Interrupted Melody, and that she wanted Greer Garson to play her in a film. The book was published in 1950. The Chicago Tribune called it "engrossing".

In June 1951, MGM, which had just had a huge success with The Great Caruso, another biopic of an opera star, announced that it had bought the screen rights to the book. Jack Cummings was going to produce, and Kathryn Grayson was a possible star. Other possible leads were Greer Garson and Deborah Kerr, who would use Lawrence's voice. Lawrence flew to Hollywood in July to have discussions with Cummings and Sonya Levien, who was to do the script. In December, MGM announced Lana Turner would play the lead with filming to begin in February. However, filming did not proceed. In July 1952, MGM said Garson would be playing the lead and William Ludwig was working on the script. By February 1953, the studio had postponed production again. In December 1953, the film was put back on MGM's schedule with Garson still attached.

On April 7, 1954, The New York Times announced that Eleanor Parker would play the part because all the other candidates, with the exception of Lana Turner, had left MGM. The article reported that Lawrence had recorded the songs for the film. Filming started in September 1954. According to Parker, the filmmakers could not use Marjorie Lawrence's voice, because she had lost her upper register. Parker could read music and had a firm soprano voice with perfect pitch. She prepared for the singing aspect of her role by listening to the numbers for weeks, and she sang them during the filming in full voice instead of lip-synching. The singing was dubbed by Eileen Farrell, who appears on screen early in the film, as a student struggling to hit a high note in a scene with the singing teacher Mme. Gilly (Ann Codee).

Glenn Ford would only appear in the film if he got top billing. Parker says: "I wanted to do what was right for the picture, so I said: 'Let him have the top billing.' Glenn was a kind of a difficult man, but he was right for the picture and a very fine actor."

A key supporting role was given to Roger Moore, who had just made The Last Time I Saw Paris for MGM and had been put under contract to the studio.

Filming had finished by November 1954. The film was previewed in January 1955.

In February 1955, The New York Times published a photo spread showing scenes from the film.

Reception
According to MGM records, the film cost $2,367,000 to produce, and made $1,801,000 in the US and Canada and $2,227,000 overseas.

In a contemporary review of the film in The New York Times, critic Bosley Crowther described it as "tender and moving," "a stirring drama, plus a handsome and melodious one," and "a tale of personal triumph and recovery that is rendered the more eloquent and taut by the ample production of gorgeous music." Film critic Derek Winnert wrote in 2013 that the film "is still an extremely enjoyable old-style heart-lifter and spirit-raiser. It is Parker’s show all the way but Glenn Ford is on top form too as the husband," and noted that "Eileen Farrell performs Parker’s vocals in eight beautiful arias – from Verdi, Puccini, Richard Wagner and Bizet’s Carmen. Amusingly, Farrell [also] plays a singing student of Mme Gilly (Ann Codee) who cannot seem to hit the right notes."

Musical tracks
Walter Ducloux conducted the MGM Studio Symphony Orchestra. MGM published a selection of eleven numbers on an original motion picture soundtrack album.
 * "O don fatale" from Verdi's Don Carlos
 * Act 1 finale from Verdi's Il trovatore
 * "Un bel dì" from Puccini's Madama Butterfly
 * "Habanera" from Bizet's Carmen
 * "Seguidilla" from Carmen
 * "Mon cœur s'ouvre à ta voix" from Saint-Saëns' Samson and Delilah
 * Brünnhilde's Immolation Scene from Wagner's Götterdämmerung
 * Excerpts from Wagner's Tristan und Isolde
 * "Annie Laurie" by Alicia Scott
 * "Over the Rainbow" by Harold Arlen
 * "Voi che sapete" from Mozart's The Marriage of Figaro
 * Medley: "Anchors Aweigh" by Charles A. Zimmermann; "Marines' Hymn", based on works by Jacques Offenbach; "Don't Sit Under the Apple Tree" by Sam H. Stept
 * "Quando me'n vo'" (Musetta's Waltz) from Puccini's La bohème
 * "Waltzing Matilda", traditional