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Article Evaluation:

"Highland Park"

Is everything in the article relevant to the article topic? Is there anything that distracted you?

-For the most part it describes Highland Park pretty accurately since I'm a resident of the place. The only thing that really distracted me would be the content square because there are too many headings and it makes the box look long and unappealing.

Is the article neutral? Are there any claims, or frames, that appear heavily biased toward a particular position?

-The History section is flawed because since I know most of the history living there the dates are off. The information on the wiki page says that the gang violence ended and the gentrification started, but there is massive factors that interplay and maybe don't correlate as much. The bias was that because there is no gang violence wealthier middle-class people started buying homes.

Are there viewpoints that are over represented, or underrepresented?

-There is an over representation of the art scene in Highland park because although the neighborhood is known for their rich historical murals that is not a huge symbol of the community. Highland park is known for many other things for example their landmarks and craftsmen architecture.

Check a few citations. Do the links work? Does the source support the claims in the article?

-Some of the citations lead to links that "Pages not found" but most of the sources are from bias websites such as magazine outlets for social endeavors.

Is each fact referenced with an appropriate, reliable reference? Where does the information come from? Are these neutral sources? If biased, is that bias noted?

-As I stated in my last response most of the citations come from magazines such as the London Evening Standard, Variety, Blogcritics, The Guardian, Glenn Innes Examiner, and MTV UK. These sites are not typically used for obtaining reliable information. They are not really news outlets or accredited journals.

Is any information out of date? Is anything missing that could be added?

-Most of the information cited is within the last 20 years so everything is still relevant. Somethings that are missing that could be added is more information regarding the small local business's and more accurate information regarding the whole debate on gentrification and the views of the developers and how the local community of Latino residents feel that way. Maybe even some more demographic information and statistics.

Check out the Talk page of the article. What kinds of conversations, if any, are going on behind the scenes about how to represent this topic?

-The talk page is asking the authors to edit the article asking to update the new councilmen members and critiquing the information about the hipsters vs the gangsters. They represent this topic because most of the commentators seem to be local residents of Highland Park asking for accurate information of the neighborhood.

How is the article rated? Is it a part of any WikiProjects?

-The article is rated a C- class on the projects quality scale. This article has also been rated as Low-Importance.

How does the way Wikipedia discusses this topic differ from the way we've talked about it in class?

The way Wikipedia discusses this topic is not well written to the specific guidelines that Wikipedia requires, it does not meet the standards of a rated A article and that's why it is still deemed of low importance. The way we discuss editing an article is being as articulate as possible following all the instructions and rules that Wikipedia has. We were told to not be bias and use scholarly articles and facts to prove our facts and support our evidence.

hello I am using this sandbox to get better at using wikipedia.

The Arts District is a neighborhood on the eastern edge of Downtown Los Angeles, Los Angeles, California, United States. The gritty area has given new life to old industrial buildings whose history often dates to the early 20th century. While much of the early creative art was done behind closed doors, the street scene has slowly been activated in the early years of the 21st century as more and more factories are creatively reused with some new construction interspersed. Art galleries have opened and given recognition to the area amidst the entire downtown where Art museums and additional galleries can be found. The city community planning boundaries are Alameda Street on the west which blends into Little Tokyo, First Street on the north, the Los Angeles River to the east, and Violet Street on the south.

Contents
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 * 1Early history
 * 2Art scene
 * 3Gentrification
 * 4Current status
 * 5See also
 * 6References
 * 7External links

Early history[edit]
Father Juan Crespi was a Spaniard who found what is now known as the Arts District in 1796 during an expedition into Alta California. In his journey he discovered a body of water that was surrounded by rich soil. He logged an entry into his diary that states: "Should a town be needed in this location, this site shall be called Our Lady Queen of the Angels. The small pueblo was declared a new territory for the Spanish and officially founded on September 4, 1781.

