Bonaparte at the Pont d'Arcole

Bonaparte at the Pont d’Arcole (Bonaparte au Pont d’Arcole) is an oil-on-canvas painting executed in 1796 by the French artist Antoine-Jean Gros. It depicts an episode during the Battle of Arcole in November 1796, with General Napoleon Bonaparte leading his troops to storm the bridge.

Description
The painting presents a three-quarter-length image of Bonaparte, holding the flagstaff of the Armée d'Italie in his left hand and his sword in his right – on its blade is the inscription Bonaparte, Armée d'Italie. He is dressed in the dark blue trousers and tunic of a general of the First French Republic, with a gold-embroidered red collar. Beneath them he wears a white shirt and a black neckscarf. He also wears a gold-fringed tricolor cummerbund and a square-buckled belt bearing his empty scabbard. The background suggests the smoke of battle, with a few houses in the distance on the left. The land bordering the river is painted in dark tones, with a smoking cannonball still visible.

History
The painting was commissioned by Joséphine, who was accompanying Napoleon in his Italian Campaign. Painted in Naples in 1796. Napoleon could reportedly not sit still for extended periods of time as a model for the portrait, Joséphine solved this by allowing Napoleon to sit in her lap and embracing him for the duration required by Gros. The painting passed through the collections of Napoleon himself and of Napoleon III before being sequestered after the fall of the Second French Empire in 1870. It was then reacquired by Napoleon III's wife Eugénie de Montijo in 1871, who eight years later gave it to the Louvre (now inventory number RF271). It passed to the château de Compiègne in 1901, then finally the Palace of Versailles in 1938 (inventory number MV 6314).

Related works
Other versions at:
 * Sketch at the Musée du Louvre, it was approved by Bonaparte as the basis for the final painting
 * Arenenberg, (Switzerland, canton of Thurgovie), Musée Napoléon.
 * Saint Petersburg, Hermitage Museum
 * The painting is sometimes used as a cover for Beethoven's 5 Piano Concerto in Es-Dur, Opus 73.