Mclusky Do Dallas

Mclusky Do Dallas is the second studio album by Welsh indie rock band Mclusky, released on 1 April 2002 by Too Pure.

Mclusky Do Dallas spawned four singles: "Lightsabre Cocksucking Blues", "Whoknowyou", "To Hell with Good Intentions", and "Alan Is a Cowboy Killer". The album was re-released on limited edition white marble and clear orange vinyl as a Record Store Day exclusive in 2012.

The album's title is a spin on the 1978 pornographic film Debbie Does Dallas.

Reception
The album received critical acclaim upon release. Tim DiGravina of AllMusic wrote that the album is "every bit as dynamic, thunderous, and accomplished as Relationship of Command, Come on Pilgrim, and Nevermind [...] The mad vocals of Andy Falkous make Black Francis look like a geeky school kid in comparison", ending the review by calling it "a fascinating, addictive album that never grows old, never takes itself too seriously, and never grates despite its absolutely raging dynamics." "At the end of the day, what separates Mclusky Do Dallas from all of the shit being passed off as punk or heavy rock is their sense of humor and their ability to not take themselves seriously" writes Jean-Pierre of Tiny Mix Tapes. Chris Dahlen of Pitchfork wrote that their "infectiously poppy songwriting [...] works to keep the mood varied" given that their "straight-up songs" are "wrack(ed) with nervous energy", calling it "one of the tightest, jumpiest, straight-up rock albums around."

Retrospective views
Retrospectively, the album is viewed very positively and is often considered the band's "breakthrough". JR Moores, writing for The Guardian, called it "the most gloriously sardonic collection of caustic-yet-catchy mini-anthems of its era" and bemoaned its lack of popularity upon release. Candice Eley of Treble called it a "masterpiece [...] an album as hardcore and as cheeky as its title might imply." Kyle Fowle of Spectrum Culture considers it to be "a monumental album. It may not be the most revolutionary revision of the punk rock aesthetic or vision, but it’s definitely the most fun. There’s a perfect balance present on the record; Mclusky is focused on creating a foreboding, harsh, loud record, but never once take themselves too seriously. The overdriven guitar solos and Falkous’ shriek hit you like a freight train, but are never alienating or unwanted. There's no overarching political or creative statement, just three guys beating the shit out of their instruments and having a blast doing it. You can't ask for much more from one of the definitive records of the 2000s." "No question about it," writes George Lang for NewsOK, "2002's “Mclusky Do Dallas” was the most hilarious record the Pixies never made, an album built from lacerating music and equally serrated wit that was custom-built for furious road trips and decibel therapy." Phoenix New Times ranked it third on their list of "10 Underrated Punk Albums That Should Be Considered Classics", with Tom Reardon writing: "Like the first two records on this list [Frankenchrist and Worlds Apart], this is a great record from a great band, but it has been largely ignored by way too many people. Sure, it's noisy and disrespectful to just about anyone with a shred of pop sensibility, but it also totally rocks."

Accolades
In addition to the ones listed below, the song "To Hell with Good Intentions" was ranked number 40 in BBC Radio DJ John Peel's Festive Fifty for 2002.

Covers
The song "Lightsabre Cocksucking Blues" has been covered live by Bully and Fight Like Apes on their debut album Fight Like Apes and the Mystery of the Golden Medallion. The former also covered the track "No New Wave No Fun" live. Japandroids covered "To Hell with Good Intentions" live and on their EP All Lies (later compiled on No Singles).

In popular culture
"Lightsabre Cocksucking Blues" was included on the soundtrack to Observe and Report.

Personnel

 * McLusky
 * Andy Falkous – vocals, guitar
 * Jonathan Chapple – bass, vocals
 * Matthew Harding – drums


 * Additional personnel
 * Steve Albini – recording, engineering (tracks 1–13)
 * Victoria Collier – sleeve design
 * Stefam de Batselier – photography
 * Richard Jackson – recording (track 14, recorded at Famous in April 2001)
 * Chris Ludd – mastering