User:Bao Zedong/sandbox

Mao Zedong's cult of personality
Mao Zedong's cult of personality was a prominent part of Chairman Mao's rule over the People's Republic of China from 1949 until his death in 1976. Mass media, propaganda and a series of other techniques were used by the state to elevate Mao Zedong's status to that of an infallible heroic leader, who could stand up against The West, and guide China to become a beacon of Communism.

During the period of Cultural Revolution, the personality cult of Mao soared to an unprecedented height. Mao's face was firmly established on the front page of People's Daily, where a column of his quotes was also printed every day. Mao's Selected Works were later printed in even greater circulation; the number of his portraits (1.2 billion) was more than the inhabitants in China. And soon Chairman Mao badges began to appear; In total, about 4.8 billion were manufactured.

That summer, every Chinese citizen was presented with the Little Red Book - a selection of quotes from Mao. It was prescribed to be carried everywhere and displayed at all public events, and citizens were expected to quote the contents of the book daily.

History
The personality cult of Mao Zedong can be traced back to the 1930s, to his involvement in Jiangxi on the Long March (1934-36), and during the Yan'an period in the early 1940s. In 1943, newspapers began to appear with a portrait of Mao in the editorial, and soon the "ideas of Mao Zedong" became the official program of the Communist Party of China. After the victory of the Communists in the Civil War, posters, portraits, and later statues of Mao began to appear in city squares, in offices and even in citizens' apartments. However, the cult of Mao was brought to its peak by Lin Biao in the mid-1960s. In 1964, Quotations from Chairman Mao Tse-tung, commonly known as the Little Red Book, was published for the first time, which later became one of the most famous symbols of the Cultural Revolution.

Cultural revolution
Mao's cult was significantly elevated during the Cultural Revolution, despite the major failures of his Great Leap Forward campaign only years prior. The established Cultural Revolution Committee preferred not to take harsh measures against critics of the regime at first. And so Mao decided to turn to the grassroots of the revolution and "true socialism" where he reaffirmed the foundation of his cause - "in addition to left-wing radicals - Chen Boda, Jiang Qing and Lin Biao, Mao Zedong’s ally in this enterprise was to be primarily Chinese youth".

Mao once again proved his “fighting efficiency” after swimming across the Yangtze River in July 1966, in an annual swim that commemorates his first historic swim across in 1956. Following this upon his return to Beijing he made a powerful attack on the liberal wing of the party, mainly on Liu Shaoqi. A little later, the Central Committee approved Mao's Sixteen Points on the Cultural Revolution, an early expression of the political views and objectives of the cultural revolution. It began with attacks on the leadership of Beijing University lecturer Nie Yuanzi. Following this, students of secondary schools, in an effort to confront conservative and often corrupt teachers and professors. This political initiative was strategically cultivated by Mao, who skillfully fanned the “leftists” in organizing themselves in “hungweibin” detachments - “Red Guards”. The left-controlled press subsequently launched a campaign against the liberal intelligentsia. Unable to withstand persecution, some of its representatives as well as party leaders commit suicide.

On August 5, Mao Zedong published his own dazibao (big-character poster), a short but pivotal document titled “Bombard the Headquarters”, which called out leading figures who were leading the bourgeoisie whom were trying to suppress the rapid movement of the great proletarian cultural revolution. With the logistical support of the People’s Army provided by Lin Biao, the Red Guard movement became a nation wide phenomenon. This movement persecuted leading workers and professors throughout the country, subjected them to all kinds of humiliation, and often beat them. Following this, at a million-strong rally in August 1966, Mao expressed full support and approval for the actions of the Red Guards, giving them further validation and permission to continue their actions. Soon after, more and more brutal atrocities by the Red Guard took place. For example, among other representatives of the intelligentsia, famous Chinese writer Lao She was brutally tortured and committed suicide.

Throughout all areas of life, classes and regions of the country, the presence of the Red Guard was felt. Not only famous personalities, but also ordinary citizens were robbed, beaten, tortured and their belongings destroyed, often for the most insignificant of actions. The Red Guard destroyed countless works of art, burned millions of books, thousands of monasteries, temples, and libraries. Soon, in addition to the Red Guard, detachments of revolution working youth - Zhaofans (rebels) formed. Both movements divided into warring factions, sometimes waging a bloody struggle between themselves.

When tension reached a peak between these two factions the life in many cities froze, and so regional leaders and the PLA decided to oppose the riots. Classes between the military and the Red Guard, as well as internal clashes between revolutionary youth put China at the risk of civil war. Realizing the instability Mao decided to end the revolutionary terror by sending millions of Red Guard, Zhaofans and party workers to villages spread around the country. This marked the final stages of the revolution. China was figuratively and in some parts literally, lying in ruins. The 10th CCP Congress, which took place in Beijing from April 1 to April 24, 1969, approved the first results of the "Cultural Revolution". In this report, one of the closest associates of Mao Zedong, Marshal Lin Biao, ensured is focused praise on “great helmsman,” whose ideas were called “the highest stage in the development of Marxism-Leninism”. This new CCP charter officially consolidation of "the ideas of Mao Zedong" as the ideological basis of the CCP. The program part of the charter included an unprecedented provision that Lin Biao is "the continuation of the work of Comrade Mao Zedong”. The entire leadership of the party, government and army was concentrated in the hands of the Chairman of the CPC, his deputy and the Standing Committee of the Politburo of the Central Committee.

