User talk:Огненный ангел

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Your precision is especially welcome! --Gerda Arendt (talk) 17:12, 1 January 2015 (UTC)
 * Gern geschehen. Ich wurde stutzig, als ich sah, dass das Ballett "Anna Karenina" als Oper bezeichnet wurde. Von dem habe ich nämlich die Noten zu Hause. Der Rest war schnell recherchiert. Огненный ангел (talk) 23:52, 10 January 2015 (UTC)

Goya (opera) moved to draftspace
An article you recently created, Goya (opera), is not suitable as written to remain published. It needs more citations from reliable, independent sources. (?) Information that can't be referenced should be removed (verifiability is of central importance on Wikipedia). I've moved your draft to draftspace (with a prefix of " " before the article title) where you can incubate the article with minimal disruption. When you feel the article meets Wikipedia's general notability guideline and thus is ready for mainspace, please click on the "Submit your draft for review!" button at the top of the page. CommanderWaterford (talk) 12:01, 10 March 2021 (UTC)
 * Thanks. I was going to flesh it out during the next days. Огненный ангел (talk) 12:19, 10 March 2021 (UTC)

Concern regarding Draft:Goya (opera)
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Thank you for your submission to Wikipedia. FireflyBot (talk) 13:01, 10 August 2021 (UTC)

Disambiguation link notification for September 11
Hi. Thank you for your recent edits. An automated process has detected that when you recently edited Panurge (opera), you added a link pointing to the disambiguation page Bass. Such links are usually incorrect, since a disambiguation page is merely a list of unrelated topics with similar titles. (Read the FAQ* Join us at the DPL WikiProject.)

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Your draft article, Draft:Goya (opera)


Hello, Огненный ангел. It has been over six months since you last edited the Articles for Creation submission or Draft page you started, "Goya".

In accordance with our policy that Wikipedia is not for the indefinite hosting of material deemed unsuitable for the encyclopedia mainspace, the draft has been nominated for deletion. If you plan on working on it further, or editing it to address the issues raised if it was declined, simply and remove the, , or  code.

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Thank you for your submission to Wikipedia! Celestina007 (talk) 20:20, 10 February 2022 (UTC)

tenor?
In role tables, we say what the score says. Some singers are versatile, others develop into a different register, - we don't care but just say what the composer requests. - Example: while Cherubino is often sung by mezzos, Mozart's score says soprano. -- Gerda Arendt (talk) 12:36, 3 August 2022 (UTC)


 * Ich weiß über Cherubino Bescheid und dass die Partie im Autograph im Sopranschlüssel geschrieben wurd (wie auch Idamante und Sesto). Mir ist auch mindestens ein Fall eines französischen Sängers genau dieser Epoche bekannt, der in unterschiedlichen Phasen ihrer Karriere Tenor- und Baritonrollen sang: Jean-Etienne-Auguste Massol (1802-1887), der 1838 von Tenor- zu Baritonrollen wechselte (jedoch liegt die Partie des Abayaldos in Donizettis "Dom Sébastien" von 1843 zu hoch für die meisten Baritonsänger, z. B. kämpft Simon Keenlyside - im Gegensatz zu Nicolas Rivenq - deutlich hörbar mit der Tessitur).
 * Jedoch trifft dies für Honoré Grignon nicht zu: Es gibt keinerlei Information darüber, dass er sich im Laufe seiner Karriere umqualifiziert hätte. Eine französischsprachige Quelle (die jedoch nicht als im akademischen Sinne vertrauenswürdig gelten kann) nennt ihn sogar "basse comique".
 * Wissen wir aber im Falle Aubers, was der Komponist wirklich wollte? Das könnte sich als ein sehr schlüpfriger Pfad erweisen.
 * Laut des ältesten Klavierauszugs, den ich lokaliseren konnte (Brandus, Paris 1850) - meines Wissens gibt es im Netz kein Digitalisat des Partiturautographs -, ist Lord Elfort kein Tenor und noch nicht einmal ein Bariton, sondern ein Bass (und seine Partie ist im Bassschlüssel notiert). Laut desselben Klavierauszuges gibt es im "Schwarzen Domino" auch keine Altstimmen, sondern ausschließlich Soprane: fünf Soprane sowie je zwei Tenöre und Bässe; etwas Anderes kennt dieser Klavierauszug nicht.
 * Jedoch scheint sich die Angabe der Stimmlagen im Artikel nicht am Autograph der Partitur oder einem Klavierauszug zu orientieren, sondern sich auf eine Monographie von Robert Ignatius Letellier über die Gattung der Opéra comique zu stützen. Es werden z. B. Jacinthe und die "Tourière" als Alt bezeichnet, was zumindest bei der der Lektüre des Klavierauszugs als schlüssig erscheint. Da ich Letelliers Buch allerdings nie in den Händen gehalten habe, kann ich auch nicht mit Bestimmtheit sagen, ob der offensichtliche Fehler (Elfort=Tenor) auf Letellier zurückgeht oder schlichtweg ein Flüchtigkeitsfehler des Autors ist.
 * https://s9.imslp.org/files/imglnks/usimg/2/27/IMSLP245012-PMLP121806-Auber_-_Domino_noir_BrandusVS.pdf Огненный ангел (talk) 13:49, 3 August 2022 (UTC)
 * Überzeugend, danke. Nice to meet you. --Gerda Arendt (talk) 13:53, 3 August 2022 (UTC)
 * Gern geschehen. The pleasure is mutual. Огненный ангел (talk) 14:41, 3 August 2022 (UTC)

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