List of compositions by Richard Wagner

This is a sortable list of compositions by Richard Wagner.

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Chamber works

 * 4 || chamber music || String Quartet in D major (1829; lost; occasionally mistaken for the Starnberg Quartet, no evidence of the Starnberg Quartet's existence survives)
 * 4 || chamber music || String Quartet in D major (1829; lost; occasionally mistaken for the Starnberg Quartet, no evidence of the Starnberg Quartet's existence survives)


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Orchestral works

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Symphonies

 * 29 || orchestral || Symphony in C major (1832)
 * 35 || orchestral || Symphony in E major (1834; uncompleted; first movement finished; second movement unfinished)
 * 78 || orchestral || Symphonies (1846-47; uncompleted; sketches exist for at least two symphonies)
 * 35 || orchestral || Symphony in E major (1834; uncompleted; first movement finished; second movement unfinished)
 * 78 || orchestral || Symphonies (1846-47; uncompleted; sketches exist for at least two symphonies)
 * 78 || orchestral || Symphonies (1846-47; uncompleted; sketches exist for at least two symphonies)


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Overture

 * 10 || orchestral || Overture in B-flat major ("Paukenschlag-Ouvertüre") (1830; lost)
 * 11 || orchestral || Politische Ouvertüre (c. 1830; lost and likely uncompleted)
 * 12 || orchestral || Overture to Schiller's Die Braut von Messina (1830; lost?)
 * 14 || orchestral || Overture in C major (1830; lost)
 * 17 || orchestral || Overture in E-flat major (1831; lost and likely uncompleted)
 * 20 ||orchestral || Concert Overture No. 1 in D minor (1831)
 * 24 || orchestral || Overture in E minor and incidental music to Raupach's König Enzio (1832; only the Overture survives)
 * 27 || orchestral || Concert Overture No. 2 in C major (1832)
 * 37 || orchestral || Overture and incidental music to Guido Theodor Apel's historic drama Columbus (1834-35; only the Overture survives)
 * 39 || orchestral || Polonia Overture in C major (1836)
 * 42 || orchestral || Rule Britannia Overture in D major (1837)
 * 59 || orchestral || Eine Faust-Ouvertüre (1855, second version; 1840, first version originally conceived as the first movement to a Faust Symphony)
 * 24 || orchestral || Overture in E minor and incidental music to Raupach's König Enzio (1832; only the Overture survives)
 * 27 || orchestral || Concert Overture No. 2 in C major (1832)
 * 37 || orchestral || Overture and incidental music to Guido Theodor Apel's historic drama Columbus (1834-35; only the Overture survives)
 * 39 || orchestral || Polonia Overture in C major (1836)
 * 42 || orchestral || Rule Britannia Overture in D major (1837)
 * 59 || orchestral || Eine Faust-Ouvertüre (1855, second version; 1840, first version originally conceived as the first movement to a Faust Symphony)
 * 39 || orchestral || Polonia Overture in C major (1836)
 * 42 || orchestral || Rule Britannia Overture in D major (1837)
 * 59 || orchestral || Eine Faust-Ouvertüre (1855, second version; 1840, first version originally conceived as the first movement to a Faust Symphony)
 * 42 || orchestral || Rule Britannia Overture in D major (1837)
 * 59 || orchestral || Eine Faust-Ouvertüre (1855, second version; 1840, first version originally conceived as the first movement to a Faust Symphony)
 * 59 || orchestral || Eine Faust-Ouvertüre (1855, second version; 1840, first version originally conceived as the first movement to a Faust Symphony)


