Lebanese Arabic

Lebanese Arabic (عَرَبِيّ لُبْنَانِيّ ʿarabiyy lubnāniyy; autonym: ʿarabe lebnēne ), or simply Lebanese (لُبْنَانِيّ lubnāniyy; autonym: lebnēne ), is a variety of North Levantine Arabic, indigenous to and primarily spoken in Lebanon, with significant linguistic influences borrowed from other Middle Eastern and European languages and is in some ways unique from other varieties of Arabic. Due to multilingualism and pervasive diglossia among Lebanese people (a majority of the Lebanese people are bilingual or trilingual), it is not uncommon for Lebanese people to code-switch between or mix Lebanese Arabic, French, and English in their daily speech. It is also spoken among the Lebanese diaspora.

Lebanese Arabic is a descendant of the Arabic dialects introduced to the Levant and other Arabic dialects that were already spoken in other parts of the Levant in the 7th century AD, which gradually supplanted various indigenous Northwest Semitic languages to become the regional lingua franca. As a result of this prolonged process of language shift, Lebanese Arabic possesses a significant Aramaic substratum, along with later non-Semitic adstrate influences from Ottoman Turkish, French, and English. As a variety of Levantine Arabic, Lebanese Arabic is most closely related to Syrian Arabic and shares many innovations with Palestinian and Jordanian Arabic.

Differences from Standard Arabic
Lebanese Arabic shares many features with other modern varieties of Arabic. Lebanese Arabic, like many other spoken Levantine Arabic varieties, has a syllable structure very different from that of Modern Standard Arabic. While Standard Arabic can have only one consonant at the beginning of a syllable, after which a vowel must follow, Lebanese Arabic commonly has two consonants in the onset.
 * Morphology: no mood or grammatical case markings.
 * Number: verbal agreement regarding number and gender is required for all subjects, whether already mentioned or not.
 * Vocabulary: many borrowings from other languages; most prominently Syriac-Aramaic, Western-Aramaic, Persian, Phoenician, Ottoman Turkish, French, Coptic, as well as, less significantly, from English.
 * Some authors, such as the Lebanese statistician Nassim Nicholas Taleb, believe that a significant part of the Lebanese grammatical structure is due to Aramaic influences.

Examples

 * The following example demonstrates two differences between Standard Arabic (Literary Arabic) and Spoken Lebanese Arabic: coffee (قهوة), Literary Arabic: ; Lebanese Arabic: . The voiceless uvular plosive corresponds to a glottal stop, and the final vowel  commonly written with tāʾ marbūtah (ة) is raised to.
 * As a general rule, the voiceless uvular plosive is replaced with glottal stop, e.g. دقيقة  'minute' becomes . This debuccalization of  is a feature shared with  Syrian Arabic, Palestinian Arabic, Egyptian Arabic, and Maltese.
 * The exception for this general rule is the Druze of Lebanon who, like the Druze of Syria and Israel, have retained the pronunciation of in the centre of direct neighbours who have replaced  with  (for example 'heart', which is  in Literary Arabic, becomes  or . The use of  by Druze is particularly prominent in the mountains and less so in urban areas.
 * Unlike most other varieties of Arabic, a few dialects of Lebanese Arabic have retained the classical diphthongs and  (pronounced in Lebanese Arabic as  and ), which were monophthongised into  and  elsewhere, although the majority of Lebanese Arabic dialects realize them as  and . In urban dialects (i.e. Beiruti)  has replaced  and sometimes medial, and  has replaced final  making it indistinguishable with tāʾ marbūtah (ة). Also,  has replaced ;  replacing some short s. In singing, the ,  and medial  are usually maintained for artistic values.
 * The sound from Modern Standard Arabic is sometimes replaced with  in words from MSA like, (second as in the number) when it becomes . Other times, it may be replaced with  in words like  (second as in the time measurement) when it becomes . It is assumed that this is to maintain an audible difference between the two words which were originally homophones. In some dialects, the  sound is replaced with  for both words.

Contentions regarding descent from Arabic
Lebanese literary figure Said Akl led a movement to recognize the "Lebanese language" as a distinct prestigious language and oppose it to Standard Arabic, which he considered a "dead language". Akl's idea was relatively successful among the Lebanese diaspora.

Several non-linguist commentators, most notably the statistician and essayist Nassim Nicholas Taleb, have said that the Lebanese vernacular is not in fact a variety of Arabic at all, but rather a separate Central Semitic language descended from older languages including Aramaic; those who espouse this viewpoint suggest that a large percentage of its vocabulary consists of Arabic loanwords, and that this compounds with the use of the Arabic alphabet to disguise the language's true nature. Taleb has recommended that the language be called Northwestern Levantine or neo-Canaanite. However, this classification is at odds with the comparative method of historical linguistics; the lexicon of Lebanese, including basic lexicon, exhibits sound changes and other features that are unique to the Arabic branch of the Semitic language family, making it difficult to categorize it under any other branch, and observations of its morphology also suggest a substantial Arabic makeup. However, this is disputable as Arabic and Aramaic share many cognates, so only words proper to the Arabic language and cognates with Arabic-specific sound changes can certainly only be from Arabic. It is plausible that many words used in Lebanese Arabic today may have been influenced by their respective Aramaic and Canaanite cognates.

