Talk:The Last Defender of Camelot

Untitled
I'm holding my 2002 paperback edition...it starts with an introduction by Robert Silverberg, then has the stories: COMES NOW THE POWER (1966) FOR A BREATH I TARRY (1966) ENGINE AT THE HEARTSPRING'S CENTER (1974) HALFJACK (1979) HOME IS THE HANGMAN (1975) PERMAFROST (1986) LOKI 7281 (1984) MANA FROM HEAVEN (1984) 24 VIEWS OF MT. FUJI, BY HOKUSAI (1985) COME BACK TO THE KILLING GROUND, ALICE, MY LOVE (1992) THE LAST DEFENDER OF CAMELOT (1979)

Yeah, I just edited this stub to include the 2002 version. The link off the Zelazny page now reads: ~Eco751
 * The Last Defender of Camelot (1980, 2002)

WikiProject class rating
This article was automatically assessed because at least one WikiProject had rated the article as stub, and the rating on other projects was brought up to Stub class. BetacommandBot 13:51, 9 November 2007 (UTC)

It's been a long time...
It's been a very long time since I read this anthology. If I remembered anything other than Damnation Alley better, I'd work on expanding this article. All I do remember, and my only contribution so far, is that it's annotated. Zelazny wrote a little paragraph to accompany each piece that speaks to something personal for him about it - from what I recall, either how he came to write it, what was going on in his life at the time, or something like that. I recall that, for Damnation Alley, which I had never read before in any format - nor had I seen the movie - Zelazny noted that the novella was always his favorite telling of the story, that he was disappointed in both the novel and the movie. I remember finding the story so powerful that I set the entire anthology down for over a year. I didn't read anything by Zelazny for a while, as I let the story dissipate from my system. I took Mr. Z's word for it and never sought another format of that story. I'd like to see one of today's 21st century filmmakers, with today's CGI and focus on authenticity to the work, and rehashing of ideas from the childhoods of Boomers and Gen X (the latter being my generation), try their hand at bringing this story to the big screen again. I think its message and imagery are more apropos today than they were in the 1970s. Kelelain (talk) 01:36, 31 August 2023 (UTC)