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Other orchestral works
(Grand Festive March for the Opening of the Centennial Celebration of the Declaration of Independence of the United States of America) (1876)
 * 13 || orchestral || Orchestral work in E minor (c. 1830; fragment)
 * 25 || orchestral || Entreactes tragiques No. 1 in D major, No. 2 in C minor (c. 1832)
 * 73 || orchestral || Trauermusik (Funeral Music), on motifs from Weber's Euryanthe (1844) (for large wind band)
 * 91B || orchestral || Träume. Version for violin and chamber orchestra (1857)
 * 97 || orchestral || Huldigungsmarsch (1864, version for military band; 1871, orchestral version)
 * 98 || orchestral || Romeo und Julie (1868; sketches / uncompleted)
 * 103 || orchestral || Siegfried Idyll (1870)
 * 104 || orchestral || Kaisermarsch (1871)
 * 107 || orchestral || Plans for overtures and symphonies (1874–83; uncompleted)
 * 110 || orchestral || Großer Festmarsch zur Eröffnung der hundertjährigen Gedenkfeier der Unabhängigkeitserklärung der Vereinigten Staaten
 * 98 || orchestral || Romeo und Julie (1868; sketches / uncompleted)
 * 103 || orchestral || Siegfried Idyll (1870)
 * 104 || orchestral || Kaisermarsch (1871)
 * 107 || orchestral || Plans for overtures and symphonies (1874–83; uncompleted)
 * 110 || orchestral || Großer Festmarsch zur Eröffnung der hundertjährigen Gedenkfeier der Unabhängigkeitserklärung der Vereinigten Staaten
 * 104 || orchestral || Kaisermarsch (1871)
 * 107 || orchestral || Plans for overtures and symphonies (1874–83; uncompleted)
 * 110 || orchestral || Großer Festmarsch zur Eröffnung der hundertjährigen Gedenkfeier der Unabhängigkeitserklärung der Vereinigten Staaten
 * 110 || orchestral || Großer Festmarsch zur Eröffnung der hundertjährigen Gedenkfeier der Unabhängigkeitserklärung der Vereinigten Staaten
 * 110 || orchestral || Großer Festmarsch zur Eröffnung der hundertjährigen Gedenkfeier der Unabhängigkeitserklärung der Vereinigten Staaten


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Piano works and Lieder

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Piano

 * 2 || piano || Sonata in D minor (1829; lost)
 * 5 || piano || |Sonata in F minor (1829; lost)
 * 5 || piano || |Sonata in F minor (1829; lost)
 * 5 || piano || |Sonata in F minor (1829; lost)


 * 16 || piano 4-hands || Sonata in B-flat major, for four hands (1831; lost)
 * 21 || piano || Sonata in B-flat major, Op. 1 (1831)
 * 22 || piano || Fantasia in F-sharp minor (1831)
 * 23A || piano || Polonaise for piano (1831–32)
 * 23B || piano 4-hands || Polonaise for piano, four hands (1831-32)
 * 26 || piano || Grand Sonata in A major (1832)
 * 64 || piano || Albumblatt für Ernst Benedikt Kietz: "Lied ohne Worte" (c. 1840)
 * 84 || piano || Polka (1853)
 * 85 || piano || Eine Sonate für das Album von Frau Mathilde Wesendonck (1853)
 * 88 || piano || (1854)
 * 93 || piano || Elegy in A-flat major (c. 1858; rev. 1881)
 * 94 || piano || In the album of Fürstin M (1861)
 * 95 || piano || Ankunft bei den schwarzen Schwänen (1861)
 * 108 || piano || Albumblatt für Frau Betty Schott (1875)
 * 84 || piano || Polka (1853)
 * 85 || piano || Eine Sonate für das Album von Frau Mathilde Wesendonck (1853)
 * 88 || piano || (1854)
 * 93 || piano || Elegy in A-flat major (c. 1858; rev. 1881)
 * 94 || piano || In the album of Fürstin M (1861)
 * 95 || piano || Ankunft bei den schwarzen Schwänen (1861)
 * 108 || piano || Albumblatt für Frau Betty Schott (1875)
 * 93 || piano || Elegy in A-flat major (c. 1858; rev. 1881)
 * 94 || piano || In the album of Fürstin M (1861)
 * 95 || piano || Ankunft bei den schwarzen Schwänen (1861)
 * 108 || piano || Albumblatt für Frau Betty Schott (1875)
 * 95 || piano || Ankunft bei den schwarzen Schwänen (1861)
 * 108 || piano || Albumblatt für Frau Betty Schott (1875)
 * 108 || piano || Albumblatt für Frau Betty Schott (1875)