Historian and linguist Ahmad Al-Jallad has argued that modern dialects are not descendants of Classical Arabic, forms of Arabic existing before the formation of Classical Arabic being the historical foundation for the various dialects. Thus he states that, "most of the familiar modern dialects (i.e. Rabat, Cairo, Damascus, etc.) are sedimentary structures, containing layers of Arabics that must be teased out on a case-by-case basis." In essence, the linguistic consensus is that Lebanese too is a variety of Arabic.

Consonants

 * The phonemes are not native to Lebanese Arabic and are only found in loanwords. They are sometimes realized as  and  respectively.
 * The velar stop occurs in native Lebanese Arabic words but is generally restricted to loanwords. It is realized as  by some speakers.
 * can be heard among Druze speech, alternating with a glottal.

Comparison
This table shows the correspondence between general Lebanese Arabic vowel phonemes and their counterpart realizations in Modern Standard Arabic (MSA) and other Levantine Arabic varieties.

After back consonants this is pronounced in Lebanese Arabic, Central and Northern Levantine varieties, and as  in Southern Levantine varieties.

Regional varieties
Although there is a modern Lebanese Arabic dialect mutually understood by Lebanese people, there are regionally distinct variations with, at times, unique pronunciation, grammar, and vocabulary.

Widely used regional varieties include:
 * Beiruti varieties, further distributed according to neighbourhoods, the notable ones being Achrafieh variety, Basta variety, Ras Beirut variety, etc.
 * Northern varieties, further distributed regionally, the most notable ones being Tripoli variety, Zgharta variety, Bsharri variety, Koura variety, Akkar variety.
 * Southern varieties, with notable ones being the Tyre and Bint Jbeil varieties.
 * Beqaa varieties, further divided into varieties, the notable ones being Zahlé and Baalbek-Hermel varieties.
 * Mount Lebanon varieties, further divided into regional varieties like the Keserwan variety, the Matin dialect, Shouf variety, etc.

Even in the medieval era, the geographer Yaqut al-Hamawi wrote that: "They say that in the Lebanon district there are spoken seventy dialects, and no one people understands the language of the other, except through an interpreter."

Writing system
Lebanese Arabic is rarely written, except in novels where a dialect is implied or in some types of poetry that do not use classical Arabic at all. Lebanese Arabic is also utilized in many Lebanese songs, theatrical pieces, local television and radio productions, and very prominently in zajal.

Formal publications in Lebanon, such as newspapers, are typically written in Modern Standard Arabic, French, or English.

While Arabic script is usually employed, informal usage such as online chat may mix and match Latin letter transliterations. The Lebanese poet Said Akl proposed the use of the Latin alphabet but did not gain wide acceptance. Whereas some works, such as Romeo and Juliet and Plato's Dialogues have been transliterated using such systems, they have not gained widespread acceptance. Yet, now, most Arabic web users, when short of an Arabic keyboard, transliterate the Lebanese Arabic words in the Latin alphabet in a pattern similar to the Said Akl alphabet, the only difference being the use of digits to render the Arabic letters with no obvious equivalent in the Latin alphabet.

There is still today no generally accepted agreement on how to use the Latin alphabet to transliterate Lebanese Arabic words. However, Lebanese people are now using Latin numbers while communicating online to make up for sounds not directly associable to Latin letters. This is especially popular over text messages and apps such as WhatsApp. Examples:
 * 7 for ح
 * kh for خ
 * 3 for ع
 * 2 for ء or ق (qaf is often pronounced as a glottal stop)
 * gh for غ

In 2010, The Lebanese Language Institute released a Lebanese Arabic keyboard layout and made it easier to write Lebanese Arabic in a Latin script, using unicode-compatible symbols to substitute for missing sounds.

Said Akl's orthography


Said Akl, the poet, philosopher, writer, playwright and language reformer, designed an alphabet for the Lebanese language using the Latin alphabet in addition to a few newly designed letters and some accented Latin letters to suit the Lebanese phonology in the following pattern:
 * Capitalization and punctuation are used normally the same way they are used in French and English
 * Some written consonant-letters, depending on their position, inherited a preceding vowel. As L and T.
 * Emphatic consonants are not distinguished in spelling by Said Akl's method, with the exception of represented by ƶ. Probably Said Akl did not acknowledge any other emphatic consonant.
 * Stress is not marked.
 * Long vowels and geminated consonants are represented by double letters.
 * ꞓ which represents (Arabic hamza) was written even initially.
 * All of the basic Latin alphabet are used, in addition to other diacriticized ones. Most of the letters loosely represent their IPA counterparts, with some exceptions:

Roger Makhlouf largely uses Akl's alphabet in his Lebanese-English Lexicon.