Working Girl

Working Girl is a 1988 American romantic comedy-drama film directed by Mike Nichols, written by Kevin Wade, and starring Harrison Ford, Sigourney Weaver, and Melanie Griffith. Its plot follows an ambitious secretary from Staten Island who takes over her new boss's role while the boss is laid up with a broken leg. The secretary, who has been going to business night school, pitches a profitable idea, only to have the boss attempt to take credit.

The film's opening sequence follows Manhattan-bound commuters on the Staten Island Ferry accompanied by Carly Simon's song "Let the River Run", for which she received the Academy Award for Best Original Song and the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written Specifically for a Motion Picture or Television, making her the first artist to win this trio of awards for a song composed and written, as well as performed, entirely by a single artist. The film was met with critical acclaim, and was a major box office success, grossing a worldwide total of $103 million.

Working Girl was nominated for six Academy Awards, including Best Picture, Best Director, and Best Actress for Griffith, while both Weaver and Joan Cusack were nominated for Best Supporting Actress. The film won four Golden Globes (from six nominations), including Best Motion Picture – Musical or Comedy, Best Actress – Musical or Comedy for Griffith, and Best Supporting Actress for Weaver. It also received three BAFTA nominations: Best Actress for Griffith, Best Supporting Actress for Weaver, and Best Original Score for Simon.

Plot
Tess McGill is a working-class woman from Staten Island who dreams of climbing the corporate ladder to an executive position. Despite holding a business degree earned through years of evening classes, her boss and male co-workers at the stockbroker firm in lower Manhattan where she works as a secretary treat her like a bimbo, even though they benefit from her intelligence and business instincts. After reaching her limit with her boss's humiliations, Tess dramatically quits.

Tess then lands a job as an administrative assistant to Katharine Parker, a young associate in Mergers and Acquisitions. Katharine seems supportive, though condescending, toward Tess, encouraging her to learn from her and share her ideas. When Tess shares her idea for a proposed purchase of a radio network by Trask Industries, Katharine is skeptical that Tess could have come up with it herself and agrees to look into it. She later tells Tess it will not work out.

When Katharine breaks her leg skiing, she asks Tess to house-sit. While there, Tess discovers meeting notes that reveal Katharine plans to pass off the Trask Industries idea as her own. She then returns home to find her live-in boyfriend, Mick, having sex with another woman. Doubly heartbroken, Tess decides to use Katharine's office and connections to present herself as an executive and move forward with the Trask merger. She schedules a meeting with Jack Trainer, a mergers and acquisitions associate from another company.

The night before the meeting, Tess has her friend Cyn cut her hair to look more professional. She also begins borrowing Katharine's more stylish and expensive clothing to dress the part. In an attempt to meet Jack Trainer prior to the meeting, Tess attends a dinner on Katharine’s behalf, hosted by his firm. Jack is attracted to and approaches Tess at the bar but does not reveal his name, even after she inquires whether he knows Jack Trainer. Tess eventually leaves and he follows, taking her back to his apartment after she passes out in a cab from a combination of Valium and alcohol.

Tess leaves early the next morning, believing them to have slept together, to attend her meeting with Jack and is surprised to see he is the man from the previous night. They both feign non-recognition. Although Tess lacks confidence during the meeting with Jack and his associates and leaves thinking it was a failure, Jack soon arrives at her office, telling her they did not sleep together and that he wants to move forward with her idea. Together, they prepare the financials for the merger proposal. Jack is initially confused by Tess's apparently unorthodox methods of doing business, such as approaching Trask at his daughter's wedding to get around his various corporate associates, but comes to find her exciting after years of feeling as though he's in a slump.

Trask agrees to go forward with the merger, and as Tess and Jack collaborate together, they fall in love and begin a relationship. While in bed with Jack, Tess is tempted to confess that she is a secretary, not an executive, but stops herself after discovering Jack is also involved with Katharine, whom he planned to break up with before her injury.