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Lieder

 * 7 || Lied || Lieder (1828–30; sketches / drafts)
 * 15 || Lied || Seven Compositions on Goethe's Faust (1831)
 * 30 || Lied || Glockentöne (Abendglocken) (1832; lost)
 * 50 || Lied || "Der Tannenbaum" (c. 1838)
 * 53 || Lied || Dors mon enfant (1839)
 * 54 || Lied || Extase (1839; fragment)
 * 55 || Lied || Attente (1839)
 * 56 || Lied || La tombe dit à rose (1839; fragment)
 * 57 || Lied || Mignonne (1839)
 * 58 || Lied || Tout n'est qu'images fugitives (Soupir) (1839)
 * 60 || Lied || Les deux grenadiers (1839-40)
 * 61 || Lied || Adieux de Marie Stuart (1840)
 * 91 || Lied || Wesendonck Lieder (1858, third version; 1857-58, second and first version)
 * 92 || Lied || Es ist bestimmt in Gottes Rat (c. 1858; draft)
 * 105 || Lied || Der Worte viele sind gemacht (1871)
 * 56 || Lied || La tombe dit à rose (1839; fragment)
 * 57 || Lied || Mignonne (1839)
 * 58 || Lied || Tout n'est qu'images fugitives (Soupir) (1839)
 * 60 || Lied || Les deux grenadiers (1839-40)
 * 61 || Lied || Adieux de Marie Stuart (1840)
 * 91 || Lied || Wesendonck Lieder (1858, third version; 1857-58, second and first version)
 * 92 || Lied || Es ist bestimmt in Gottes Rat (c. 1858; draft)
 * 105 || Lied || Der Worte viele sind gemacht (1871)
 * 61 || Lied || Adieux de Marie Stuart (1840)
 * 91 || Lied || Wesendonck Lieder (1858, third version; 1857-58, second and first version)
 * 92 || Lied || Es ist bestimmt in Gottes Rat (c. 1858; draft)
 * 105 || Lied || Der Worte viele sind gemacht (1871)
 * 92 || Lied || Es ist bestimmt in Gottes Rat (c. 1858; draft)
 * 105 || Lied || Der Worte viele sind gemacht (1871)
 * 105 || Lied || Der Worte viele sind gemacht (1871)


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Vocal works

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Arias

 * 3 || aria || Aria (1829; lost)
 * 8 || aria || Aria for soprano and orchestra (early 1830?; lost)
 * 28 || aria || Scene and Aria for soprano and orchestra (1832; lost)
 * 33 || aria || Aria No. 15 (Aubry) "Wie ein schöner Frühlingsmorgen" from the opera Der Vampyr by Heinrich Marschner with a new allegro "Doch jetzt, wohin ich blicke, umgibt mich Schreckensnacht" (1833)
 * 43 || aria || "Sanfte Wehmut will sich regen". Aria for bass and orchestra. Excerpt from the opera Mary, Max und Michel by Carl Blum (1837)
 * 45 || aria || Bass aria from Die Schweizer Familie (c. 1837; lost)
 * 52 || aria || "Norma il predisse, o Druidi", aria for bass, male chorus, and orchestra for the opera Norma by Vincenzo Bellini (1839)
 * 33 || aria || Aria No. 15 (Aubry) "Wie ein schöner Frühlingsmorgen" from the opera Der Vampyr by Heinrich Marschner with a new allegro "Doch jetzt, wohin ich blicke, umgibt mich Schreckensnacht" (1833)
 * 43 || aria || "Sanfte Wehmut will sich regen". Aria for bass and orchestra. Excerpt from the opera Mary, Max und Michel by Carl Blum (1837)
 * 45 || aria || Bass aria from Die Schweizer Familie (c. 1837; lost)
 * 52 || aria || "Norma il predisse, o Druidi", aria for bass, male chorus, and orchestra for the opera Norma by Vincenzo Bellini (1839)
 * 45 || aria || Bass aria from Die Schweizer Familie (c. 1837; lost)
 * 52 || aria || "Norma il predisse, o Druidi", aria for bass, male chorus, and orchestra for the opera Norma by Vincenzo Bellini (1839)
 * 52 || aria || "Norma il predisse, o Druidi", aria for bass, male chorus, and orchestra for the opera Norma by Vincenzo Bellini (1839)


