List of paintings by Edward Burne-Jones

This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.

1860s

 * Girls in a Meadow (1860), private collection.
 * Sidonia von Bork 1560 (1860), Tate Britain, London.
 * Clara von Bork 1560 (1860), Tate Britain, London.
 * Merlin and Nimue from 'Morte d'Arthur' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
 * The Goldfish Pool or Girl and Goldfish (1861), Tullie House Museum, Carlisle.
 * Clerk Saunders (1861), Tate Britain, London.
 * The Annunciation and the Adoration of the Magi (1861), Tate Britain, London.
 * The Backgammon Players (1861–62), Birmingham Museum & Art Gallery, Birmingham.
 * Morgan le Fay (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.
 * The Madness Of Sir Tristram (1862), private collection.
 * King Mark and La Belle Iseult (1862), Birmingham Museum & Art Gallery, Birmingham.
 * Fair Rosamund and Queen Eleanor (1862), Tate Britain, London.
 * Cinderella (1863), Museum of Fine Arts, Boston.
 * The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
 * Astrologia (1865), private collection. Listed at Bridgeman Art Library.
 * Princesse Sabra (1865), Musée d'Orsay, Paris.
 * The Lament (1865), William Morris Gallery.
 * The Prioress' Tale (1865–98), Delaware Art Museum.
 * Cupid and Psyche (1865), Manchester Art Gallery, Manchester. Second version (c. 1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.
 * The Garland: A Girl Tending Flowers (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
 * The Mirror of Venus (1866–1877), private collection. Later version, completed simultaneously:
 * 1873–1877 at the Calouste Gulbenkian Foundation, Lisbon.
 * Charity (1867), private collection. Listed at Bridgeman Art Library.
 * Cupid Delivering Psyche (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham. Three later versions of the same subject (all listed at Bridgeman Art Library).
 * 1867 at the Cecil Higgins Art Gallery.
 * c1871 at Sheffield Galleries and Museums Trust.
 * date unknown, private collection.
 * The Love Song (c. 1868–1873), Metropolitan Museum of Art, New York.
 * Green Summer (1868), private collection. Listed at Bridgeman Art Library.
 * Laus Veneris (1869), Laing Art Gallery, Newcastle upon Tyne.
 * Autumn (1869–70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.

1870s

 * Evening Star (1870), private collection. Listed at Bridgeman Art Library.
 * Phyllis and Demophoon (1870), Birmingham Museum & Art Gallery, Birmingham.
 * The Sleeping Beauty (1870–1873), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
 * The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including:
 * c.1870 at the Carlisle City Art Gallery, Carlisle.
 * c.1870 at the Watts Gallery, Compton.
 * 1871–1877 at the National Gallery of Victoria, Melbourne. and
 * 1871–1885 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
 * 1877–1883 at the Musée d'Orsay, Paris.
 * c.1882 at the National Museum of Wales, Cardiff (unfinished).
 * Fame (c.1870), Watts Gallery, Compton.
 * Love or The Triumph of Love (c.1870), Watts Gallery, Compton.
 * Oblivion (c.1870), Watts Gallery, Compton.
 * Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
 * Day (1870), Fogg Art Museum, Harvard University.
 * Night (1870), Fogg Art Museum, Harvard University.
 * The Garden of Hesperides (1870–73), private collection.
 * Spes or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
 * 1872–1877 at the National Gallery of Victoria, Melbourne
 * 1896 at the Museum of Fine Arts, Boston.
 * Dorigen of Bretaigne longing for the Safe Return of her Husband (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
 * Fides (1871), Vancouver Art Gallery.
 * Venus Epithalamia (1871), Fogg Art Museum, Harvard University.
 * Pan and Psyche (1872–1874), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.
 * Danäe and the Brazen Tower (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):
 * Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
 * Danae or the Tower of Brass (1887–88), Glasgow Museums, Glasgow.
 * The Beguiling of Merlin (1872–1877), Lady Lever Art Gallery, Port Sunlight.
 * Psyche entering the Portals of Olympus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
 * The Feast of Peleus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
 * Troy Triptych (1872–1898), Birmingham Museum & Art Gallery, Birmingham.
 * The Mirror of Venus (1875), Museu Calouste Gulbenkian, Lisbon.
 * Frieze of Eight Women Gathering Apples (1876), Tate Britain, London.
 * The Annunciation (1876), Lady Lever Art Gallery, Port Sunlight.
 * Atlas Turned to Stone (c. 1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.
 * The Avenging Angel of St Catherine (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
 * An Angel Playing a Flageolet (1878), Sudley House, National Museums Liverpool. Two further versions exist one in an unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.
 * A Musical Angel (c. 1878–1880), unknown.