During the Cultural Revolution, Mao's personality cult manifested itself in the ubiquitous wearing of badges depicting Chairman Mao, and people carrying around a Little Red Book with the writings of Mao, which would be studied and quoted from at every opportunity. There was even a "loyalty dance" (忠字舞) which people would perform in order to demonstrate their loyalty to the great leader.

In propaganda writings, such as PLA’s legendary communist soldier Lei Feng’s Diary, loud slogans and fiery speeches significantly elevated the cult of Mao. Crowds of young people drove themselves into hysteria, shouting toasts to the "red sun of our hearts" - "the wisest chairman Mao." Mao Zedong became a figure on which almost everything was focused in China. During the years of the cultural revolution, a real psychosis reigned in the country: the Red Guards beat those who dared to appear without the image of Mao Zedong; passengers of buses and trains had to repeat excerpts from the Little Red Book. Classic and modern works were destroyed such that Chinese citizens could only read the Little Red Book, which was published in tens of millions of copies.

The following quotes epitomize this Red Guard's thoughts surrounding Chairman Mao, in their manifesto they wrote:"'We are the red guards of Chairman Mao, we make the country writhe in convulsions. We tear and destroy calendars, precious vases, records from the USA and England, amulets, ancient drawings and elevate above all this the portrait of Chairman Mao.'" Chairman of the NPC Standing Committee Ye Jianying in 1979 described the time of Mao Zedong’s reign as a “feudal fascist dictatorship”. A different assessment was later given. "'Comrade Mao Zedong is a great Marxist, a great proletarian revolutionary, strategist and theorist. If we consider his life and work as a whole, his merits before the Chinese revolution to a large extent prevail over misses, despite the serious mistakes made by him in the 'cultural revolution'. His merits occupy the main place, and mistakes take a secondary place.' -CCP Leaders, 1981"

Propaganda
During the Chinese Cultural Revolution artists were condemned as counter revolutionaries, and their work was destroyed. Instead this was replaced with government made art that supported Maoism, and redirected efforts towards agriculture, industry and national defense, as well as concerns such as hygiene and family planning. Under the command of Lin Biao, the People's Liberation Army's efforts were increasing employed to bolster the personality cult surrounding Mao, eventually creating Mao's god-like image. In addition to this revolutionary songs such as Mao Zedong is our sun or Hymn to Chairman Mao were sung by schoolchildren, soldiers, prisoners and office workers. These tunes were also played from loudspeakers installed on street corners, railway stations, dormitories, canteens and all major institutions.

Artwork
Images of Mao's face appeared everywhere, from portraits in schools and government buildings, to street signs and wall murals, even small shrines within private homes were not unusual. Guided by Maoist thought, the contents of the propaganda were militant, with messages of proletarian ideology, communist morale and spirit, and revolutionary heroism. Simplistic in design and coloring, red was heavily featured and symbolized everything revolutionary, good and moral. Depictions of Mao often featured him as a benevolent father, bringing the Confucian mechanisms of obedience into play. Mao was frequently portrayed either leading or directing the masses, or looming over them like a demigod. His image was considered more important than the occasion for which a particular work of propaganda art was designed: in a number of cases, identical posters dedicated to Mao were published in different years bearing different slogans.

The Great Four titles
Emphasizing his ability to steer China's future, Mao was referred to as "the great leader Chairman Mao" (伟大领袖毛主席) in public and he was entitled "the great leader, the great supreme commander, the great teacher and the great helmsman" (伟大的领袖、伟大的统帅、伟大的导师、伟大的舵手) during the Cultural Revolution. This could also be influenced by the role Mao played in guiding the Red Army on the Long March to escape the Chinese Nationalist Party. The accounts by Mao and his followers during this time painted him as innovative, inspirational and strategically brilliant, as assessment at odds with the views of several historians.

Little Red Book
Main article: Quotations from Chairman Mao Tse-tung Officially titled 'Quotations from Chairman Mao Tse-tung', it was central symbol of the Chinese Cultural Revolution. The book was used to promote the popularity of Chairman Mao, and his brand of communism called Maoism'. Wrapped in a distinctive red vinyl cover, it became more commonly known as the Little Red Book'. This book contained a series of political and cultural statements from Mao Zedong's speeches and writings, which campaigned the slogan from the Karl Marx's Communist Manifesto, "Workers of the world, unite!".

Printed since 1964 until around Mao's death in 1976, over a billion copies were distributed throughout China. During the period of China's Cultural Revolution it became almost mandatory for all citizens to carry a copy, so that they could easily refer to it for guidance and become inspired. Failure to produce a copy when requested would often result in a punishment from the Red Guard, which varied from verbal harassment and beatings, to a prison sentence. The final copy listed 267 quotations spanning over 25 topics such as war, peace, unity & discipline. The simplification of Mao's writings also finally gave access to the thoughts and idea's of communists to peasant's and lower-class citizens, this helped to further solidify support for his cult of personality.