Katharine returns home on the day of the meeting finalizing the merger, and while Tess is helping her get settled, Katharine brings up the Trask merger, saying she was intending to take it to Jack and give Tess credit eventually, but was restricted due to Jack’s strict ethical code preventing him from looking at other’s work without verifying the source after being accused of stealing himself. Jack arrives, having reluctantly agreed to visit Katharine, and rejects her advances and suggestions that they marry, but stops short of ending the relationship. He leaves abruptly to get to the Trask meeting. Katharine discovers Tess's deception while looking through the appointment book Tess had left behind.

At the Trask meeting, Tess asks Jack whether he has ever been accused of stealing, which he denies. He confesses his love for Tess, but as the meeting begins, Katharine barges in and reveals Tess's deception, accusing her of stealing the merger idea. Feeling she can't defend herself, Tess leaves, apologizing profusely. Katharine takes Tess's place at the conference table.

Days later, Tess is clearing out her desk, having been fired, and encounters Jack in the lobby. He is going upstairs with Katharine and Trask to continue work on the merger. Katharine mocks Tess, leading to a confrontation. Jack defends Tess to Trask, demanding she be allowed to lead the merger. When Tess reveals there's a hole in the deal, Trask at last gives her a chance to explain and prove that the idea was hers. He in turn confronts Katharine, who is unable to do the same. He promises to have her fired for her actions and offers Tess an entry-level position, which she happily accepts. Tess and Jack embrace and renew their relationship.

On her first day at Trask, Tess arrives at her office and finds a woman, Alice, inside using the phone. She initially assumes she is Alice's secretary, but then realizes that Alice is, in fact, her secretary. Tess tells her they'll work together as colleagues, showing she will be very different from Katharine. Finally, Tess calls her friend Cyn from her own office to tell her she has made it.

Development
Screenwriter Kevin Wade was inspired to write the screenplay after visiting New York City in 1984 and witnessing throngs of career women walking through the streets in tennis shoes while carrying their high-heels.

Casting
Melanie Griffith read the screenplay for Working Girl over a year before the production began, and expressed interest in playing the role of Tess McGill. Approximately a year later, Mike Nichols agreed to direct the film after reading the screenplay while shooting his film Biloxi Blues in Alaska. Following Nichols' attachment, Griffith had a formal audition for the role. Molly Ringwald auditioned but was deemed "too young." Nichols was so determined for Griffith to have the part that he threatened to drop out of the production if the studio, 20th Century Fox, would not hire her.

Following the casting of Sigourney Weaver and Harrison Ford—both major stars at that point—the studio agreed to cast Griffith, as they felt Weaver and Ford's involvement gave them a higher chance of box-office success.

Filming
Principal photography of Working Girl began on February 16, 1988, in New York City. Many scenes were shot in the New Brighton section of Staten Island in New York City. One half-day of shooting to complete the skiing accident scene took place in New Jersey. Four different buildings portrayed the offices of Petty Marsh—1 State Street Plaza; the Midday Club, which served as the company's club room; the lobby of 7 World Trade Center (one of the buildings destroyed in the September 11 attacks); and the reading floor of the L. F. Rothschild Building. One Chase Manhattan Plaza was featured at the end of the film as the Trask Industries building. Filming completed on April 27, 1988, with the final sequence being shot on the Staten Island Ferry.

Throughout the shoot, Griffith was in the midst of struggling with a years-long alcohol and cocaine addiction, which at times interfered with the shoot. "There were a lot of things that happened on Working Girl that I did that were not right," Griffith recalled in 2019. "It was the late '80s. There was a lot going on party-wise in New York. There was a lot of cocaine. There was a lot of temptation." After Nichols realized that Griffith had arrived on set high on cocaine, the shoot was temporarily shut down for 24 hours. Griffith elaborated on the experience:

"Mike got so mad at me, he wouldn't talk to me. Mike Haley, the first [assistant director], just came up and said, 'We're shutting down. Go home', and I knew I was in so much trouble. … The next morning he (Nichols) took me to breakfast and said, 'Here's what's going to happen. You're going to pay for last night out of your pocket. We're not going to report you to the studio, but you have to pay for what it cost', and it was $80,000. They wanted to get my attention and they really did. It was a very humbling, embarrassing experience, but I learned a lot from it."

