Urban Explorer

Urban Explorer (also known as The Depraved) is a 2011 German horror film directed by Andy Fetscher and starring Nathalie Kelley, Nick Eversman, Klaus Stiglmeier, Max Riemelt, Brenda Koo, and Catherine De Léan. The film is about urban exploration in subterranean Berlin.

Plot
Four young urban explorers from the United States, South America, Asia, and Europe meet up in Berlin via the internet to explore the subterranean relics of Nazi Germany. The destination for the illegal tour, through a labyrinth of tunnels, sewers, and catacombs, is a special bunker, the Fahrerbunker (Hitler's subterranean garage) which is the center of many legends, where they expect to find the debris of forbidden Nazi wall murals. But when tragedy strikes the group's leader, they soon realize not all things go according to plan.

After the group's local tour leader Kris (Riemelt) falls and breaks his leg, Marie (De Léan) and Juna (Koo) go for help and find their way back to the club. Lucia (Kelley) is a nurse so she and Denis (Eversman) stay to help Kris. A German-only speaking Armin shows up who Denis tries to understand with his limited German skills. The three carry Kris to Armin's lair. He gives Kris an injection and uses a telephone to "call" for help. Both Denis and Lucia do not trust the unshaven dirty underground dwelling Armin. Meanwhile, Lucia and Juna are seen lost under Berlin.

Denis wakes up from his own injection tied to a metal bed. He breaks free to find Lucia trapped in a chair being tortured by Armin, and Denis watches, too cowardly to act. Eventually, he manages to free Lucia but Armin knows the underground and keeps the horror coming. Lucia falls down a hole, and Denis must return to get the ropes. Before he leaves, they exchange "I love yous". While doing so, he discovers that Marie and Juna have been killed and butchered by Armin. Armin overpowers Denis and guts him.

Lucia hears the sound of the subway and crawls her way there. She finds a man who offers her help but Armin kills him. She gets on the subway car but so does Armin who poses as a subway ticket checker. Her protests of help and accusations of murder go unheeded. Armin removes her from the car and then kills her. Kris wakes from his injection and crawls to a water escape. His body is seen dead in an open sewer and the movie ends.

Cast

 * Nathalie Kelley as Lucia
 * Nick Eversman as Denis
 * Klaus Stiglmeier as Armin
 * Max Riemelt as Kris (Dante)
 * Brenda Koo as Juna
 * Catherine De Léan as Marie
 * Adolfo Assor as the man at the subway station
 * Johannes Klaußner as the man in the subway
 * Andreas Wisniewski as the Neo-Nazi

Release
Urban Explorer was first released on 24 July 2011 at the Fantasia Film Festival in Montreal.

Reception
Urban Explorer received mixed to negative reviews from critics upon its release.

Justin Lowe of The Hollywood Reporter gave the film a negative review, writing, "Starting off with an intriguing concept and the unique underground Berlin setting, screenwriter Martin Thau and director Andy Fetscher rapidly squander their advantage with a prosaic visual style, weak characterizations and predictable plotting. Once mayhem ensues, there’s little remaining investment in the characters' survival." Melissa Voelker of HorrorNews.net stated in her review of the film that, while the film was well shot/edited, and featured an effectively creepy location, but concluded by stating, "it wasn’t enough to make Urban Explorers more than a slightly better than average torture p*rn flick. A few cringe worthy scenes doesn’t make up for a threadbare plot, a lack of likable or relatable characters, or some good old fashioned realism."

Robert Koehler of Variety gave the film a more positive review, praising Fetscher's work on the film, writing, "his one-man-band combination of direction, lensing and editing proves crucial, displaying a balance of craft and patience in building layers of suspense under a horrific setting that goes beyond any urban explorer’s worst nightmare." Gareth Jones of Dread Central awarded the film a score of 3/5, writing, "Ultimately effective, and indisputably horrific, it’s a shame that it just takes far too long to get where it’s going – meaning that for some the horrors to be explored here may just remain buried in the undiscovered reaches of the later runtime."