Vignes Street winds through the northeastern edge of the Arts District, parallel to and a couple of blocks west of the broad cement trench that memorializes the L.A. River. It is named for Jean-Louis Vignes, an aging adventurer and vintner who arrived in Los Angeles in 1831 by way of the Sandwich Islands (Hawaii) and Bordeaux. He planted grapes on 104 acres where Cabernet and Sauvignon Blanc vines imported from the south of France thrived, and by 1849 El Aliso, as the Vignes vineyard was called, was the largest producer of wine in California The grapes are gone, but the San Antonio Winery just north of the community is a reminder of the area’s past.

By the late 19th century, oranges and grapefruit had replaced grapes as the principal agricultural products of the area and the property west of the riverbank was thick with citrus groves. The groves provided a location for filmmaker DW Griffith who filmed parts of Hollywood’s first feature film (In Old California) there in 1909. A single grapefruit tree remains, towering over the Japanese American Plaza off San Pedro Street and Azusa. Somewhere near Third Street and Alameda, a print shop became the area’s first commercial arts enterprise, employing artists from around the region designing labels for the boxes of citrus fruit shipped across the country.[citation needed]

The growing Santa Fe Freight Depot and warehouses created to serve the citrus industry’s shipping needs determined the area’s economic character for most of the next century and were responsible for the architectural flavor of the Arts District structures that have survived earthquakes, flood and fire. The single room hotels for rail workers to the northwest and the growth of Little Tokyo to the west and Chinatown to the north created a mix that was working class and cosmopolitan.[citation needed]

By World War II, the citrus groves had been replaced by factories and the rail freight business was giving way to the trucking industry. The area had taken on an industrial character that was growing seedy around the edges. Over the next twenty years, many of the independent small manufacturers had either been absorbed by larger competitors, grown too big for their quarters – or simply failed—and an increasing number of vacant warehouse and former factory spaces contributed to a dingy, decaying urban environment typical of many aging big American cities of the era.

Art scene[edit]
In 1969, Allen Ruppersberg presented Al's Cafe at 1913 West Sixth Street.

In the mid-'70s, a handful of artists, including Joel Bass, Dan Citron, Woods Davy, Marc Kreisel, Jon Peterson, Stephen Seemayer, Maura Sheehan, Coleen Sterritt, Sydney Littenberg, Peter Zecher, and others saw opportunity in the empty buildings and began colonizing the area, converting former industrial and commercial spaces into working studios, sometimes renting space for as little as a three cents a square foot and carving out living quarters. This resulted in a surge of artistic activity, culminating in the highly controversial "Downtown L.A. in Santa Barbara" exhibition, organized by Betty Klausner for the Santa Barbara Contemporary Arts Forum, which is now known as the Museum of Contemporary Art Santa Barbara. By the mid 1980s, the following artists were also living downtown: Linda Frye Burman, James Croak, Merion Estes, Joe Fay, George Herms, Mary Jones, Constance Mallinson, Paul McCarthy, Margaret Nielson, Richard Newton, Margit Omar, Lari Pittman, John Schroeder, Judy Simonian, Andy Wilf, and Takako Yamaguchi.[citation needed] Stephen Seemayer's film The Young Turks(2012) documents the 1979–1981 years.

In 1979, Marc Kreisel opened Al's Bar opened in the American Hotel on Hewitt just off Traction. This legendary punk rock venue was the training ground for Sonic Youth, Red Hot Chili Peppers, Beck, the Fall, the Residents, introducing generations of Angelenos to dozens of emerging groups. The popular sound band "Party Boys" played the bars and art events.Also known as the downtown artists' central meeting place, Al's Bar occasionally hosted art exhibitions. Al's Bar, the west coast's oldest punk club,[citation needed] finally closed in 2001, and the American Hotel received a facelift in 2012 and was renamed the American Apartments.

LA Artcore, founded in 1976 by Lydia Takeshita with the purpose of exhibiting local artists, exists today in locations at the Brewery Art Colony and in Little Tokyo. The Atomic Cafe on 1st Street at Alameda was an artists and musicians haunt in the late 1970s and early 1980s. Los Angeles Contemporary Exhibitions (LACE) created exhibitions at its gallery space, located in the late 70s on Broadway St before moving to Industrial Street in the 1980s. Several commercial art galleries, including Oranges and Sardines, Kirk DeGoyer Gallery, the Downtown Gallery, Vanguard Gallery, Exile, and Galleria by the Water opened in the late seventies, only to close in the early eighties. Cirrus Editions, the first gallery to open downtown, remains open.

