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Lisa Cuddy, M.D., is a fictional character on the Fox medical drama House. She is portrayed by Lisa Edelstein. Cuddy is the Dean of Medicine and hospital administrator of the fictional Princeton-Plainsboro Teaching Hospital in New Jersey.

Storylines
Cuddy's role in House is that of Dean of Medicine and hospital administrator. She is Jewish, has both parents still living, and one sister. She began dreaming of becoming a doctor when she was twelve, graduated from medical school at age twenty-five as second best in her class, and became the first female and second youngest Dean of Medicine ever at age thirty-two. Cuddy attended the University of Michigan, where she first met Gregory House (Hugh Laurie), her future employee, with whom she shared a one night stand. Years later, when House suffered an infarction in his right leg prior to the beginning of the series, he was treated by Cuddy at Princeton-Plainsboro Teaching Hospital. Under Cuddy's care, the dead muscle in his leg was removed, leaving House with a permanent disability and chronic pain.

After hiring House to run the hospital's diagnostics department, Cuddy began setting aside $50,000 a year from the hospital's budget for potential legal expenses. When, during the show's first season, new chairman of the board Edward Vogler (Chi McBride) tries to have House fired for refusing to kowtow to his demands, Cuddy urges the board to save House and remove Vogler instead, losing the $100 million donation he had made to the hospital. During the second season of House, it is revealed that Cuddy is trying to conceive a child. House agrees to administer the twice-daily injections necessary for her to undergo in-vitro fertilization, and to keep the matter secret. During the third season, Cuddy confesses to the hospital's Head of Oncology and House's best friend Wilson (Robert Sean Leonard) that she has had a total of three attempts at impregnation, one of which was miscarried. She is hurt when House, who is going through Vicodin withdrawal, tells her it is a good thing she has failed to become a mother, as she would be terrible at it. When House's career is threatened by Detective Michael Tritter (David Morse), Cuddy commits perjury by falsifying documents and lying in court to cover up his wrong-doing.

Cuddy questions whether House has a romantic interest in her when he interferes in her love life, interrupting her repeatedly when with a blind date. When Wilson takes Cuddy to the theatre, and later to an art exhibition, House intervenes in an attempt to prevent Cuddy from becoming Wilson's fourth wife. Cuddy reveals during the fifth season that she is planning to adopt a baby, however is devastated when the birth-mother of the child she names Joy decides to keep her. House consoles her, and the two share a kiss. Cuddy professes not to want a relationship with House, but is touched when he has her old desk from medical school brought out of storage for her when her office is renovated. In episode "Joy to the World", Cuddy becomes a foster parent and potential adoptive parent to a baby girl she names Rachel Joy. She initially struggles with parenthood, revealing to Wilson that she feels nothing for Rachel, but soon after is able to begin bonding with her. In episode "Under My Skin" Cuddy helps House detox from Vicodin, and the two sleep together. However in the following episode, fifth season finale "Both Sides Now", this is revealed to have been a hallucination on House's part: in reality, he spent the evening alone and is suffering from psychiatric problems.

Characterization
Cuddy was created by executive producer Brian Singer, who had enjoyed Lisa Edelstein's portrayal of a prostitute on The West Wing, and sent her a copy of the pilot script. Edelstein was attracted to the program's "...smart writing", and was cast in the role. The character has been described as "tough-as-nails" by Salon's Lily Burana, a woman who "clicks through the halls of the fictional Princeton-Plainsboro Hospital in low-cut sweaters and pencil skirts, bringing incredible Jewy glamour to prime time". The New York Times ' s Alessandra Stanley has similarly referred to her as the hospital's "comely but by-the-book chief administrator [...] who, like all heads of prestigious teaching hospitals, wears plunging necklines to work." Edelstein, questioned on whether she felt Cuddy's typical attire of tight-fitting, low-cut outfits was appropriate for her position, responded: "She doesn't care what people say [...] She's a television character, and I'm an actress playing a hospital administrator, and I don't want to be in frumpy clothes. I want to be a hot hospital administrator." TV Guide ' s Nina Hämmerling Smith calls Cuddy a foil for House, who "doesn't take [his] nonsense and knows how to keep him in check — more or less." The Washington Post ' s Tom Shales has deemed Cuddy House's "nagging nemesis", whose role is "to make House miserable". Discussing Cuddy's characterization in terms of her relationship with House, Edelstein has opined: "I think that she very much loves House and also lives vicariously through him, because she's a very smart woman who was very successful as a doctor and has a great job and a wonderful position, but also has had less and less to do with the actual practice of medicine as the years have gone by. So I think she's excited by what he does and how he does it and deeply frustrated by him at the same time." Co-executive producer Garrett Lerner has praised Edlestein's versatility in the role when asked to summarise Cuddy, stating: "Lisa Edelstein can do absolutely anything, so, she's fantastic. You know, she can stand up to House, give it right back to him. She can be tender, she can be hurt, she can be strong...I think she's probably [the favorite character for] a lot of people I've talked to. It's a powerful role."

