Nicolas Canniccioni

Nicolas Canniccioni is a Canadian cinematographer.

In 2009, Canniccioni served as additional director of photography for Xavier Dolan's I Killed My Mother. In 2015, he was nominated for a Canadian Screen Award for Best Cinematography in a Documentary with Jean-Pierre St-Louis for Where I'm From.

With director Simon Lavoie, he began shooting the film The Little Girl Who Was Too Fond of Matches on 4 September 2016 in Montreal and the Laurentides. Canniccioni and Lavoie chose to shoot in black and white, with Canniccioni employing a Red Epic Monochrome 6K camera. He was nominated for the Canadian Screen Award for Best Cinematography.

At the 7th Canadian Screen Awards, Canniccioni was nominated for Best Cinematography in a Documentary for First Stripes. He shot Kuessipan (2019) in Innu Takuaikan Uashat Mak Mani-Utenam and Sept-Îles, Quebec. For Kuessipan, he was nominated for Best Cinematography at the 22nd Quebec Cinema Awards.

Filmography
His films include:
 * Journey's End (La Belle Visite) - 2010
 * Laurentia (Laurentie) - 2011
 * Small Blind (La mise à l'aveugle) - 2012
 * La Playa DC - 2013
 * The Demons (Les Démons) - 2015
 * X500 - 2016
 * Early Winter - 2016
 * Those Who Make Revolution Halfway Only Dig Their Own Graves (Ceux qui font les révolutions à moitié n'ont fait que se creuser un tombeau) - 2016
 * Genesis (Genèse) - 2018
 * The Castle (Le Château) - 2020
 * Bootlegger - 2021
 * Ousmane - 2021
 * Rojek - 2022
 * A Respectable Woman (Une femme respectable) - 2023