Around 1980, Jon Peterson and Stephen Seemayer opened “DTLA," a club that had exactly one show before it closed, adjacent the Atomic Cafe. High Performance Magazine used DTLA as its performance space until its one-year lease was up. During that year, Paul McCarthy performed Monkey Man during the Public Spirit Performance Festival, Part 1. The name DTLA was later adopted by the neighboring coffee house where Beck got his start.

In 1981, the City of Los Angeles passed its "Artist in Residence" or "AIR" ordinance, which allowed residential use of formerly industrial and commercially zoned buildings; artists had long used such spaces as living quarters illegally, and the AIR law sought to bring this practice into legality and regulation. Art galleries, cafes and performance venues opened as the live/work population grew. During the '80s, Bedlam, created by artist Jim Fittipaldi, on 6th Street (and later, briefly, in the former premises of Al’s bar) was a salon with drawing workshops, art installations, theater, live music and a speakeasy. Dangerous Curve, on a dangerous curve of 4th Place between Mateo and Molino, put on exhibitions of artists whose work was often difficult to categorize. The Spanish Kitchen, a warehouse space on Third near Traction, was home to series of happenings, events, raves, installations and blowout parties. It now houses the 3rd Steakhouse and Lounge, an eatery that hosts community events and exhibitions of works by local artists. Cocola (later known as the 410 Boyd St. Bar and Grill), the legendary artists’ bar just west of the Arts District, lives on as Escondite.

In 1985, Fritz Frauchiger curated "Off the Street," a "one-time art exhibition" sponsored by the Cultural Affairs Department in the Old City Print Shop, which featured paintings, sculptures, photographs and installations by 48 Los Angeles artists, most of whom lived downtown.

In 1994, the nonprofit group Downtown Arts Development Association (DADA) was formed as a spinoff of LARABA by several artist members of the LARABA board of directors in order to provide a platform for the burgeoning downtown art scene; DADA hosted exhibits of more than 400 downtown artists in 1994–1998. DADA 1994 Artists After 1994, the heart of the Arts District was Bloom’s General Store, presided over by Joel Bloom, a veteran of Chicago’s Second City, who became an advocate for the community and who is remembered as The Arts District’s once and only unofficial mayor. Bloom died in 2007, but his memory is honored with a plaque from the city declaring the triangle around Third, Traction and Rose to be Joel Bloom Square. Cornerstone Theater, an enterprise that brings community theater to locations all around the country, still resides on Traction Avenue. Around the corner, on Hewitt at 4th Pl., the non-profit ArtShare offers lessons in art, dance, theater and music to urban youth and features a small theater often used by Padua Playwrights. Padua stages plays around the city, often in non-traditional environments, and hosts play-writing workshops.

Transportation
Little Tokyo/ Arts district gold line station is located along Alameda St., the cross section streets are East First St. and East Temple St. The small neighborhood also offers DASH services, the bus has several stops on Hewitt St. Metro also offers alternative modes of transportation such as the the bike share program that is offered in many neighborhoods around the Los Angeles area. There are five stations in which you can pick up a bike or leave.


 * 1) 740 E 3rd St.
 * 2) 999 E 3rd St.
 * 3) 1245 Factory Place
 * 4) 1301 Willow St.
 * 5) 720 E Temple St.

There are sixteen parking lots located in arts district area, because the area is adjacent to Little Tokyo the number of parking lots is high. They offer resident parking in private lots by monthly or yearly permits. However, they also offer daily permits for visitors.

Landmarks
Los Angeles Conservancy has provided information regarding the registered landmarks in the Arts District neighborhood that offers economic stability and revitalization for the community.


 * 1) Pickle Works/ Citizen Warehouse: 1001 East 1st St.
 * 2) Challenge Dairy Building: 929 East 2nd St.
 * 3) Southern California Supply Co.: 810 East 3rd St.
 * 4) Southern California Institute of Architecture: 960 East 3rd St.
 * 5) American Hotel: 303 South Hewitt St.
 * 6) Toy Factory Lofts: 1855 Industrial St.
 * 7) Biscuit Company Lofts: 1850 Industrial St.