Development
During the early fourth season of House, Cuddy received reduced screen time as the show focussed on House's new fellows. Edelstein revealed that the show would return to its regular format after the season's ninth episode, however production was halted by the 2007–2008 Writers Guild of America strike, which delayed the remainder of the season. Edelstein commented: "Cuddy won't be sleeping with House unless we get the writers back. So I'm out there picketing." As a result of the strike, storylines involving Cuddy had to be pushed back into the show's fifth season, as the fourth season ran for a reduced number of episodes.

When Edelstein heard she had to do a strip scene in the episode "House's Head", she called actress Sheila Kelley, wife of Richard Schiff (with whom Edelstein had worked previously on The West Wing and Relativity). Kelley had worked on a movie about strippers long ago and Edelstein asked her for her advice on the choreography of the striptease. On the episode itself, Edelstein commented: "It is very interesting what happens in the first half of the finale in terms of learning about how House sees people and getting the world from his point of view entirely". Before the filming of the scene started, Edelstein showed the dance to Hugh Laurie, who, according to Edelstein, was "incredibly supportive, like a cheerleader". Edelstein commented that after the scene was filmed she, "felt beautiful, and it ended up being a really lovely experience".

Cuddy's desire for a baby paralleled Edelstein's personal life, with the actress explaining: "When the show started, I told the producers that at some point during the run of the show, if it was successful, that I was going to get pregnant one way or another. So they planted that seed in the character's story so it would be possible for me as a woman to experience that." When Cuddy became a mother to Rachel Joy in the show's fifth season, executive producer Katie Jacobs discussed the need for Cuddy to find a balance between her personal and professional life, as well as the impact motherhood would have on her relationship with House: "The tension and chemistry are still there. Neither one of them is actively fessing-up to looking for a relationship, but they are drawn to each other. None of the flirtatiousness is going to go away. The stakes are very high for them. The attraction is still there. We are absolutely going to continue that. It’s real and it’s palpable. And it’s who they are."

"Huddy"
The relationship between House and Cuddy is known by the portmanteau term "Huddy". Cuddy has what USA Today ' s Peter Johnson terms a "cat-and-mouse" relationship with House. Edelstein has described it as "a really complicated, adult relationship", explaining: "These are people who have very full lives and lots of responsibilities that perhaps conflict with their feelings for each other." The actress "would love for them to have a [romantic] relationship, because it could be as complicated as the rest of their relationship is", however is unsure how it would affect the dynamics of the show. Jacobs commented at the end of the show's third season: "I can't see them pairing them in a permanent fashion. But they are close; they have gone through a lot together. Might there be a moment of weakness in which the two might explore their chemistry? Maybe." Questioned at the end of the fourth season on whether Cuddy and House would ever consummate their relationship on-screen, Jacobs responded: "there is heat and chemistry between them and I never want to see that go away because that is the essence of their relationship. [...] we’ll never ignore [their chemistry] because, as I said, it’s the very essence of them. She wouldn’t forgive him over and over again if he wasn’t so brilliant in her eyes, clearly she’s got a soft spot for him. And he has one for her. You will continue to see that." Prior to the beginning of the fifth season, series creator David Shore discussed his intention to further the relationship between the two, as: "If House is capable of any relationship with anyone, it's Cuddy. We can't have them dancing around forever." Following the fifth season revelation that House had hallucinated a physical relationship with Cuddy, Shore commented on the storyline's continuation into the sixth season: "it would be dishonest to just let that disappear. Obviously House has feelings for her. Even though the love affair didn’t happen, in House’s mind it did." Edelstein does not know whether the two characters will eventually end up together, however believes that the combination of frustration and love Cuddy feels for House "makes for a very interesting relationship", as: "there's a great deal of admiration and respect, and also an incredible amount of annoyance and frustration, which is like how most relationships are in your life."