Notable Quotes from the Little Red Book
"'Every Communist must grasp the truth: Political power grows out of the barrel of a gun.'" This phrase was first used during an emergency meeting of the CCP on August 7th 1927, at the beginning of the Chinese Civil War. In an authoritarian regime military power is equivalent to political power, therefore guns should be kept out of the hands of the people, such that they cannot try to overthrow the party.

"All reactionaries are paper tigers. In appearance, the reactionaries are terrifying, but in reality they are not so powerful."

A "Paper Tiger" refers to something or someone that claims or appears to be powerful and/or threatening, but actually has no real power. It was popularized by Mao Zedong, often using it against political opponents such as the U.S. Government. "'A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery... A revolution is an insurrection, an act of violence by which one class overthrows another.'"This quote from Mao Zedong emphasizes the struggle and difficulty of the communist revolution, and the means by which he is willing to achieve it. Suggesting that violence will be an unavoidable component of the revolution.

Loyalty dance
During the Cultural Revolution, all forms of self expression were limited. The only type of dancing that was permitted was what was known as the 'Loyalty Dance' (zhongzi wu 忠字舞). This simple dance did not involve much more than stretching one's arms from the heart to Mao's portrait, with movements originating from a folk dance popular in Xinjiang. It was frequently accompanied by revolutionary songs including "Beloved Chairman Mao", "Golden Hill of Beijing" or "Sailing the Seas Depends on the Helmsmen". Some lyrics included the quote "No matter how close our parents are to us, they are not as close as our relationship with Mao", which was used to inspire a spirit of collective worship. It was not until the mid-eighties could Chinese people dance without fear of being reported to the authorities. Until then, the loyalty dance (zhongzi wu 忠字舞) was an everyday fixture of life in the late 1960s enforced to display one’s lifelong devotion to Mao Zedong and exercise total discipline. Every Chinese citizen regardless of a status or age had to perform the dance, but by the 1970's it fleeting, and as the cultural revolution came to an end it rapidly waned.

Legacy
Elements of his cult of personality continue to exist. He is still the “galleon figure” of Chinese communism, he is still honored, Mao’s monuments are still standing in the cities, his image adorns Chinese banknotes, badges and stickers. Moreover - some of Mao's monuments were erected after his death. However, the current cult of Mao among ordinary citizens, especially young people, should rather be attributed to the manifestations of modern pop culture, and not to a conscious worship of this person’s thinking and deeds. In fact, Mao Zedong has become a commercial brand in modern China. The chairman of the Standing Committee of the National People's Congress, Ye Jianying, in 1979 described Mao Zedong’s reign as a “feudal-fascist dictatorship”. Later another assessment was given.

''Comrade Mao Zedong is a great Marxist, a great proletarian revolutionary, strategist and theorist. If we consider his life and work as a whole, his merits before the Chinese revolution to a large extent prevail over misses, despite the serious mistakes made by him in the "cultural revolution". His merits occupy the main, and mistakes - a secondary place.''

- CCP Leaders, 1981

The persona of Mao is evaluated extremely ambiguously. On the one hand, part of the population sees him as a hero of the Civil War, a strong ruler, a charismatic personality. Some older Chinese people are nostalgic for their confidence in the future, equality and the absence of corruption, which, in their opinion, existed in the era of Mao. On the other hand, many people cannot forgive Mao for the cruelty and mistakes of his massive campaigns, especially the cultural revolution. Today in China, it is allowed to speak openly about the role of Mao in the modern history of the country, discussions about the negative aspects of his rule are allowed, however, too harsh criticism is not welcomed and suppressed. In this way, the Communist Party is seeking recognition of its power in a situation where the capitalist economy is combined with communist ideology.

Mao has been depicted on postage stamps in China, Albania, and East Germany. The collage “Marilyn in the image of Mao" or “Marilyn/Mao” (created by the American photographer Philippe Halsman in 1952) turned into an artistic image used by many famous artists such as Salvador Dali, Chinese artists Yu Juhan, and Hua Jimin.

Chairman Mao badge
Trading markets of Chairman Mao badges were common during the Cultural Revolution, particularly during the chuanlian movement in which Red Guards travelled for free around the country to “exchange revolutionary experiences“. Maoist memorabilia began reemerging in the early 1990s, as teenagers who were too young to remember the horrors of the Cultural Revolution began to snap up Mao badges for their kitsch appeal. Moreover, in the 1990s, the markets were targeting Westerners with commodification. Cultural Revolution badges are rampant in markets frequented by Chinese and Westerners, and new replicas of badges are sold in luxury hotels and tourist sites only minutes from Mao's mausoleum. "Mao badge museums" can be toured at modest prices, and, recently, and American catalogue advertised Mao badges for $12 a badge.

Badges were most common from 1967 to 1969, when wearing them was considered a sign of loyalty to the Great Helmsman. There were many such badges. Icons with a portrait of Mao became a symbol of his cult of personality. An estimated 2 billion badges have been manufactured during the years of the cultural revolution. In 1969, Mao said that the country needed aluminum to produce aircraft, and they began to make less icons.