Talk:Cape Breton fiddling

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the biggest thing about cape breton fiddle is timing, and a good cape breton dancer will know if you have timing, this day in age everyone wants to rush through the tunes, and not playing them for what they are really worth, slow and strong is how i think of it, but i learned this from listening to old tapes and from an old teacher i had who knew all the old players, people like Dan Hughie MacEachern, Donald Angus Beaton, Winston Scotty Fiztgerald who was supposed to be known as one of the best, they should be the peoples influences today, they are tapes of Winston and so on. Drones and doubling brings out the strong feeling of cape breton fiddle and changing the tunes to an extent where only another fiddle would realize the change if he too played the tune, (triplets, cuts, and strong ornamentation but no so much on the cape breton composed tunes, more so on the tradional ones no one won't care about. some people take the tunes they compose seriously and don't want anyone else to toy with their tune.

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The following link was removed as it does not appear to meet the criteria for external links. If someone can make a valid argument for how it does, feel free to provide your rationale and see where community consensus lies. Active Banana (talk) 23:42, 10 February 2010 (UTC)
 * Natalie MacMaster and Donnell Leahy play at the TED Conference

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Wiki Education assignment: Music and Dance of the Gael
— Assignment last updated by CBFraoch (talk) 18:01, 8 December 2023 (UTC)

Wiki Edu assignment peer review
All looks good from me. Good addition Cameronmac1 (talk) 20:36, 24 November 2023 (UTC)