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Opera

 * 6 || Oper || Pastoral opera (unnamed) (early 1830?; lost)
 * 31 || Oper || Die Hochzeit (1832–33; unfinished)
 * 32 || Große romantische Oper || Die Feen (1833-1834; rev. 1834)
 * 38 || Große komische Oper || Das Liebesverbot oder Die Novize von Palermo (1835–36)
 * 40 || Große Oper || Die hohe Braut (c. 1836-42; libretto completed; little to no music composed)
 * 48 || komische Oper || Männerlist größer als Frauenlist, oder Die glückliche Bärenfamilie (c. 1838; libretto completed; only three musical numbers completed, all in piano score)
 * 49 || Große tragische Oper || Rienzi, der letzte der Tribunen (1837-1840; rev. 1843-1844, 1847)
 * 63 || romantische Oper || Der fliegende Holländer (1840–41; rev. 1846, 1852, 1860)
 * 66 || Oper || Die Sarazenin (c. 1841-43; libretto drafted; no music composed)
 * 67 || Oper || Die Bergwerke zu Falun (1842; libretto drafted; no music composed)
 * 70 || Große romantische Oper || Tannhäuser und der Sängerkrieg auf Wartburg (1842–45; rev. 1845, 1847, 1851, 1860-61, 1865, 1875)
 * 75 || romantische Oper || Lohengrin (1845-1848)
 * 76 || Oper ? || Friedrich I. (1846-49; sketches only)
 * 80 || Oper ? || Jesus of Nazareth (1849; scenario and 1 musical sketch)
 * 81 || Oper ? || Achilleus (1849–50; only prose drafts exist)
 * 82 || Heldenoper || Wieland der Schmied (1849–50; only prose drafts exist)
 * 86A || Bühnenfestspiel, Vorabend || Das Rheingold (1851–54)
 * 86B || Bühnenfestspiel, erster Tag || Die Walküre (1851–56)
 * 86C || Bühnenfestspiel, zweiter Tag || Siegfried (1851–71)
 * 86D || Bühnenfestspiel, dritter Tag || Götterdämmerung (1848–74)
 * 89 || Oper || Die Sieger (1856; only a short prose sketch exists)
 * 90 || Handlung || Tristan und Isolde (1854–59)
 * 96 || Oper || Die Meistersinger von Nürnberg (1845–67)
 * 99 || Oper ? || Luther's Wedding (1868; only prose sketches exist; no music composed)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)
 * 76 || Oper ? || Friedrich I. (1846-49; sketches only)
 * 80 || Oper ? || Jesus of Nazareth (1849; scenario and 1 musical sketch)
 * 81 || Oper ? || Achilleus (1849–50; only prose drafts exist)
 * 82 || Heldenoper || Wieland der Schmied (1849–50; only prose drafts exist)
 * 86A || Bühnenfestspiel, Vorabend || Das Rheingold (1851–54)
 * 86B || Bühnenfestspiel, erster Tag || Die Walküre (1851–56)
 * 86C || Bühnenfestspiel, zweiter Tag || Siegfried (1851–71)
 * 86D || Bühnenfestspiel, dritter Tag || Götterdämmerung (1848–74)
 * 89 || Oper || Die Sieger (1856; only a short prose sketch exists)
 * 90 || Handlung || Tristan und Isolde (1854–59)
 * 96 || Oper || Die Meistersinger von Nürnberg (1845–67)
 * 99 || Oper ? || Luther's Wedding (1868; only prose sketches exist; no music composed)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)
 * 86D || Bühnenfestspiel, dritter Tag || Götterdämmerung (1848–74)
 * 89 || Oper || Die Sieger (1856; only a short prose sketch exists)
 * 90 || Handlung || Tristan und Isolde (1854–59)
 * 96 || Oper || Die Meistersinger von Nürnberg (1845–67)
 * 99 || Oper ? || Luther's Wedding (1868; only prose sketches exist; no music composed)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)
 * 96 || Oper || Die Meistersinger von Nürnberg (1845–67)
 * 99 || Oper ? || Luther's Wedding (1868; only prose sketches exist; no music composed)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)
 * 99 || Oper ? || Luther's Wedding (1868; only prose sketches exist; no music composed)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)
 * 111 || Bühnenweihfestspiel || Parsifal (1857–82)


