The Triumph of Life

The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822. He modelled the poem, written in terza rima, on Petrarch's Trionfi and Dante's Divine Comedy.

Shelley was working on the poem when he accidentally drowned on 8 July 1822 during a storm on a voyage from Leghorn.

The poem was first published in the collection Posthumous Poems (1824) published in London by John and Henry L. Hunt which was edited by his wife Mary Shelley, who emphasised the importance of the work.

The theme of the poem is an exploration of the nature of being and reality. For Shelley, life itself, the "painted veil" which obscures and disguises the immortal spirit, is a more universal conqueror than love, death, fame, chastity, divinity, or time, and, in a dream vision, he sees this triumphal chariot pass, "on the storm of its own rushing splendour," over the captive multitude of men. Ultimately, natural life corrupts and triumphs over the spirit.

Synopsis
The Triumph of Life consists of 548 lines in terza rima.


 * Lines 1–40. Introduction: The narrator introduces himself, explains that his untold personal crisis must "remain untold", and describes the dream Vision.
 * Lines 41–175. The visionary triumphal pageant is described.


 * 41 The narrator describes a "stream of people" in the street.
 * 54 Each person is described as deficient, limited, and obsessed.
 * 67 They do not attend to nature.
 * 77 He sees an icy glaring light approach, and a chariot bearing the hooded figure of Life.
 * 94 The chariot is led by a blindfolded Janus figure, a Shadow.
 * 110 The pageant is attended by a crowd of a million, like a Roman triumph.
 * 128 There are also the sacred few who flee from the chariot.
 * 137 There is wild dancing.
 * 159 Some of them fall and the chariot passes over them.
 * 164 The old men and women left behind, sink to corruption.


 * Lines 176–295. Jean-Jacques Rousseau identifies figures and warns against inaction.
 * 176 Saddened, he notices an old root is alive; Rousseau in state of nature.
 * 188 Rousseau is to tell the story of the procession.
 * 200 He relates his own failure to avoid corruption.
 * 208 He talks on those chained to the car: the wise and great who fail to know truth.
 * 215 Napoleon Bonaparte is described.
 * 235 Other rulers are described: anarchs, demagogues, sage.
 * 254 The Greek philosopher Plato is described.
 * 269 Francis Bacon is described.
 * 274 Classical bards, the first Christian emperors are described.
 * 292 They are leaders who ruled only to destroy.


 * Lines 296–543. Rousseau's own story is related in allegories.


 * 300 Rousseau begins to speak of his own plight.
 * 305 The narrator should turn from spectator to actor.
 * 308 Rousseau tells his story.
 * 316 He describes the grove of forgetfulness.
 * 331 This is the grove into which he was born.
 * 352 He describes the shape: the bright but perhaps deadly light of knowing.
 * 385 The dance of the shape effaces human thought, the memory of childhood.
 * 398 Rousseau asks where he has come from.
 * 404 He drinks from the cup of knowledge.
 * 411 He is given a new vision, the shape fades, and his past with it.
 * 434 He sees the chariot advancing with its captive crowd.
 * 460 Rousseau is swept on with it.
 * 480 The figures in the procession shed their shadows, with "Phantoms diffused around".
 * 500 Death resumes the power of monarchs.
 * 518 He sees the ageing of youth and beauty.
 * 526 From each fall numerous shadows or masks.


 * Lines 544–548. "What is Life?" he asks.