Interstate 60

Interstate 60 (also known as Interstate 60: Episodes of the Road) is a 2002 American independent road film written and directed by Bob Gale, in his directorial debut, and starring James Marsden, Gary Oldman, Amy Smart, Christopher Lloyd, Chris Cooper, Amy Jo Johnson, Art Evans, Ann-Margret and Kurt Russell, with a cameo by Michael J. Fox. It involves a trip to the fictional town of Danver, Colorado.

Plot
The film opens in a bar, where two college students are discussing their papers. One is writing an essay on American Folklore, primarily mythical characters who grant wishes. Compared to other nations the United States does not have any folktales involving characters who grant wishes. The kids are interrupted by an elderly man at the bar, who insists they are wrong. He then tells the boys the tale of O.W. Grant, who carries a pipe in the shape of a monkey's head. Grant travels the country granting wishes to strangers, usually messing with them in the process. But if he likes you, he will play it straight.

Neal Oliver aspires to be an artist, despite the lack of support from his domineering father and analytical girlfriend. At a party for his 22nd birthday, O.W. Grant is the waiter who serves the cake. After Neal blows out the candles, he says he wished for an answer to his life. His father responds by handing him an admission letter to law school that Neal does not want to attend. The family goes outside to look at the red convertible that Neal's dad bought him as a gift, but Neal is upset as the car was clearly meant for his dad and not him. While looking at the car, Neal is struck on the head by a falling bucket.

Neal wakes up in the hospital, where a doctor named Ray comes in and does a quick sight test using playing cards. Neal has to name the suit on the cards. Neal asks if he got it right, and Ray points out that the cards actually had red spades and black hearts, emphasizing that things aren't always what they seem.

After leaving the hospital, Neal sees the mysterious woman that he has been dreaming about in a billboard advertisement, but the billboard company insists that the billboard is blank. When Neal checks the billboard, he sees a new picture of the beautiful blonde, this time with a framed inscription "Call 555-1300". Neal calls the number, and a recorded message tells him that he has an appointment at 555 Olive Street, Suite 1300.

At the appointment, he again meets Ray, who gives him a package to deliver to a Robin Fields in a town called Danver in Colorado (not "Denver"). Ray tells him that he'll find Danver by taking Interstate 60.

With no Interstate 60 on the roadmap, Neal sets out west and encounters O.W. Grant on the roadside. Grant gives Neal directions to the unlisted Interstate 60, and on his journey, Neal meets various characters including a man who can consume unnatural quantities of food and drink; a promiscuous woman looking for perfect sex; a lonely mother looking for her son, who is living in a city where the population is addicted to a government-controlled drug; a dying ex-advertiser who is on a crusade to punish dishonesty; and Mrs. James, who runs the Museum of Art Fraud that actually contains real masterpieces posing as fakes.

When Neal reaches the town of Morlaw, where all citizens are lawyers who spend their days suing each other, he finally finds Lynn, the imprisoned mystery woman he has been dreaming about and painting. Lynn explains that she met O.W. Grant and wished to find the right guy. They spend the night together at the "Fork in the Road" motel. Neal also makes a painting of the motel. Neal leaves to deliver the package in Danver, while Lynn stays behind.

On the radio, Neal hears of a reported murderer on the loose, and the description matches his car. He abandons his vehicle to hitchhike. Arriving in Danver, Neal meets "Robin Fields", who turns out to be O.W. Grant. After opening the package (which holds a replacement monkey-head pipe for O.W.'s broken one), Grant uses his magic powers to "warp" Neal back in time, where he wakes up in the hospital before he first encountered Ray.

Leaving the hospital, Neal confronts his father and asserts his right to live his life without his father's interference. His sister takes him to an art gallery where Neal sees his painting of the "Fork in the Road" – submitted on his behalf by O.W. Grant after Neal had "left it in the motel". He is approached by Lynn, who in reality works with Danver Publishing, because she took an interest in his painting. She talks about wanting to commission him to do a series of paintings on roadside motels and diners as Neal's sister and O.W. Grant watch from a distance.

Deleted scenes
The DVD includes several deleted scenes and the "bridges" where they would be placed in the film. They include:


 * Neal visits an AAA office where he seeks information about Interstate 60 that the service representative repeatedly tells him does not exist. The man explains the American Interstate Highway System to Neal. Neal discovers that if I-60 did exist, it would be oriented west to east and be north of Interstate 40 and south of Interstate 70.
 * When told by the man in the bar about O. W. Grant at the film's beginning, a waitress tells Neal that she had never seen the man before but he had won a large amount of bets by consuming large quantities of alcohol in a brief time without throwing up or urinating. This is the same man who appears later in a diner and makes similar bets that he can eat large amounts of food without releasing them through similar processes. The man admitted he acquired this quality through a wish from O.W. Grant but did not enjoy it, because in addition to being able to eat without stopping, he now must do so to avoid starving.
 * Neal meets his father in his office saying that he doesn't want to be in a pigeon hole. His father says that everyone in the world is in a pigeon hole, even starving artists; there are good pigeon holes and bad pigeon holes so it is better to be in a good one.
 * At the beginning of his road journey, Neal receives a call on his car phone but shuts it off narrating that the only freedom left in the 21st Century is to be incommunicado.
 * After leaving the hospital at the end of the film, Neal breaks up with his girlfriend who calls him a loser and that artists starving for their work only exist in the previous century.

Reception
Robert Koehler, writing in Variety, criticized the film's "juvenile obviousness" and says the themes do not feel genuine.

Review aggregation website Rotten Tomatoes lists 4 reviews, and reports 3 positive and 1 negative review.