Three weeks after filming was completed, Griffith entered a rehabilitation facility to receive treatment for her addiction. Ironically, according to the biography Mike Nichols: A Life, written by Mark Harris, Nichols had been battling a cocaine addiction of his own around the same time.

Music
The film's main theme "Let the River Run" was written, arranged, and performed by American singer-songwriter Carly Simon, and won her an Academy Award, a Golden Globe Award, and a Grammy Award for Best Original Song, making Simon the first artist to win this trio of awards for a song written, as well as performed, entirely by a single artist. As a single, "Let the River Run" reached No. 49 on the U.S. Billboard Hot 100 and No. 11 on the Billboard Adult Contemporary chart in early 1989.

The film's additional soundtrack was scored by Simon and Rob Mounsey. The soundtrack album was released by Arista Records on August 29, 1989, and peaked at No. 45 on the Billboard 200.

Box office
The film was released in the United States on December 21, 1988, in 1,051 theaters and grossed $4.7 million on its opening weekend. It went on to make $63.8 million in North America and $39.2 million in the rest of the world for a worldwide total of $103 million.

Home media
Working Girl was released on VHS and Laserdisc in 1989 by CBS/Fox Video; "Family Portrait", one of the shorts from The Tracey Ullman Show featuring The Simpsons, was included before the movie on the VHS release. The film was released on DVD on April 17, 2001, by 20th Century Fox Home Entertainment. Special features included two theatrical trailers and three TV spots. The film was released on Blu-ray on January 6, 2015. The special features from the DVD release were carried over for the Blu-ray release.

Critical response
Working Girl received critical acclaim upon release. It has an 83% "Fresh" rating on Rotten Tomatoes based on 48 reviews, and an average score of 7/10. The site's consensus is; "A buoyant corporate Cinderella story, Working Girl has the right cast, right story, and right director to make it all come together." The film also has a weighted average score of 73 out of 100 at Metacritic based on reviews from 17 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.

Chicago Sun-Times film critic Roger Ebert gave the film four out of four stars and wrote, "The plot of Working Girl is put together like clockwork. It carries you along while you're watching it, but reconstruct it later and you'll see the craftsmanship". In her review for the Washington Post, Rita Kempley described Melanie Griffith as "luminous as Marilyn Monroe, as adorable as one of Disney's singing mice. She clearly has the stuff of a megastar, and the movie glows from her". Janet Maslin, in her review for The New York Times, wrote, "Mike Nichols, who directed Working Girl, also displays an uncharacteristically blunt touch, and in its later stages the story remains lively but seldom has the perceptiveness or acuity of Mr. Nichols's best work". In his review for Time, Richard Corliss wrote, "Kevin Wade shows this in his smart screenplay, which is full of the atmospheric pressures that allow stars to collide. Director Mike Nichols knows this in his bones. He encourages Weaver to play (brilliantly) an airy shrew. He gives Ford a boyish buoyancy and Griffith the chance to be a grownup mesmerizer".

Honors
The film is recognized by American Film Institute in these lists:
 * 2002: AFI's 100 Years...100 Passions – No. 91
 * 2004: AFI's 100 Years...100 Songs:
 * "Let the River Run" – No. 91
 * 2006: AFI's 100 Years...100 Cheers – No. 87

Television
Working Girl was also made into a short-lived NBC television series in 1990, starring Sandra Bullock as Tess McGill. It lasted 12 episodes.

Theatre
A Broadway musical version is in the works as of 2017, with a score to be written by Cyndi Lauper from Fox Stage Productions and Aged in Wood Productions. For Aged in Wood, the producers were Robyn Goodman and Josh Fiedler. Instead of a production company on Working Girl, the musical adaptation was switched to a license production by Aged in Wood Productions since Disney took over ownership of Fox Stage in 2019.

Reboot
A reboot of Working Girl has reported to be in development at Hulu, with Ilana Peña adapting the script. Selena Gomez is in talks to produce.