Talk:Divine Comedy/Archives/2008

Comedy on Discovery/TLC/History Channel
Long time ago on one of the cable channels they did a show surroundings either the whole Comendy or at least Dante's Inferno. Does anyone remember it?

I just saw it what do you want to know about it.208.67.34.202 (talk) 18:53, 29 January 2008 (UTC)

Christian/Greek mix
Shouldn't this article mention somewhere that intelectually this work mixes Christian (especially Catholic) theology and ancient Greek "science" and mythology (Aristotelean cosmology, minotaurs, cerberus etc.). These two worldviews are still hugely influential on Western thought and the continued influence of this text undoubtledly contributes towards this.


 * Why put science in quotes? Seven-hundred years from now I suppose our equally snobbish descendants will disparage our work by putting the word in quotes as well.


 * Seconded on the Science bit. It wasn't organized like our science is nowadays, but it was the real McCoy, at least as far as it goes.  The fact that it was wrong on many points doesn't carry the edge to real scientists as it does to layman.  Some science is always wrong.


 * I've added one (correct) observation about reflection, from Canto XV. Radagast3 (talk) 08:24, 1 May 2008 (UTC)


 * Intellectually, this work follows the standard medieval European worldview, that is, Aristotelian-Christian. I'm not sure how much to say about that. Radagast3 (talk) 08:29, 1 May 2008 (UTC)

Examples of virtue and sin
In the Purgatorio, each terrace contains exemplars of the sin that is being purged in that terrace and its opposing virtue. For example humility/pride, charity/envy. This is the first thing that Dante and Virgil see when they arrive at a terrace. Is it ok to add this or would this be too much detail? --Survivalism (talk) 00:18, 2 April 2008 (UTC)


 * I've briefly mentioned it. I'm not sure how much detail we need, but I think an example or two could be given. Radagast3 (talk) 08:22, 1 May 2008 (UTC)

lack of articles
Okay, seriousy, this is just out of line. The 3 parts of the divine comedy don't even get seperate articles?!?! We have a fucking article on every South park episode for god's sakes!!!!!!! This is totally messed up. The Divine Comedy is a super classic book, taught all over the world, and it doesn't even get more than one article about its contents?! Seriously, along with having a nude picture on every page, this is another thing that sucks about wikipedia. Uncyclopedia really is better. At least they dont claim to be a grand encyclopedia and then have nothing but things that are popular to write. I hate this place.


 * Although you are correct that the three canticles certainly warrant separate articles, the solution is to write the articles yourself. Carlo (talk) 13:30, 21 April 2008 (UTC)


 * I imagine that the thing to do is expand the existing article, and split it into four when necessary. At present it's very sketchy in places. Radagast3 (talk) 08:20, 1 May 2008 (UTC)

Ability to get out of punishment
Should it be stated that everyone can get out of their punishments? You see it directly with Paolo and Francesca of the fifth canto, with Ciacco the Hog of the sixth, Filippo Argentini of the eighth, two members of a tomb in the tenth canto, and Ser Brunetto Latino of the fiftienth, among others. Essentially, everyones punishment is of their own accord. -- Naruto     Tron   03:15, 1 February 2008 (UTC)
 * This is true for Purgatory. It is not at all clear to me it's true for Hell. Radagast3 (talk) 06:39, 1 May 2008 (UTC)

I don't think any of that is certain at all. Virgil explains to many tenants of Hell that divine will is motivating he and Dante through hell; it is possible that we are meant to understand that divine will also enables the damned to pause to converse with Dante. Furthermore, we don't know that the souls who stop to converse actually "get out of their punishments." Perhaps they merely choose to endure it as long as they can sustain it for the sake of speaking to Dante. —Preceding unsigned comment added by 76.20.188.129 (talk) 20:21, 11 August 2008 (UTC)

Images
I have added a few images, and removed one which had no relation to the section in which it was placed. We now have 16 images: Or, looking at it another way: There is obviously some imbalance here, and we could use some (ideally colour) images to further illustrate Purgatory (there are no images illustrating ANY of the terraces) and Paradise. Radagast3 (talk) 06:28, 3 May 2008 (UTC)
 * 2 general ones
 * 8 on Hell
 * 3 on Purgatory
 * 3 on Paradise
 * 6 from Doré
 * 2 other black-and-white
 * 8 colour


 * There are probably enough images now. Radagast3 (talk) 06:46, 4 May 2008 (UTC)

Why do you feel compelled to remove the image of Mahound showing his entrails in The Divine Comedy article? This event and image are integral to the story. I notice in an early edit that you referred to this image as one that 'might be offensive to some viewers.' So what? Please justify you repeated removal. (question by 137.186.236.76 moved from user talk page).


 * There are some general principles I've tried to follow for images:
 * (1) There should be a balance across the poem as a whole (different regions of Hell, Purgatory, Paradise) and a balance across artists – not just Doré (I believe we have that balance now).
 * (2) Images must be relevant to the passage they illustrate (the image you refer to is an 8th circle image someone had placed in the 9th circle for no reason that I can see, and I replaced it with a more relevant image – Ugolino is also integral to the story).
 * (3) There are many possible images, and we need to be selective (for example, the images I've added have been colour images where possible).
 * (4) If a passage is illustrated by a length quote from the poem, an image is less important (this is the case with the image you refer to). Radagast3 (talk) 01:05, 6 May 2008 (UTC)


 * Nice try; please answer the question without all the BS. For your: 1) ...then you chould choose to leave the Dore images and remove the others, ya? 2) The said image and passage are perfectly linked. And, since you say that 'Ugoline is also integral...' then by definition the Mahound image must be integral. Why remove something integral? 3) Keep in mind all those Dore images are black-and-white. And, if 'we need to be selective' why did you remove someone else's selection? 4) Images speak a thousand words; or maybe we should remove all the images to support your belief that images are not important. Please recognise that your political correctness, trasparent as it is, is offensive to some readers. --137.186.255.201 (talk) 15:25, 6 May 2008 (UTC)