Gentrification[edit]
The real estate history of the Arts District in Los Angeles doesn't fit the usual definition of "gentrification." In the 1970s there were millions of square feet of empty commercial and industrial space in downtown LA. Around 1970, artists began to colonize these spaces illegally and use them for live in studios. In 1980, in order to legalize these ad-hoc and unsafe residences, the City of Los Angeles created the "Artist in Residence" zoning variation ordinance. The ordinance necessarily included mandated upgrades to the artists spaces, many of which had fire/safety/health issues endangering the (artist) occupants. It also enabled developers who wished to rehab or create new or old studios that were now legal. These developments, with their increased building and safety requirements, raised the retail rental rates from 10–30 cents per square foot to about 65 cents per square foot in the early to mid-1980s.

In the late 1980s and through the 1990s several (about 20) large artist loft projects were developed from empty industrial buildings, including The Brewery, 900 East 1st St, Citizens Warehouse, 2101 E. 7th St., and Long Beach Ave Lofts, with rents ranging from 65 to 75 cents/ sq ft.

After 2000, developers started converting large office buildings in the area west of the arts district under a new "Live/Work" ordinance. These apartments were marketed as lofts, although they bore little resemblance to the much larger lofts in the industrial district east of Alameda St. Rents in these live/work spaces started in the early 2000s at about $1.10 / sq ft, and over the next 15 years climbed to about $2.50/sq ft, due mainly to the high demand for the apartments and the increasing purchase price for the undeveloped buildings.

The rapid "loft" development west of Alameda, in which hundreds of thousands of sq ft of heretofore unused commercial space has been converted to live/work apartments, has led to a renaissance in downtown Los Angeles, an area long considered uninhabitable by middle class Angelenos. The increased popularity for downtown residences has continued to put upward pressure on loft rent in the Arts District, pushing rents in some of the older, more authentic artists loft buildings upwards towards $1.50- $2.00/ sq ft., pushing many longtime artist/tenants out of their lofts.[1]

Current status[edit]
The city community planning boundaries today are Alameda Street on the west, First Street on the north, the Los Angeles River to the east, and Violet Street on the south. Challenges facing the Arts District today include the loss of affordable live/work lofts, loss of artists, and loss of historically significant buildings. Community leaders are struggling to create balance amidst the economic issues brought about by gentrification and the need to preserve the character of the Arts District as a creative community that has made contributions to the cultural and economic well-being of Los Angeles for decades. In 2014, the average annual income for neighborhood residents was $120,000. While the initial decades saw the conversion to residential and commercial uses of low-slung warehouses and industrial spaces, downtown zoning laws could be rewritten to permit the heights of buildings to double, allowing up to 1,500 new residential units to be built in 8-story, one hundred feet (30 m) edifices.

The Southern California Institute of Architecture (SCI-Arc), resides in a quarter-mile-long (0.40 km) former Santa Fe Freight Depot built in 1907 that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014 and was designed by Michael Maltzan Architecture (MMA).

The century-old Coca-Cola manufacturing plant at 4th and Merrick streets, just around the corner from the enormous Santa Fe railroad dock that houses SCI-Arc, is the latest in adaptive reuse into creative spaces. The three-story brick-clad building was described as the "headquarters for the company's Pacific Coast business and for its export trade in the Hawaiian Islands and Old Mexico" when it was built in 1915. The complex has been renamed Fourth & Traction after Traction Avenue. The Hauser Wirth & Schimmel complex opened in 2016 in buildings that date from the 1890s to the 1940s that occupy an entire city block on East 3rd Street.

The district continues to be a popular location for filming due to the historic vibe. In 2016, the head of the neighborhood’s business improvement district commented that “There’s not one day where there’s not shooting.” The popular TV sitcom New Girl takes place largely in their apartment loft located in the Arts District. Filming has become complicated due to the development of the retail sector, coffee shops, and residents who will be disturbed by filming at night. Also many formerly empty lots and desolate streets are now under development where crews used the space to park trucks and trailers.

See also[edit]

 * The Brewery Art Colony