Famous Fantastic Mysteries



Famous Fantastic Mysteries was an American science fiction and fantasy pulp magazine published from 1939 to 1953. The editor was Mary Gnaedinger. It was launched by the Munsey Company as a way to reprint the many science fiction and fantasy stories which had appeared over the preceding decades in Munsey magazines such as Argosy. From its first issue, dated September/October 1939, Famous Fantastic Mysteries was an immediate success. Less than a year later, a companion magazine, Fantastic Novels, was launched.

Frequently reprinted authors included George Allan England, A. Merritt, and Austin Hall; the artwork was also a major reason for the success of the magazine, with artists such as Virgil Finlay and Lawrence Stevens contributing some of their best work. In late 1942, Popular Publications acquired the title from Munsey, and Famous Fantastic Mysteries stopped reprinting short stories from the earlier magazines. It continued to reprint longer works, including titles by G. K. Chesterton, H. G. Wells, and H. Rider Haggard. Original short fiction also began to appear, including Arthur C. Clarke's "Guardian Angel", which would later form the first section of his novel Childhood's End. In 1951, the publishers experimented briefly with a large digest format, but returned quickly to the original pulp layout. The magazine ceased publication in 1953, almost at the end of the pulp era.

Publication history
By the early decades of the 20th century, science fiction (sf) stories were frequently seen in popular magazines. The Munsey Company, a major pulp magazine publisher, printed a great deal of science fiction in these years, but it was not until 1926 that Amazing Stories, the first pulp magazine specializing in science fiction, appeared. Munsey continued to print sf in Argosy during the 1930s, including stories such as Murray Leinster's The War of the Purple Gas and Arthur Leo Zagat's "Tomorrow", though they owned no magazines that specialized in science fiction. By the end of the 1930s science fiction was a growing market, with several new sf magazines launched in 1939. That year Munsey took advantage of science fiction's growing popularity by launching Famous Fantastic Mysteries as a vehicle for reprinting the most popular fantasy and sf stories from the Munsey magazines.

The first issue was dated September/October 1939, and was edited by Mary Gnaedinger. The magazine immediately became successful and went to a monthly schedule starting in November 1939. Demand for reprints of old favorites was so strong that Munsey decided to launch an additional magazine, Fantastic Novels, in July 1940. The two magazines were placed on alternating bimonthly schedules, but when Fantastic Novels ceased publication in early 1941 Famous Fantastic Mysteries remained bimonthly until June 1942. Munsey sold Famous Fantastic Mysteries to Popular Publications, a major pulp publisher, at the end of 1942; it appears to have been a sudden decision, since the editorial in the December 1942 issue discusses a planned February issue that never materialized, and mentions forthcoming reprints that did not appear. The first issue from Popular appeared in March 1943, and only two more issues appeared that year; the September 1943 issue marked the beginning of a regular quarterly schedule. It returned to a bimonthly schedule in 1946 which it maintained with only slight deviations until the end of its run.

In 1949, Street & Smith, one of the longest established and most respected publishers, shut down all of their pulp magazines: the pulp era was drawing to a close. Popular Publications was the biggest pulp publisher, which helped their titles last a little longer, but Famous Fantastic Mysteries finally ceased publication in 1953, only a couple of years before the last of the pulps ceased publication.

Contents and reception
Munsey's plan for the magazines was laid out in a note that appeared in the first four issues: "This magazine is the answer to thousands of requests we have received over a period of years, demanding a second look at famous fantasies which, since their original publication, have become accepted classics. Our choice has been dictated by your requests and our firm belief that these are the aces of imaginative fiction." The first issue included Ray Cummings' "The Girl in the Golden Atom" and A. Merritt's "The Moon Pool", both popular stories by well-known authors. Merritt's sequel, "The Conquest of the Moon Pool", began serialization in the next issue, with illustrations by Virgil Finlay. Finlay did many illustrations for Famous Fantastic Mysteries over its lifetime, and became one of its most popular artists. Frank R. Paul began illustrating for the magazine with the third issue; he was not as capable an artist as Finlay but was very popular with the readers. The first five covers were simply tables of contents, but with the sixth issue, dated March 1940, pictorial covers began, with Finlay the artist for that first cover. Three early covers in 1940 were painted by Paul, but thereafter almost every cover was painted by either Finlay, Lawrence Stevens, or his son, Peter Stevens, including every single issue from February 1941 through April 1950. The high quality of the artwork helped make the magazine one of the most popular of its day, and sf historian Thomas Clareson has suggested that it was Finlay's work in Famous Fantastic Mysteries and Fantastic Novels that made his reputation.

