Theatre state

In political anthropology, a theatre state is a political state directed towards the performance of drama and ritual rather than towards more conventional ends such as warfare and  welfare. Power in a theatre state is exercised through spectacle. The term, coined by Clifford Geertz (1926–2006) in 1980 in reference to political practice in the nineteenth-century Balinese Negara, has since expanded in usage. Hunik Kwon and Byung-Ho Chung, for example, regard contemporary North Korea as a theatre state. In Geertz's original usage, the concept of the theatre state contests the notion that precolonial society can be analysed in the conventional discourse of Oriental despotism.