Lemonade and Brownies

Lemonade and Brownies is the debut studio album by the American rock band Sugar Ray, released on April 4, 1995, by Atlantic Records. It was far less successful than the band's later releases on Atlantic. It and the band's next album Floored also featured less of a pop-influenced sound than their later work.

Background
When the band got signed to Atlantic Records in 1994, they had only three to five songs, including "Caboose" and two other songs called "Lick Me" and "Gold Digger". Prior to getting signed, the band had created their own video for "Caboose", which found its way to Atlantic Records executive Doug Morris in late 1993. Drummer Stan Frazier later recalled that "Doug Morris [from Atlantic] saw the live energy in the video and said, 'Sign that band, this is entertaining.'" They agreed to a two million dollar deal with Atlantic, with the deal being signed at a local pizza shop in Newport Beach. California, Recording for Lemonade and Brownies would begin in mid-1994. It was produced by the band's director friend Joseph McGinty "McG" Nichol, who went on to become a director for Hollywood films such as Charlie's Angels. Then-House of Pain member DJ Lethal served as a co-executive producer. Sugar Ray asked DJ Lethal to work on their album as they were a fan of the House of Pain song "Jump Around". DJ Homicide appears on a few of the album's tracks, and was credited as a guest musician, being excluded from a group shot of the band on the back of the album, which shows them riding a rollercoaster. He later became an official touring member of Sugar Ray. In a July 1997 interview promoting their next album Floored, singer Mark McGrath said that "Homicide came in toward the end of the last album and he's a clown like us. We grew up listening to Kiss and AC/DC and he's from a totally different background, so it's a great exchange." Prior to becoming involved with Sugar Ray, DJ Homicide had been working as a hip-hop radio DJ in Los Angeles.

Actress Nicole Eggert is featured on the cover, with the photo of her being taken in 1995. At the time, McGrath was dating Eggert's best friend. He said in October 1997 that the cover art helped the album gain more exposure, saying "I can't tell you how many program directors have told me they played our record because of that photo. They'd tell me that a typical CD that comes across their desk ends up in the trash, but our cover grabbed them and they put it on. And Nicole wouldn't even take a cent for it."

The album title was inspired by an ad in a pornographic magazine, which featured a near-naked woman and the slogan "try our lemonade and brownies". Some believed that the album's title was a reference to urine and feces.

Musical style
Sugar Ray initially began as a hardcore punk band in 1986, but had gone through several style changes by the time they got signed to Atlantic Records, including at one point being a glam metal band. AllMusic describe Lemonade and Brownies as being "sub-Chili Peppers shuck-and-jive." The Rolling Stone Encyclopedia of Rock & Roll (2001) states that on their first two albums, Sugar Ray were influenced by "a variety of sounds: Red Hot Chili Peppers-style punk-funk, reggae grooves, metal, hip hop, and a little bit of retro new wave." In 1999, Corey Moss of the Iowa State Daily compared their sound on this album to Faith No More. In her 2000 Sugar Ray biography book, author Anna Louise Golden states that people at the time considered the band's sound to be "putting the funk into music that was perilously close to metal." She also categorized the song "Big Black Woman" as being a cross between blues rock and speed metal. The song "Danzig Needs a Hug" references the punk/metal singer Glenn Danzig, who is known for his dark image. It features falsetto vocals from McGrath and backing vocals from Janine Harris. Golden describes the song as being "close to disco lite". The album ends with a hidden country-influenced acoustic track, titled "One Brave Cowboy".

Regarding their influences on the album, McGrath said in 2009, "we're such fans of all kinds of music. I love Slayer, I love The Beach Boys and everything in between. When you have five guys who write in the band — like we all do — you're going to get a lot of influences. Back then when we started we were like kids in a candy store. We were just throwing things against the wall." In a 2015 interview, McGrath also reflected on the genre of the album, saying that it was a "pre nu-metal type rap/rock thing." He added, "yes, people look back on it as a 'metal record'. But if you listen to that record, there are [also] R&B songs, soul, I'm singing falsetto on a song. If you hear the record you're hearing a band in its cocoon stage, going 'who are we?' [...] We were kind of a jokey metal/rock/punk/funk/thrash... we were the Chili Peppers with zero talent."

Promotion and commercial performance
The music video for "Mean Machine" was featured in a 1995 Beavis and Butt-Head episode titled "Bang the Drum Slowly Dumbass". In 1996, "10 Seconds Down" was included on the soundtrack for Escape from L.A.. That same year, "Iron Mic" was included on the soundtrack for the Ruby-Spears-produced Mega-Man cartoon. It is rumored that Mark McGrath did voice-over work for one of the show's episodes.

The album experienced some minor success in Europe, where similar bands like downset. and Rage Against the Machine were popular. it did not chart in the United States and was considered a commercial and critical failure for Atlantic Records. For Lemonade and Brownies, the band did seven tours in Europe, but in the United States they did only a single tour. Even though the band had signed a two album deal with Atlantic, the label were considering buying out their contract due to the underperformance of Lemonade and Brownies. Sugar Ray ended up staying on Atlantic, and would go on to experience huge success in the summer of 1997, after the release of their reggae/pop-influenced single "Fly". As a result of their newfound success, sales for Lemonade and Brownies eventually rose to 100,000.

