User:Rich Farmbrough/DNB/R/i/Richard Arnold

died shortly after the publication of the last edition of his book, in 1520-1.

Arnold's work is merely a commonplace book dealing with London antiquities. It contains the chief charters granted to the city, accounts of its customs, and notes on a variety of topics chiefly but not entirely connected with commerce. Hearne called it a chronicle; but its only claim to that title rests on its opening section, which gives, with occasional historical notes, a list of the names of the 'Balyfs, Gustos, Mayers, and Sherefs' of London between 1189 and 1502. The greater part of this list was evidently borrowed direct from a manuscript now in the Cottonian Library at the British Museum. Arnold himself gives the book no name; Douce, its latest editor, christens it the 'Customs of London.' Its most interesting feature is its introduction of the 'Ballade of ye Nottebrowne Mayde,' which occurs, without any explanation, between an account of the tolls payable by English merchants sending merchandise to Antwerp, and a statement of the differences between English and Flemish currencies. No earlier version of the ballad is known, and according to Capel, Warton, Douce, and Collier, it is probable that it had been composed only a few years before Arnold transcribed and printed it. Hearne, however, assigns it to the time of Henry V, and Bishop Percy to the early part of Henry VII's reign. Its authorship is unknown; but Douce assumes, on very just grounds, that it was translated from an old German ballad by some Englishman whom Arnold met at Antwerp. It was frequently reprinted separately in the sixteenth century, and enjoyed very great popularity for many years; interest in it was revived by its republication in the 'Muse's Mercury' for June 1707, where it was first seen by Prior, who paraphrased it in his 'Henry and Emma' about 1718.

From typographical evidence it is clear that Arnold's book was first published at Antwerp in 1502 by John Doesborowe, who published other English books. This edition is without date, place, or printer's name. A second edition, in which the list of the mayors and sheriffs is brought down to 1520 — doubtless the date of publication — is ascribed by typographical experts to Peter Treveris, the first printer who set up a press at Southwark. It is also without date, place, or printer's name. A third edition, with introduction by Francis Douce, appeared in 1811. Copies of the two original editions, which are now of excessive rarity, are in the British Museum. Stowe and Holinshed both mention Arnold's compilation among their authorities; Bale and Pits pay it exaggerated respect as an original historical work. But its want of arrangement and heterogeneous contents, in most cases borrowed from readily accessible sources, give it little value for the modem historical writer.

[Douce's edition of Arnold's Customs of London; Corser's Collectanea Anglo-Poetica, i. 54; Collier's Early English Literature, i. 30; Ames's Typog. Antiq., ed. Herbert and Dibdin, iii. 34; Percy's Folio manuscript, ed. Hales and Furnivall, ii. 174; Percy's Reliques, ed. Wheatley, 1876, ii. 31-47.]

DNB references
These references are found in the DNB article referred to above.

 [[Category:DNB drafts|Died shortly after the publication of the last edition of his book, in 1520-1.

arnold's work is merely a commonplace book dealing with london antiquities. it contains the chief charters granted to the city, accounts of its customs, and notes on a variety of topics chiefly but not entirely connected with commerce. hearne called it a chronicle; but its only claim to that title rests on its opening section, which gives, with occasional historical notes, a list of the names of the 'balyfs, gustos, mayers, and sherefs' of london between 1189 and 1502. the greater part of this list was evidently borrowed direct from a manuscript now in the cottonian library at the british museum. arnold himself gives the book no name; douce, its latest editor, christens it the 'customs of london.' its most interesting feature is its introduction of the 'ballade of ye nottebrowne mayde,' which occurs, without any explanation, between an account of the tolls payable by english merchants sending merchandise to antwerp, and a statement of the differences between english and flemish currencies. no earlier version of the ballad is known, and according to capel, warton, douce, and collier, it is probable that it had been composed only a few years before arnold transcribed and printed it. hearne, however, assigns it to the time of henry v, and bishop percy to the early part of henry vii's reign. its authorship is unknown; but douce assumes, on very just grounds, that it was translated from an old german ballad by some englishman whom arnold met at antwerp. it was frequently reprinted separately in the sixteenth century, and enjoyed very great popularity for many years; interest in it was revived by its republication in the 'muse's mercury' for june 1707, where it was first seen by prior, who paraphrased it in his 'henry and emma' about 1718.

from typographical evidence it is clear that arnold's book was first published at antwerp in 1502 by john doesborowe, who published other english books. this edition is without date, place, or printer's name. a second edition, in which the list of the mayors and sheriffs is brought down to 1520 — doubtless the date of publication — is ascribed by typographical experts to peter treveris, the first printer who set up a press at southwark. it is also without date, place, or printer's name. a third edition, with introduction by francis douce, appeared in 1811. copies of the two original editions, which are now of excessive rarity, are in the british museum. stowe and holinshed both mention arnold's compilation among their authorities; bale and pits pay it exaggerated respect as an original historical work. but its want of arrangement and heterogeneous contents, in most cases borrowed from readily accessible sources, give it little value for the modem historical writer.

[douce's edition of arnold's customs of london; corser's collectanea anglo-poetica, i. 54; collier's early english literature, i. 30; ames's typog. antiq., ed. herbert and dibdin, iii. 34; percy's folio ms., ed. hales and furnivall, ii. 174; percy's reliques, ed. wheatley, 1876, ii. 31-47.], ]]