The decision to launch Fantastic Novels was taken partly because there were a great many book-length works that readers wanted to see reprinted. Gnaedinger commented that "Everyone seems to have realized that although [the] set-up of five to seven stories with two serials running, was highly satisfactory, that the long list of novels would have to be speeded up somehow". When Fantastic Novels was launched, Famous Fantastic Mysteries was partway through serialization of The Blind Spot, by Austin Hall and Homer Eon Flint, with the third episode appearing in the May/June 1940 issue. Rather than complete the serialization, Gnaedinger decided to print the novel in its entirety in the first issue of Fantastic Novels, ensuring that readers of Famous Fantastic Mysteries would also acquire the new magazine. After Fantastic Novels ceased publication in 1941, Famous Fantastic Mysteries changed its policy, and began publishing a complete novel in every issue, rather than several stories and one or two serials running concurrently. Usually there were also short stories, but occasionally a particularly long novel would appear alone in the issue: this happened, for example, with the February 1942 issue, which contained Francis Stevens' The Citadel of Fear, and no other fiction.

When Munsey sold Famous Fantastic Mysteries to Popular, the editorial policy changed again, to exclude reprints of short fiction that had previously appeared in magazine form. Book length fiction continued to be reprinted, as did some shorter works that had appeared only in books, such as William Hope Hodgson's "The Derelict", and Robert W. Chambers' "The Mask", both of which appeared in the December 1943 issue. The reprinted novels included G. K. Chesterton's The Man Who Was Thursday, H. G. Wells' The Island of Dr. Moreau, H. Rider Haggard's The Ancient Allan, and works by Algernon Blackwood, Lord Dunsany, and Arthur Machen. Some of the reprinted material was abridged, but despite this, Famous Fantastic Mysteries did an important service to its readers by making works available that had been long out of print, and which in some cases had only been previously published in the U.K., making their appearance in the magazine the first chance many subscribers had had to read them.

Some original material also appeared after Popular acquired the magazine. Contributors who published original stories in Famous Fantastic Mysteries included Henry Kuttner, Ray Bradbury, and C. L. Moore. Arthur C. Clarke's story "Guardian Angel" appeared in the April 1950 issue; it was later turned into the first section of his novel Childhood's End.

Bibliographic details
A Canadian reprint edition, with identical contents and dates, began in February 1948, from All Fiction Field, Inc.; in October 1951 the publisher became Popular Publications, Toronto, but this was just a name change rather than a change of ownership. The final Canadian issue was dated August 1952; these issues were half an inch longer than the U.S. versions. In addition, the Canadian edition of Super Science Stories, which had initially reprinted from its U.S. namesake and from the U.S. edition of Astonishing Stories, began to reprint almost entirely from Famous Fantastic Mysteries beginning with the August 1944 Canadian issue. As a nod to the change in source material, the title of the Canadian edition was changed to Super Science and Fantastic Stories starting with the December 1944 issue. A Mexican magazine, Los Cuentos Fantasticos, which published 44 issues between 1948 and 1953, reprinted stories from both Famous Fantastic Mysteries and Astounding Science Fiction, mostly (though not entirely) without obtaining permission first.

An anthology, Famous Fantastic Mysteries: 30 Great Tales of Fantasy and Horror from the Classic Pulp Magazines Famous Fantastic Mysteries and Fantastic Novels, appeared in 1991, edited by Stefan R. Dziemianowicz, Robert E. Weinberg and Martin H. Greenberg, and drawing almost all of its contents from Famous Fantastic Mysteries.