1880s

 * The Golden Stairs (1880), Tate Britain, London.
 * Lady Frances Balfour (1880), Musée des Beaux-Arts de Nantes
 * The Angel (1881), Glasgow Museums, Glasgow.
 * The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
 * Earth Mother (1882), Worcester Art Museum, Massachusetts. Second version in a private collection (both listed at Bridgeman Art Library.
 * The Mermaid (1882), Tate Britain, London.
 * The Mill (1882), Victoria and Albert Museum, London.
 * The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
 * The Magic Circle (c. 1882), Tate Britain, London.
 * Georgiana Burne-Jones (1883), private collection (?).
 * King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
 * The Pilgrim at the Gate of Idleness (1884), Dallas Museum of Art.
 * The Morning of the Resurrection (1886), Tate Britain, London.
 * Sibylla Delphica (1886), Manchester Art Gallery, Manchester.
 * The Garden of Pan (c. 1886), National Gallery of Victoria, Melbourne.
 * The Depths of the Sea (1887), Fogg Art Museum, Harvard University.
 * The Star of Bethlehem (1887–1891), Birmingham Museum & Art Gallery, Birmingham.
 * The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
 * The King and the Shepherd (1888), Carnegie Museum of Art, Pittsburgh.
 * The Heart of the Rose (1889), private collection.

The Legend of Briar Rose (1885–1890)
Farringdon Collection Trust, Buscot Park, Oxfordshire. Four major paintings with 10 "joining panels":
 * 1) Briars
 * 2) The Briar Wood (1st major painting)
 * 3) Briars
 * 4) Briars, with Helmet and Greave
 * 5) A Terrace, with a Curtain hanging before a flowering Briar
 * 6) The Council Chamber (2nd major painting)
 * 7) A Terrace, with a Curtain hanging before a flowering Briar
 * 8) A Stone Hall with flowering Briars
 * 9) The Garden Court (3rd major painting)
 * 10) A Stone Hall with flowering Briars
 * 11) A Stone Kitchen overgrown with Briars
 * 12) A Kitchen with a Cupboard overgrown with Briars
 * 13) The Rose Bower (4th major painting)
 * 14) A Kitchen, with a Basin, Towel and Briars

Small Briar Rose series (1871–1873)
Museo de Arte de Ponce, Puerto Rico.
 * The Briar Wood
 * The Council Chamber
 * The Rose Bower

Third Briar Rose series

 * The Garden Court, Bristol City Museum and Art Gallery, Bristol.
 * The Council Chamber, Delaware Art Museum, Wilmington.
 * The Rose Bower, Hugh Lane Gallery of Modern Art, Dublin.

The Days of Creation (1870–1876)
Fogg Art Museum, Harvard University:

Pygmalion Series (1868–1870)
Joseph Setton Collection (private), Paris – now owned by Lord Lloyd Webber:

Pygmalion and the Image Series or "Pygmalion and Galatea Series" (1875–1878)
Birmingham Museum & Art Gallery, Birmingham:

The Perseus Cycle (1875-1890s)
Only four of the paintings were completed in oil, although full size gouache studies were rendered of all the images.
 * 1) The Call of Perseus, full size study in Southampton Art Gallery.
 * 2) Perseus and the Graiae completed work in oil at Staatsgalerie, Stuttgart. Study in private collection, sketches at the Cecil Higgins Gallery and a full size study Southampton Art Gallery.
 * 3) The Arming of Perseus or Perseus and the Nereids (Sea Nymphs), study in Southampton Art Gallery.
 * 4) The Finding of Medusa, full size study in Southampton Art Gallery.
 * 5) The Death of Medusa, full size study in Southampton Art Gallery.
 * 6) The Birth of Pegasus and Chrysaor, full size study in Southampton Art Gallery.
 * 7) The Rock of Doom, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery.
 * 8) The Doom Fulfilled, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery. Perseus and Andromeda (1876) Art Gallery of South Australia, Adelaide. Same composition as Doom Fulfilled.
 * 9) The Baleful Head, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery.
 * 10) Atlas turned to Stone, full size study in Southampton Art Gallery

Portraits

 * Portrait of Lady Lewis (1870), private collection.
 * Portrait of Maria Zambaco (1870)
 * Portrait of La Baronne Madeleine Desandes (1895–96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library).
 * Portrait of Katie Lewis (1886),

Undated

 * The Temple of Love, Tate Britain, London.
 * Flamma Vestalis, Fogg Art Museum, Harvard University.
 * Venus Discordia, National Museum of Wales, Cardiff (unfinished).
 * Heart of the Rose. Listed at Bridgeman Art Library.