Krešo Golik

Krešimir "Krešo" Golik (20 May 1922 – 20 September 1996) was a Croatian film and television director and screenwriter. In a creative career spanning five decades between the late 1940s and late 1980s, Golik directed a number of critically acclaimed feature films, short subjects and television series.

Working almost exclusively at Zagreb-based production companies Jadran Film, Zagreb Film and Croatia Film, Golik is regarded as one of the most important directors in Croatian cinema and his 1970 comedy One Song a Day Takes Mischief Away is widely regarded as the greatest Croatian film ever made.

According to Croatian film scholar Ivo Škrabalo, Golik was "the only Croatian film-maker who managed to retain his integrity in all the periods of the post-war Croatian cinema, from its beginnings in the service of the propaganda of the victorious communist system to the last years of its existence".

Life and career
Golik was born in Fužine, where he completed his primary education. He went to the Gymnasium and the schools of graphic design in Senj and Zagreb. He worked as a sports journalist on Radio Zagreb and a director of newsreels in Jadran Film. In 1947, Golik started his professional film career. His first feature film was Plavi 9 (Blue 9, 1950), a mixture of the Soviet-style industrial epic, romantic comedy and football film, and is famous for its football sequences. After release it quickly became the biggest hit of then-young Yugoslav cinema.

During the 50s, Golik also directed Djevojka i hrast (The Young Girl and the Oak, 1955). During the 1960s, it was revealed that Golik worked as a journalist during the fascist Ustashe regime when he was teenager. Golik was thus banned from directing for almost a decade, but continued working as an assistant. His comeback was marked by the nthological documentary Od 3 do 22 (From 3 to 22, 1966).

His melodramatic comedy films I Have Two Mothers and Two Fathers (1968) and One Song a Day Takes Mischief Away (1970) were the pinnacle of his career, humorously depicting the Zagreb middle class under communism and between the world wars, respectively. Those two films (especially the latter) have been regularly included among the top 10 Croatian films of all time, both by critics and audiences. He Who Sings... is considered as most popular film about Zagreb, and its popularity was so huge that a fast-food chain held the name of the characters of the movie.

Golik was very successful on television as well. He made TV films and dramas. His greatest TV success was another comedy: Gruntovčani, a series about the life of villagers in the Croatian region of Podravina. It was shot in the northwestern Kajkavian dialect. The success of the series encouraged the renaissance of the use of dialects in contemporary Croatian culture.

From 1979 until his retirement in 1989, he taught film direction at the Zagreb Academy of Dramatic Art. He was awarded the Vladimir Nazor Award for a lifetime achievement. Krešo Golik died in Zagreb in September 1996.

Although he did some art films, Kreško Golik is most famous for his more lightweight films and seria, and has been compared to Billy Wilder and Lubitsch.

Selected filmography

 * Plavi 9 (1950; director and writer)
 * The Girl and the Oak (Djevojka i hrast, 1955; director)
 * Kala (1958; director)
 * Martin in the Clouds (Martin u oblacima, 1961; writer)
 * Superfluous (Prekobrojna, 1962; writer)
 * Nikoletina Bursać (1964; writer)
 * I Have Two Mothers and Two Fathers (Imam dvije mame i dva tate, 1968; director and writer)
 * One Song a Day Takes Mischief Away (Tko pjeva zlo ne misli, 1970; director and writer)
 * To Live on Love (Živjeti od ljubavi, 1973; director and writer)
 * Razmeđa (1973; director)
 * Pucanj (1977; director)
 * Violet (Ljubica, 1978; director)
 * The Orchid Villa (Vila Orhideja, 1988; director and writer)