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Other vocal works

 * 1 || Trauerspiel || Leubald (1826–28; music lost, libretto survives)
 * 19A || choral || Study fugue "Dein ist das Reich" (1831–32)
 * 19B || || Double Fugue (1831–32; no instrumentation or text set)
 * 36 || choral || Incidental music for Wilhelm Schmale's one-act allegorical play Beim Antritt des neuen Jahres 1835 (1834)
 * 41 || incidental music || Incidental music to J. Singer's play Die letzte Heidenverschwörung in Preußen oder Der Deutsche Ritterorden in Königsberg (c. 1837; fragment; lost)
 * 44 || choral || Folk hymn Nicolay (1837)
 * 51 || choral || Gesang am Grabe (Funeral Dirge) (1838-39; lost)
 * 65 || vocal orchestral || "Descendons gaiement la courtille". Contribution to the Vaudeville-Ballet-Pantomime La descente de la courtille by Th. Marion Dumersan and Ch.-Désiré Dupeuty, for chorus and orchestra (c. 1841)
 * 68A || choral || Festgesang Der Tag erscheint (1843; male chorus a cappella, TTBB)
 * 68B || choral || Festgesang Der Tag erscheint (c. 1843; male chorus with brass instruments, 4hn, 4tpt, 3 trbn, bass tuba)
 * 69 || choral || Das Liebesmahl der Apostel (1843)
 * 71 || choral || Gruß seiner Treuen an Friedrich August (II. von Sachsen) (1844)
 * 72 || choral || An Webers Grabe (1844)
 * 100 || Lustspiel || Ein Lustspiel in einem Akt (1868; prose draft)
 * 101 || choral || Wahlspruch für die Deutsche Feuerwehr (1869)
 * 102 || Lustspiel in antiker Manier || Eine Kapitulation (1870; unfinished)
 * 106 || choral || Kinder-Katechismus zu Kosel's Geburtstag (1873)
 * 112 || choral || Willkommen in Wahnfried, du heil'ger Christ (1877)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)
 * 68B || choral || Festgesang Der Tag erscheint (c. 1843; male chorus with brass instruments, 4hn, 4tpt, 3 trbn, bass tuba)
 * 69 || choral || Das Liebesmahl der Apostel (1843)
 * 71 || choral || Gruß seiner Treuen an Friedrich August (II. von Sachsen) (1844)
 * 72 || choral || An Webers Grabe (1844)
 * 100 || Lustspiel || Ein Lustspiel in einem Akt (1868; prose draft)
 * 101 || choral || Wahlspruch für die Deutsche Feuerwehr (1869)
 * 102 || Lustspiel in antiker Manier || Eine Kapitulation (1870; unfinished)
 * 106 || choral || Kinder-Katechismus zu Kosel's Geburtstag (1873)
 * 112 || choral || Willkommen in Wahnfried, du heil'ger Christ (1877)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)
 * 101 || choral || Wahlspruch für die Deutsche Feuerwehr (1869)
 * 102 || Lustspiel in antiker Manier || Eine Kapitulation (1870; unfinished)
 * 106 || choral || Kinder-Katechismus zu Kosel's Geburtstag (1873)
 * 112 || choral || Willkommen in Wahnfried, du heil'ger Christ (1877)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)
 * 112 || choral || Willkommen in Wahnfried, du heil'ger Christ (1877)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)
 * 113 || choral || Ihr Kinder, geschwinde, geschwinde (c. 1880)


