Talk:Drag queen

Section on children contains no sources of differing vantage point, amounts to editorializing.
There needs to be an addition for the viewpoint against things like Drag Story Time, etc. to go along with the sources that are proponents. The current status of the section is merely an editorial quote via one person.

Wiki Education assignment: Gender and Technoculture 320-01
— Assignment last updated by ACHorwitz (talk) 16:18, 10 October 2023 (UTC)

Wiki Education assignment: Graphic Design History
— Assignment last updated by Ktrachsel01 (talk) 01:08, 18 December 2023 (UTC)

Editorial change
Since we are apparently a society of full inclusion, no matter what, I would like to ask that the term cisgender be removed from the article and replaced with heterosexual or straight as I find the above term non inclusive of the rights of heterosexual people. Thank you. 31.126.66.175 (talk) 16:15, 12 March 2024 (UTC)


 * Heterosexual refers to sexual orientation, whereas cisgender refers to gender identity, i.e., same gender identity as your assigned gender at birth. The article should not be updated with the proposed change because these words have different meanings, and we need to follow common usage. Hist9600 (talk) 13:04, 23 March 2024 (UTC)

Etymology
This is most likely a red herring, but in case anyone feels like investigating further: one of the words for 'a costume' or 'an outfit' in Norwegian, Danish and Swedish is
 * Norwegian: en drakt
 * Danish: en dragt
 * Swedish: en dräkt

—suggesting a connection with being 'in costume'.

(Links go to dictionary entries in those languages.)

In German, I think it's Tracht. Not sure about Dutch.

It's perfectly possible,though, that being in drag is unrelated to these. The OED don't mention anything along those lines, for example. (When learning Norwegian, I assumed the words were related, and remembered drakt that way.) Musiconeologist (talk) 16:50, 5 April 2024 (UTC)
 * Interesting theory. Needs a reliable source here. Scottish? --SergeWoodzing (talk) 07:47, 6 April 2024 (UTC)

Transmen
You should point out that trans men can also be drag queens (and not only drag kings) as a performance like the famous Gottmik. 2A01:E0A:5DA:C520:C076:CBBE:592B:1EBF (talk) 15:11, 24 April 2024 (UTC)

"History of drag"
Isn't it obvouls that this whole section belongs in the arcticle Drag (entertainment), not here? SergeWoodzing (talk) 14:36, 27 April 2024 (UTC)

Rollback
I rolled back 2 edits where an image had been added here as a separate section, but with no explaiation or request, SergeWoodzing (talk) 08:38, 29 April 2024 (UTC)

A need to rethink how we write on gender impersonation and drag.
@ I just created a quick article on Female impersonation (needs expanding) which makes an important separation from drag (entertainment), although it might be better to move it to gender impersonation. In general, I think we need to do a better job differentiating between gender impersonation and drag because they aren't exactly the same thing. This book makes a compelling distinction where drag is defined as different than female impersonation because of its specifically queer identity: We need to recognize that much of what is being presented here as "drag history" isn't exactly drag history but the history of female impersonation which for the majority of history looked nothing like the drag queens of LGBTQ culture. For one thing, female impersonators were predominantly cisgender heterosexual men (at least as far as the public knew) through most of history, and they were taking on female characters in plays and comedy sketches performed for heteronormative audiences as opposed to adopting/developing a drag persona and identity for a queer audience. They also were predominantly performing in works with little to no queer subtext, and in fact there was a concerted effort to deliberately dissociate from queer identity in most cases. Minstrel shows, vaudeville, burlesque, early films for the most part were presenting female impersonators as heteronormative, although undoubtedly some of the performances were queer coded and performed by queer artist who were closeted in some instances. (and those are exactly the types of examples we should be highlighting when looking at drag's roots within the broader subject of female impersonation) In short, I think we should move much of this history to the female impersonation article, and really focus in on the queer identity aspect of drag within this article. 4meter4 (talk) 05:40, 11 June 2024 (UTC)
 * I do not undertand the use of the word queer in these contexts and decided years ago not to try to figure it out. I have had a number of drag queens as friends and in shows I worked on. Some of them are against the use of that word, others are not. So, proceed and do what you feel is good for Wikipedia, and we'll let others weigh in! All I ask is that you proceed with caution. It's still a controversial word, believe it or not. Best wishes, --SergeWoodzing (talk) 21:06, 11 June 2024 (UTC)


 * @ I hear you, but I think its equally controversial to tie up all female impersonation up into drag. Dame Edna Everage for example really shouldn't be in the drag (entertainment) article because Barry Humphries insisted he did not do drag and was not a drag queen and was merely an actor performing a character. When we get down to it, drag queens are an intimate part of and are inextricably linked to LGBTQ culture, and they perform a unique social/cultural role in the LGBTQ community. Drag queens work in gay bars and in nightclubs, and the ball and pageant systems were built around a gay and transgender sub-culture. Drag queens also have their own subculture not shared with female impersonators with words unique to their world (see Drag Race terminology). The drag queen is a performer attached to a certain socio-cultural and even political setting (the gay rights movement was influenced by drag queen activists). Drag queens are involved in pride parades, and LGBTQ rights protests. That's very different than the long history of female impersonators working in minstrel shows, vaudeville, burlesque, plays, musical theatre etc. for predominantly straight audiences, and by mainly straight men who never performed in gay clubs, participated in the ball or pageant drag scene, or engaged with drag queen culture (ie. the ball scene, the LGBTQ nightlife scene, the linguistics/language of drag, etc.). Female impersonation is not attached to a particular socio-cultural group, whereas drag is. That said, there is always going to be some overlap between the two, and there will inevitably be certain performers that do not fit neatly anywhere or bridge the divide. It's a very difficult thing to concretely define. Best.4meter4 (talk) 22:06, 11 June 2024 (UTC)