Veettoda Mappillai

Veettoda Mappillai is a 2001 Indian Tamil language comedy drama film written and directed by V. Sekhar. The film stars Napoleon and Roja, while Vijayakumar, Charle, Vaiyapuri, Kalpana, Kovai Sarala, and Thalaivasal Vijay play supporting roles. It was released on 14 September 2001.

Plot
Kandaswamy, a restaurant owner, has a son Muthupandi and three daughters: Meena, Jamuna, and Rani. When Muthupandi was young, he fought with his father, cut his father's hand with a knife, and ran away to Mumbai. Kandaswamy brings up his daughters alone. His elder two daughters marry his relatives Ganga and Dhamu, two jobless and lazy sons-in-law. Manikkam, a jobless young graduate, is hired by Kandaswamy. Manikkam works sincerely, and Kandaswamy decides to marry Meena to him. He requests to Manikkam that the couple must stay with him. Manikkam accepts, then he and Meena get married. Meanwhile, Ganga and Dhamu begin a company with their wives' jewels, but it is bankrupt. Muthupandi, a hotel owner in Mumbai, comes back with his wife and children. Muthupandi's hotel was also bankrupt, and he lost everything. Muthupandi, with Ganga and Dhamu's support, brings out Meena and Manikkam. Manikkam opens a restaurant in front of Kandaswamy's restaurant. Muthupandi changes his father's restaurant into a bar while he was absent. Muthupandi's former henchmen blackmailed him to give them money. Back home, Kandaswamy is humiliated by his son and attempts to commit suicide. Muthupandi's former henchmen beat him, and he is taken hostage by them. Ganga and Dhamu then save Muthupandi, and the three of them apologise to Kandaswamy. They live happily together.

Soundtrack
The music was composed by Deva.

Reception
S. R. Ashok Kumar of The Hindu said : "too much of dialogue it makes the viewer restless at times". Malini Mannath of Chennai Online felt the film "is only the pale imitation of his [Sekar] earlier works", in regards to the performances she found Napolean "remains silent and sober most of the time" and called Vijayakumar "earns one's admiration as the sensible and doting father-in-law of Manickam" but felt "the character's confusion after the return of the son, robs it of its intensity and dignity and the performance goes wasted".