Malayamarutam
| Arohanam | S R₁ G₃ P D₂ N₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ D₂ P G₃ R₁ S |
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
Malayamarutam is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). This scale is used in Hindustani music in recent years by instrumentalists.[1] This is a morning raga[1][2] and regularly used in programmes and functions of the mornings.
Structure and Lakshana[edit]
Malayamarutam is a symmetric rāgam that does not contain madhyamam. It is a hexatonic scale (shadava-shadava rāgam[2] in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes used in this scale are shadjam, shuddha rishabham, antara gandharam, panchamam, chathusruthi dhaivatham and kaisiki nishadam. Malayamarutam is considered a janya rāgam of Chakravakam, the 16th Melakarta rāgam, though it can be derived from Ramapriya also, by dropping madhyamam.
Popular compositions[edit]
Malayamarutam is a pleasing scale, but has only a few compositions in classical music. It has been used to score film music as well. Here are some popular kritis composed in Malayamarutam.
- "Dhanyadevudo"by Patnam Subramania Iyer
- Manasa Etulothune by Tyagaraja
- Karpaga Manohara by Papanasam Sivan
- Karunaanidiye Eesha and Smarane Onde by Purandara Dasa
- Anumane Saamikindha by Arunachala Kavi
- Dayai puriya by Mayuram vedanayagampillai
- Chandiran oli by Subramanya Bharati
- Navaratna Vilasa by Kalyani Varadarajan
- Film song:Usha Kiranangal(Guruvayoor Kesavan-G Devarajan Master)
- Film song: Pularkala sundara (Oru Maymasa Pulariyil)
Film Songs[edit]
Language:Tamil[edit]
| Song | Movie | Year | Composer | Singer |
|---|---|---|---|---|
| Kanmani Nee Vara | Thendrale Ennai Thodu | 1985 | Illayaraja | K. J. Yesudas, Uma Ramanan |
| Kodi Inbam Meni Yengum | Nenjil Aadum Poo Ondru | S. P. Balasubrahmanyam, S. Janaki | ||
| Poojaikaaga Vaadum Poovai | Kaadhal Oviyam | 1982 | Deepan Chakravarthy | |
| Thendral Ennai Muthamittathu | Oru Odai Nadhiyagirathu | 1983 | Krishnachandran, B. S. Sasirekha | |
| Oomai Nenjin Sondham | Manidhanin Marupakkam | 1986 | K. J. Yesudas | |
| Nan Thedum Patham | Puthu vayal | 1992 | Aravindh | |
| Azhagana Sandhangal (charanam in Valaji) | Adhu Antha Kaalam | 1988 | Chandrabose | K. J. Yesudas, Vani Jairam |
| Ragasiyamai
(Ragamalika: Malayamarutham, Chakravagam) |
Dum Dum Dum | 2001 | Karthik Raja | Hariharan, Sadhana Sargam |
| Padatha Kuyilu Onnu | Aakaya Pookal | 1995 | Deva | S. Janaki |
| Neelagiri Mala Orathila | Namma Annachi | 1994 | S. P. Balasubrahmanyam, K. S. Chitra | |
| Vittu Vittu | Rudhra | 1991 | Gangai Amaran | |
| Machan Kurai Pudavai Onnu | Dilli Babu | 1989 | ||
| Nelagiri Poove | Kudumbam | 1984 | S. N. Surendar, S. Janaki | |
| Paadu Paadu | Sengottai | 1996 | Vidyasagar | K. S. Chitra |
| Yedhukkaga Enna | Rummy | 2014 | D. Imman | Santhosh Hariharan, A. V. Pooja |
| Marudakkaari | Paayum Puli | 2015 | Diwakar |
Related rāgams[edit]
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities[edit]
- Valaji is a rāgam which does not have shuddha rishabham in both ascending and descending scales compared to Malayamarutam. Its ārohaṇa-avarohaṇa structure is S G3 P D2 N2 S : S N2 D2 P G3 S
- Rasikaranjani is a ragam that does not have the nishadham in both arohana and avarohana compared to Malayamarutam.
