Love Is the Only Master I'll Serve

love is the only master I'll serve is a symbolical art film (22') written and directed by Nicholas Lens.

Festival selections

 * (World premiere) Brooklyn International Film Festival, New York City - June 2006
 * Media and Dance, Tokyo - Japan, 2006
 * Napolidanza, Italy, 2006
 * The American Dance Festival, United States, 2006
 * Media and Dance, Tokyo - Japan, 2020 (Best Selection)

Plot
One entity, divided into two women, addresses himself to an imaginary love-god represented by a pipe-smoking child. The body and voice of the divided entity are used to utter a spectrum of opposed sensations - caused by the division - and heightened sensitiveness related to the subject. The divided entity is seeking a unification, which will not happen without the approval and support of the imaginary love-god.

Characters
 (Reference for this paragraph Festival program BIFF New York City 2006) 


 * The Whisper Kid, symbolizes a personalized love-god.
 * she looks with a certain distance and neutrality at the two creatures who address themselves to her;
 * her image is of pureness and young innocence;
 * to cut across this well-spread definition she smokes a big curled hanging pipe;
 * sometimes she blows and creates air bubbles of soap with the inhaled smoke;
 * by these actions the child character reveals a mysterious, elusive background of her own timelessness, of someone who could possibly be aged but appears this time in a gentle, different form.
 * Luna, a human female mortal addressing herself indirectly (and sometimes directly) to the imaginary love-god.
 * she figures as a sculpture, perplexed by the whisper kid, but finally she looks straight in a static camera while she sings her ode to love, she expresses her devotion to the subject ("love is the only master I'll serve") by her self-chosen verbal communication;
 * her body almost does not move, we only see a severe, sometimes frightened, sometimes completely desperate-for-love face expression.
 * Serena, a human female mortal, addresses herself indirectly (and sometimes directly) to the imaginary love-god.
 * she communicates her devotion to the subject by physical expression;
 * she dances, using a whole spectrum of facial and body statements, interrupted with spasmodic blitzes of short falling moves and/or like electric shocks, like face and body are crying of pain and uncontrolled passion originated by the subject (as it appears sometimes when long periods of a constant energetic and inner peaceful mood is suddenly effected from outside, unexpectedly and on first sight unnecessary, like the pain of a needle in a body which is in a gentle, lovely sleeping state, a pain, abrupt and short, but more hurting, much deeper as one isn’t prepared for it).

Credits Production

 * Written and directed by Nicholas Lens

Cast
 * Louise Peterhoff - Serena
 * Claron McFadden - Luna
 * Clara-Lane Lens - The Whisper Kid

Crew
 * Photography and camera - Renaat Lambeets
 * Choreography - Louise Peterhoff
 * Music and libretto - Nicholas Lens
 * Art director - Pierre-François Limbosch
 * Editing - Simone Rau
 * Additional editing - Stefan Rijcken
 * Location - Karnak room, Axel Vervoordt, Wijnegem, Belgium
 * Shooting days - April 16–17, 2005
 * Executive producer - Brigitte Baudine
 * Presented by Tabaran Company
 * Produced by Nicholas Lens

Soundtrack
Music production:

The Accacha Chronicles 3rd part, Amor Aeternus - Hymns of Love, Nicholas Lens

Soloists
 * Claron McFadden, Ian Honeyman, Henk Lauwers, Derek Lee Ragin, Elka Simeonova, Galya Haralambieva, Paul Gérimon, Clara-Lane Lens, Angelite -Bulgarian Voices

Recording and mixing
 * Acoustic studios - Sofia, Tabaran Studio - Brussels, ICP - Brussels, Villaïda - Casablanca, Bleu Nuit - Brussels, villalou - Cape Town
 * Distributed by Sony BMG Classics (CD 82876 66238 2, 2005)
 * Published by Schott Music International, Mainz/New York City