 * It sounds to me like he DID answer the question without "BS." I think it's an improvement if only because it's one less Dore.  "Mahound"? Frankly, it seems to me like YOU are the one with the political ax to grind.  Carlo (talk) 21:50, 6 May 2008 (UTC)

I realize my opinion may not be popular, but I have to say that I think the article now contains too many images. Deor (talk) 22:28, 6 May 2008 (UTC)


 * Part of the problem is that it should be three separate articles. If it was, there would be fewer pictures per. Carlo (talk) 23:27, 6 May 2008 (UTC)
 * I'm also not sure why we need a plot summary of each cantica that's more detailed than the one we have already in this article. After all, the purpose of an encyclopedia article is different from that addressed by one of those "plots of 100 World Classics" books. I'd rather see the material on reception and criticism expanded in this article and, if it gets too long in the process, see the plot summary as a whole split out. Deor (talk) 01:01, 7 May 2008 (UTC)


 * Well, it certainly doesn't need more images. It could, I think, be sensibly split into a general article and three specific ones on each cantica. Ideally the latter will be not just a plot summary, but articles highlighting important aspects of the poem.  But I'm sure that will generate even more complaints than any change made to the article so far. Radagast3 (talk) 01:31, 7 May 2008 (UTC)


 * Frankly, despite all the work done on the article, I think it's a rather poor one for such an important subject. Not that I've done much to change that, of course. But this is one of the most important literary works ever, and the article is woefully incomplete.  Carlo (talk) 03:21, 7 May 2008 (UTC)


 * I think better than it was before, but I agree with you.  I encourage you to improve it further. Radagast3 (talk) 08:16, 7 May 2008 (UTC)

Why Comedy
Does someone knows why it is called a Comedy? —Preceding unsigned comment added by 87.70.91.170 (talk) 05:56, 18 May 2008 (UTC)
 * Hmm, the answer is in the article:
 * Dante called the poem "Comedy" (the adjective "Divine" added later in the 14th century) because poems in the ancient world were classified as High ("Tragedy") or Low ("Comedy"). Low poems had happy endings and were of everyday or vulgar subjects, while High poems were for more serious matters. Dante was one of the first in the Middle Ages to write of a serious subject, the Redemption of man, in the low and vulgar Italian language and not the Latin language as one might expect for such a serious topic. Boccaccio's account that an early version of the poem was begun by Dante in Latin is still controversial[11][12]. —Preceding unsigned comment added by 87.70.91.170 (talk) 12:35, 18 May 2008 (UTC)

Dante and Islam (Inferno, Canto XXVIII, (Circle 8))
I have changed the statement about Muhammad and Ali. The previous form indicated that Dante "viewed Mohammed and Ali as...Christians." This statement ignores the fundamental definitions of both Christianity and Islam. Being systems of faith, that is--being personal beliefs--you cannot be a "Christian" if you are "Muslim" given that the two FAITHS are mutually exclusive by their own definitions. It is much more correct to indicate not what Dante "viewed" but how he treated these individuals in his writing. Dante treats Islam and it's founders as mere off-shoots of the Christian tradition--there is no indication that he believed Muhammad and Ali to personally be Christians who diverged off to form Islam! We cannot presume to know Dante's personal opinions or knowledge of Muhammad's intrapersonal beliefs. We can only know how he treats the subject in his poetry. Given that the previous form was unsupported by footnote or reference, I have no reserve in making this change. I think all will agree that this change I have made is a much better way of approaching the subject, though I admit it is still not perfect, just better. —Preceding unsigned comment added by 76.20.188.129 (talk) 22:21, 11 August 2008 (UTC) MorbidAnatomy (talk) 00:42, 17 October 2008 (UTC)
 * The edit certainly does improve things. Thomas Aquinas described Muslims as unbelievers but not pagans, and the Catechism of the Catholic Church (section 841) acknowledges Muslims as people who "adore the one, merciful God".  This may be a guide to what Dante is saying, but some deeper references here would be good.  Radagast3 (talk) 05:26, 16 August 2008 (UTC)

Psalm 90:10
I changed what was said about his age being 35 as half of the biblically allotted lifespan to half of the biblical life-expectancy. The biblically allotted lifespan is 120 years given to Noah after the flood. Psalm 90 is talking about a life-expectancy and goes on to say that perseverance of sorts can give someone 80 years. It's just a change in vocabulary, but it's more accurate and less confusing to anyone who knows about the 120 years allotment. This is not a biblical discrepency but a scholarly one.207.68.253.78 (talk) 07:23, 20 August 2008 (UTC)

Inconsistency?
On this article it states Boccaccio died in 1321, yet the article on the man himself states 1375. Am I misreading it, or is there an error? What's the correct date? ~A humble IP. 80.176.145.76 (talk) 19:26, 17 December 2008 (UTC)
 * It was Dante who died in 1321. I can't find a place where this article says that Boccaccio died in that year; can you be more specific about where you're seeing that? Deor (talk) 19:32, 17 December 2008 (UTC)
 * I misread it, I realise. Sorry ): 80.176.145.76 (talk) 21:45, 17 December 2008 (UTC)

Structure and Story
I don't believe the Divine Comedy can be said to begin in medias res, as the "halfway along our life's path" refers to Dante's life span, not the events of the comedy. I would remove that sentence —Preceding unsigned comment added by 74.68.118.211 (talk) 16:42, 24 December 2008 (UTC)