Reception
In 2005, Edelstein won the Satellite Award for Best Supporting Actress in a Series, Miniseries or Motion Picture Made for Television for her role as Cuddy. Following the show's pilot episode, Tom Shales noted in The Washington Post that: "The skirmishes between House and Cuddy could get awfully tired, but by the second episode there are already some provocative wrinkles in what had seemed a simple situation." TV Guide ' s Nina Hämmerling Smith has deemed the banter between Cuddy and House "one of the best things about the show", while Salon ' s Lily Burana has declared herself to be on "Team Cuddy" in terms of House's romantic interests. Following the season three episode "Merry Little Christmas", Mary McNamara for the LA Times wrote: "The Avid Viewer was also happy to see the seeds of a romantic relationship between House and Cuddy being sown — that had to be part of the show's original bible because really, who else could survive a romantic relationship with House now that Sela Ward's gone?" McNamara has opined that a romantic relationship between the two "makes perfect sense", as "she is the only one who seems able to accept House as he is, to give almost as good as she gets and to let most of his barbs fall where they may. How Edelstein can play this in a believable way is the point where acting moves from skill to art." When the show underwent a change of format at the beginning of the fourth series, McNamara commented positively on the changing dynamic in Cuddy's relationship with House, noting: "gone is the increasingly dull and unbelievable tension between him and Cuddy. (As subordinate/boss, that is. The sexual tension, one hopes, is still in there somewhere.) Cuddy is done trying to squelch him; now she is just shooting for managed chaos. Which is so much more fun because it revolves more around the medicine and less around all the personal pathos of the staff."

However, as USA Today ' s Robert Bianco noted, when Cuddy and House finally began a physical relationship, in what later transpired to be a hallucination sequence, "It started a firestorm among fans who hated the change in the relationship". Following the pair's first screen kiss, IGN reviewer James Chamberlin opined that the event was "kind of awkward" and "just didn't feel right to me". With regards to Cuddy's season five storylines as a whole, Chamberlin commented: "Cuddy's interest in becoming a mother was something I enjoyed. [..] This plot contained some heart-wrenching moments, particularly when Cuddy had to a take on the case as both a doctor and a potential mother in "Joy." The New York Times ' s Lisa Belkin has also praised Cuddy's motherhood storyline, citing her as one of few examples of good parenting on television.

Discussing the numerous YouTube fan videos dedicated to the "Huddy" relationship, The New York Times ' s Ginia Bellafante has assessed: "It is not merely the unrelenting push-pull of the show’s writing, but the “His Girl Friday” chemistry between the actors Hugh Laurie (House) and Lisa Edelstein (Cuddy) that inspires otherwise reasonable women to bizarre, time-consuming digressions of fantasy." Bellafante considers herself amongst these women, writing: "Shamefully, I would have been overjoyed if the season finale had ended with House and Cuddy electing to spend the summer together in Corsica. This would have betrayed the show’s primary covenant — to keep House miserable — and entirely erased its integrity. And yet I would mostly have wondered if House and Cuddy were going to make time for a stop in Sardinia." Following the fifth season finale's revelation that the consummation of their relationship was a hallucination, Bellafante wrote: "I feel used and manipulated. I feel like a one-night stand who is never going to get calla lilies or a follow-up phone call. I feel hate for the show and I feel begrudging respect." Despite this, it is Bellafante's opinion that: "basically the show went in the obvious right direction, gratifying our base collective urge to finally see House and Cuddy together, not talking about lumbar punctures, in a fake-sex way that didn’t ultimately impinge on the show’s credibility." She considered: "What would we really have done if House and Cuddy had woken up together, if he’d made her waffles, if she had eaten them wearing one of his shirts, if they spent the next day exchanging coy, knowing glances at Princeton-Plainsboro Hospital? Then we would have been watching Grey’s Anatomy and we would have experienced not a jump-the-shark moment, but a bungee-jumping-the-Arctic moment." Her conclusion is that:


 * "House refuses to buy into the myth that a good woman can save an ornery jerk, and the finale made it clear what a dope you were to even think the show would try. It doesn’t want to appease the woman who wants to appease her Harlequin Romance self. It wants to appease anyone who gets ticked off when a romantic comedy shows an accomplished woman in a skirt suit giving it all up for a jobless, slovenly idiot. The House-Cuddy attraction isn’t an attraction of opposites. It’s an attraction between two highly intelligent workaholics, two people too interesting for anyone else but ultimately unfit for each other — no matter how pathetically we’d like it to be otherwise."

Mike Hale for The New York Times has praised Edlestein's performance as Cuddy in comedic situations, writing: "Lisa Edelstein may not be the funniest performer around, but she is without a doubt the best sport in American television: every week the writers of House find new ways to embarrass her and her character, Dr. Cuddy, who is engaged in an excruciating mating dance with Hugh Laurie's Dr. House. Ms. Edelstein somehow manages to maintain her dignity while playing a 40-something dean of medicine who acts like a teenage girl". The fourth season scene in which Cuddy did a pole dance was very positively received by critics, Mary McNamara stated that these scenes "in three minutes earned back the price of Tivo". James Chamberlin stated that he never expected Edelstein to do a strip tease, although he had hoped it.