Karl Damschen

Karl Damschen (born 15 July 1942 in Gelsenkirchen, Germany) is an architect working in Switzerland and mainly in Kerala, India. His buildings are grounded in the climatic and historico-cultural conditions of each place, and they are significant for the recognition of the great architectural resources of India.

Education and career
In 1963, Damschen began his studies at the Staatliche Ingenieurschule für Bauwesen Kassel (now University of Kassel), which he completed as a grad. Engineer. After studying with Paul Friedrich Posenenske at the State College of Arts Kassel (now University of Kassel), Damschen obtained his diploma as Architect HbK in 1970. He then moved to Switzerland, and he worked from 1971 to 1981 as a department head in the Helfer Architekten AG office in Bern.

In 1982 he founded his own company, Architektur Atelier Damschen in Bern, Switzerland. It was here that he worked on the Ascom office building in Bern.

In 1985, upon winning a competition for the State College of Technology and Architecture Fribourg (Hochschule für Technik und Architektur Freiburg) in Switzerland, he, along with his partner Daniel Herren, founded their office Herren + Damschen Architects + Planners AG in Bern. Here they worked on several competitions including the urban planning of Löwenplatz in Luzern and urban planning of Thörishaus in Switzerland for which they were conferred the highest Award.

India
In 1976, Damschen embarked on a significant one-year trip by caravan to India and Sri Lanka where he explored the architecture of these countries in detail. This marked the beginning of a lasting relationship with India. From then on, he spent several months each year in Kerala, the southern state of India where he studied first hand, the traditional construction technologies of highly skilled local carpenters. He stated this in an interview with Indian Architecture & Builder Magazine (IA&B): "'IA&B: What is your comment on the traditional architecture of Kerala?... KD: I am now talking about Kerala’s traditional wooden architecture with its most important building, the Padmanabhapuram palace. This kind of architecture was not designed and built by architects but by master carpenters (Acharis)...'" His fascination with India led to his decision to work as a consultant architect in Kerala in 1995. The first hotel project designed by Damschen in Kerala, was the Surya Samudra Beach Garden (Kovalam) in the 1980s, consisting of several traditional wooden houses carefully dismantled and reassembled on site.

Karl Damschen earned his reputation as an architect-conservator in India by converting several heritage and colonial buildings in South India, especially in the old port city of Kochi, where the Portuguese established their first trading post in India as early as 1502. A good example of this is the renovation and reconstruction of the Old Harbour House, an approximately 300-year-old house built by the Dutch.

Since 2013 he has been working in a partnership with the young Indian architect Krishnan Varma.

Architectural style
While in Switzerland, Damschen was inspired by master architect Le Corbusier, whose principles of proportion and scale were adopted into his projects. In his view, architecture that uses the same language universally and neglects reference to its context, leads to an enormous architectural impoverishment in cities. In an interview the architect said: "„While working on the wooden houses and renovating the Jewish Synagogue in Kochi, I realized – like Charles Correa and Geoffrey Bawa – that our so-called modern architecture leads to a visual impoverishment of our cities. To oppose this tendency, architecture must find its roots in a counties culture itself without running the risk of becoming a kind of Disney Land. What I aim at is a kind of timeless architecture which does not pay heed to contemporary trends, as they might not survive.'" His buildings are based on the climatic, historical and socio-cultural conditions of the place. He was influenced by its rich culture of India and introduced carefully selected ornamentation into his architecture. All his projects are planned as an architectural unit that includes the interior and landscape design to ensure overall homogeneity: "„Karl Damschen, the German-Swiss architect of the Brunton Boatyard Hotel, treated history and the town’s current appearance as a spur for developing his design along these historical lines. Damschen, who has been commuting between Bern and Cochin with his wife since 1981, has internalised the genius loci, the spirit of the place and found it a very satisfying task to preserve historical stock and to conduct urban repair. He sees his hotel design as a project of this kind, closing a gap in the town's development, and at the same time criticises the unthinking removal of old buildings in favour of new buildings of absolutely no merit. He wanted to express the 'value of the old in a new building' (Damschen).“"

Published projects

 * Herbert Ypma: HIP Hotels Beach. Thames and Hudson (Econ), London 2004, ISBN 3-430-19889-5
 * Olaf Krüger and Michael Neumann-Adrian: Zeit für Indien. Bucher-Verlag, Munich 2012, ISBN 3-7658-1288-9
 * Olaf Krüger, Michael and Edda Neumann-Adrian: Zeit für Kerala, Traumziele im Garten der Götter. Bucher-Verlag, Munich 2006
 * Klaus-Peter Gast: Moderne Traditionen : zeitgenössische Architektur in Indien. Birkhäuser, Basel-Boston-Berlin 2007, ISBN 978-3-7643-7753-3
 * Inderjit Badhwar, Susan Leong: India chic hotels. bolding books, Singapore 2006. ISBN 981-4155-57-8
 * Kim Inglis: Cool hotels India – Maldives – Sri Lanka, Periplus Editions 2004, ISBN 0-7946-0173-1