Reception
Lemonade and Brownies received a generally mixed response from critics upon its release. AllMusic's Stephen Thomas Erlewine wrote that the album is "a competent set of alternative funk/metal", but noted that "nothing on Lemonade & Brownies is particularly distinctive." In June 1995, Mike Boehm of the Los Angeles Times labelled it "juvenile", and cited it as having "the dumb-fun appeal that's the essence of frat rock." Boehm adds "with the album’s cheesecake artwork and infantile, toilet-humor title, it’s clear Sugar Ray is factoring its appeal down to lowest denominators with this debut CD." Kirk Miller of The Michigan Daily wrote in September 1995 that "Sugar Ray is the same feeling as having the munchies at 3 a.m. and running out to Denny's." He adds that the album is "a big ooey-gooey-chocolatey binge of phat punk-funk metal. Oh and the singer looks like Brad Pitt. Yum?".

In August 1995, CMJ New Music Monthly wrote that the album "jumps hyperactively between rap, hardcore, arena rock and funk with a lot more skill and strength than you might expect (although, like so many white boys, they sound like they're trying a bit too hard to be funk-ay)". The publication further stated that, "The Beastie Boys (there's even a "Cookie Puss"-style prank phone call), Bad Brains and Van Halen loom large here. Although its Beasties/Peppers personality sometimes overpowers the music, Sugar Ray manages to pull it off throughout most of this LP." In April 1995, David Beran of the Gavin Report similarly wrote, "dangling their feet in the streams of hard rock and funk, Sugar Ray manage to do what the Beasties and Chilis have done." New Zealand publication Rip It Up wrote in their November 1995 review that the album has "excursions into [various] musical genres, combined with a sense of humor and quirkiness." They add that, "shuffled in their deck of harder songs are laidback funk songs 'Danzig Needs a Hug' and 'Hold Your Eyes', which could easily pass as the product of a cheesy combo fitted with polyester lounge suits."

Legacy
In 1999, David Jenison of In Music We Trust reflected that with Lemonade and Brownies, "Sugar Ray only had three things going for them: 1) a good looking singer, 2) punk rock influences, and 3) being from Orange County, home to bands like No Doubt and the Offspring. But Sugar Ray also had a big problem — they didn't have any real songs." In 2021, Louder Sound had a positive view of the album compared to their later pop-influenced material, writing that "[Lemonade and Brownies] and its 1997 follow-up Floored are actually worth investing a little bit of your time to", adding that "we get why they 'sold out', but damn, we could have done with more of this before they went for the big pay day." In 2019, Rani Baker of Grunge.com included Sugar Ray on a list titled "Bands That Don't Sound Anything Like They Used To". She called Lemonade and Brownies a "messy funk-punk effort", and noted that, "to many folks, Sugar Ray was [just] another blonde-frosted late-'90s nothing of a band whose songs showed up in sitcoms and romcoms."

Track listing
All songs written by McGrath, Sheppard, Karges, Frazier & McG
 * 1) "Snug Harbor" – 0:50
 * 2) "Rhyme Stealer" – 2:51
 * 3) "Iron Mic" – 4:40
 * 4) "Hold Your Eyes" – 3:29
 * 5) "The Greatest" – 3:58
 * 6) "Big Black Woman" – 1:43
 * 7) "Mean Machine" – 2:41
 * 8) "Dance Party USA" – 3:18
 * 9) "10 Seconds Down" – 3:39
 * 10) "Danzig Needs a Hug" – 3:07
 * 11) "Drive By" – 1:58 (comedy skit)
 * 12) "Caboose" – 3:13
 * 13) "Scuzzboots" – 3:29
 * 14) "Streaker" – 4:12
 * 15) "One Brave Cowboy" – 1:37 (Hidden bonus track plays after 2 minutes of silence)


 * Japan bonus tracks
 * 1) "White Minority" (Black Flag cover) – 1:03
 * 2) "Wasted" – 0:49
 * 3) "Wango Tango" (Ted Nugent cover) – 3:56
 * 4) "Dr. J" (Live) – 3:11

Sugar Ray

 * Mark McGrath - lead vocals (credited as "Liar")
 * Rodney Sheppard - guitars, backing vocals (credited as "Traitor")
 * Murphy Karges - bass, backing vocals (credited as "Sellout")
 * Stan Frazier - drums, backing vocals (credited as "Cheat")

Additional musicians

 * DJ Lethal - turntables, samples
 * DJ Homicide - additional scratches
 * Janine Harris - additional vocals on "Danzig Needs a Hug"

Production

 * McG - producer
 * DJ Lethal - executive producer
 * Jason Roberts - mixing
 * Ben Wallach - engineer
 * Tom Baker - mastering
 * Barry "Lord" Conley, Steve Gallagher, Mon Agranat, Eric Fischer & John Ewing Jr. - additional engineers
 * Dante Ariola & Jay Papke - art direction and design
 * Stephen Stickler & Dante Ariola - cover photography
 * Melanie Nissen - additional photography