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Miscellaneous

 * 18 || arrangement || Piano reduction of Haydn's Symphony No. 103 in E-flat major (1831; lost)
 * 34 || arrangement || Instrumentation of a cavatina from Bellini's Il pirata (1833; lost)
 * 46A || arrangement || Bellini, Norma, retouching of orchestration (c. 1837)
 * 46B || arrangement || Giacomo Meyerbeer: Robert der Teufel No. 18 (C) Cavatina transcribed for strings (c. 1838)
 * 46C || arrangement || Carl Maria von Weber: Euryanthe No. 18 Hunting chorus and reorchestration (c. 1839)
 * 46D || arrangement || Fromental Halévy: Le Guitarrero for several instruments
 * 46E || arrangement || Arrangements of Halévy's La reine de Chypre
 * 46F || arrangement || Daniel Auber: Zanetta ou Jouer avec le feu, Arrangement for flute and string trio, Suites No. 1 and 2
 * 47 || arrangement || Gioachino Rossini: Les soirées musicales, No. 12 Duet "Li Marinari", instrumentation (c. 1838)
 * 62A || arrangement || Various composers, suites for the cornet à pistons (c. 1840; lost)
 * 62B || arrangement || Arrangements from Gaetano Donizetti's opera La favorite (c. 1840-1842)
 * 62C || arrangement || Henri Herz: Grande Fantaisie sur La Romanesca fameux air de danse du XVI siècle, Op. 111. Arrangement for piano four hands (c. 1840-1842)
 * 62D || arrangement || Arrangements of Fromental Halévy's opera Le Guitarrero (c. 1840-42)
 * 62E || arrangement || Arrangements of Fromental Halévy's opera in five acts La reine de Chypre (c. 1840-1842)
 * 62F || arrangement || Arrangements of Daniel Auber's opera Zanetta for flute quartet (c. 1840-1842)
 * 74 || arrangement || Orchestration of Spontini's La vestale (c. 1844)
 * 77 || arrangement || Arrangement of Christoph Willibald Gluck's tragic opera Iphigénie en Aulide (c. 1846-47)
 * 79 || arrangement || Giovanni Pierluigi da Palestrina: Stabat mater (c. 1848)
 * 83 || arrangement || Arrangement of Mozart's Don Giovanni (1850; lost)
 * 87 || arrangement || Konzertschluß to the Overture to Gluck's Iphigenie in Aulis (c. 1854)
 * 109 || arrangement || Arrangement of the Waltz Wein, Weib und Gesang by Johann Strauss II (1875)
 * }
 * 62C || arrangement || Henri Herz: Grande Fantaisie sur La Romanesca fameux air de danse du XVI siècle, Op. 111. Arrangement for piano four hands (c. 1840-1842)
 * 62D || arrangement || Arrangements of Fromental Halévy's opera Le Guitarrero (c. 1840-42)
 * 62E || arrangement || Arrangements of Fromental Halévy's opera in five acts La reine de Chypre (c. 1840-1842)
 * 62F || arrangement || Arrangements of Daniel Auber's opera Zanetta for flute quartet (c. 1840-1842)
 * 74 || arrangement || Orchestration of Spontini's La vestale (c. 1844)
 * 77 || arrangement || Arrangement of Christoph Willibald Gluck's tragic opera Iphigénie en Aulide (c. 1846-47)
 * 79 || arrangement || Giovanni Pierluigi da Palestrina: Stabat mater (c. 1848)
 * 83 || arrangement || Arrangement of Mozart's Don Giovanni (1850; lost)
 * 87 || arrangement || Konzertschluß to the Overture to Gluck's Iphigenie in Aulis (c. 1854)
 * 109 || arrangement || Arrangement of the Waltz Wein, Weib und Gesang by Johann Strauss II (1875)
 * }
 * 77 || arrangement || Arrangement of Christoph Willibald Gluck's tragic opera Iphigénie en Aulide (c. 1846-47)
 * 79 || arrangement || Giovanni Pierluigi da Palestrina: Stabat mater (c. 1848)
 * 83 || arrangement || Arrangement of Mozart's Don Giovanni (1850; lost)
 * 87 || arrangement || Konzertschluß to the Overture to Gluck's Iphigenie in Aulis (c. 1854)
 * 109 || arrangement || Arrangement of the Waltz Wein, Weib und Gesang by Johann Strauss II (1875)
 * }
 * 87 || arrangement || Konzertschluß to the Overture to Gluck's Iphigenie in Aulis (c. 1854)
 * 109 || arrangement || Arrangement of the Waltz Wein, Weib und Gesang by Johann Strauss II (1875)
 * }
 * }