Julia Warhola

Julia Warhola (Юлія Вархола; born Juliana Justina Zavaczki; Юлія Юстінія Завацка; Júlia Justína Zavacká; November 20, 1891 – November 22, 1972) was the mother of the American artist Andy Warhol. She was an artist in her own right and provided the calligraphy to her son's artwork.

Biography
Julia Warhola was born Juliana Justina Zavaczki to a peasant family in the Rusyn village of Mikó, Austria-Hungary (now Miková in northeast Slovakia) and married Andrej Varchola (Americanized as Andrew Warhola) there in 1909. He emigrated to the United States soon after, and in 1921 she followed him to Pittsburgh, Pennsylvania. The couple had four children: Maria (1912; died in infancy), Paul (1922–2014), John (1925–2010), and Andy (1928–1987). The family lived at several Pittsburgh addresses, beginning in 1932 at 3252 Dawson Street in the Oakland neighborhood of the city. The family was Byzantine Catholic and attended St. John Chrysostom Byzantine Catholic Church. Her husband Andrew was born in 1889 and died in 1942.

Julia enjoyed singing traditional Rusyn folk songs and was artistic. She loved to draw, and her favorite subjects were angels and cats. She also did embroidery and other crafts, such as bouquets of flowers made from tin cans and crepe paper. During the Easter season, she decorated eggs in the Pysanka tradition.

As a widow, she moved to New York City in 1952 to be near her son Andy. He often used her decorative handwriting to accompany his illustrations such as the book 25 Cats Name Sam and One Blue Pussy (1954). In 1957, she also wrote and illustrated her own book called Holy Cats. She won awards for her lettering, including one from the American Institute of Graphic Arts for an album cover for The Story of Moondog, featuring the musician Louis Thomas Hardin in 1957.

In 1966, Andy made a movie called Mrs. Warhol (it was filmed in color and played for 66 minutes). The film featured Julia in her basement apartment in Andy's house playing "an aging peroxide movie star with a lot of husbands," including the most current spouse, played by Andy's lover Richard Rheem. Andy follows her with his camera as she goes about her daily domestic routines.

After Andy was shot by Valerie Solanas at the Factory in 1968, Jed Johnson, who became his longtime partner, moved into his Lexington Avenue home to care for him and Julia. By 1970, Julia's health was rapidly declining and Jed felt that she would fare better in a nursing home but Andy was against that idea. In February 1971, already stricken with dementia, Julia suffered a stroke. Due to his busy work schedule, Andy decided it would be beneficial for Julia to return to Pittsburgh and live with his brother Paul in 1971. At Paul's home, she suffered another stroke, and after she was released from the hospital, she was put in a nursing home against Andy's wishes, but he paid for the bill.

When Julia died of a third stroke on November 22, 1972, Andy did not attend her funeral nor announce her death to his friends and associates. He would tell anyone asking about her that she was shopping at Bloomingdale's. Even his live-in boyfriend Jed had only accidentally found out about her death later from one of Andy's brothers.

She is buried with her husband Andrew, near their son Andy (who would be buried there in 1987), in the St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, Pennsylvania, a south suburb of Pittsburgh.

Andy created posthumous portraits of Julia in 1974. The portraits appeared on the cover of the Jan/Feb 1975 issue of Art in America. They were also displayed as part of Andy's retrospective at the Whitney Museum of American Art in 1979.