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 * Joseph Raphael De Lamar House
 * https://www.nytimes.com/2008/12/14/realestate/14scapes.html
 * https://s3.amazonaws.com/NARAprodstorage/lz/electronic-records/rg-079/NPS_NY/83001722.pdf
 * (("de la mar house" or "de lamar house" or "delamar house" or "de la mar home" or "de lamar home" or "delamar home" or "de la mar mansion" or "de lamar mansion" or "delamar mansion" or "de la mar" "madison" or "de lamar" "madison" or "delamar" "madison" or "democratic club" "madison avenue" or "democratic club" "madison ave" or "democratic club" "madison av" or "235 Madison Avenue" or "235 Madison Ave" or "235 Madison Av" or "233 Madison Avenue" or "233 Madison Ave" or "233 Madison Av") AND ("manhattan" OR "new york")) NOT ("spare times" OR "display ad" OR "classified ad" OR "advertisement" OR "arrival of buyers" OR "paid notice")

The Joseph Raphael De Lamar House is a mansion at 233 Madison Avenue, at the corner of 37th Street, in the Murray Hill neighborhood of Manhattan in New York City. The house was built in 1902–1905 and was designed by C. P. H. Gilbert in the Beaux-Arts style. It serves as the Consulate General of Poland, New York City. The mansion is a New York City designated landmark and on the National Register of Historic Places.

The De Lamar Mansion marked a stark departure from Gilbert's traditional style of French Gothic architecture and was instead robustly Beaux-Arts, heavy with rusticated stonework, balconies, and a colossal mansard roof

De Lamar acquired the site in 1902 and hired Gilbert to design it.

Architecture
The building was designed by C. P. H. Gilbert for the businessman Joseph Raphael De Lamar.

Structural features
The house is constructed with a steel superstructure. Each floor slab is made of metal arches covered with concrete, which at the time of the house's completion was known as the Roebling method of fireproofing. To prevent fires from spreading inside the house, the various rooms are divided by terracotta partitions. When the house was constructed, it included five lifts. There was one elevator each for residents and servants; a dumbwaiter; an elevator to bring ashes from the basement to the street; and a vehicle elevator. The residents' elevator traveled only to the fifth floor, while the servants' elevator served every story and measured 3 by. The vehicle elevator served De Lamar's garage in the basement. Though the entire house was equipped with heating systems when it was built, De Lamar's daughter Alice recalled that she seldom felt any heat.

Interior
At the ground (first) story, the entrance hall had a bronze grille designed in the Beaux-Arts style. On either side of a main hallway were double doors leading to the house's ground-story rooms; the doors were surrounded by moldings and topped by lintels. A billiards room and a library occupied the Madison Avenue (west) side of the house, while a dining room occupied the east side. A staircase also led up to the second floor and was flanked by fluted columns. Above the staircase was a skylight. Alice De Lamar recalled that there was originally "a fountain with plants and marble figures" at the bottom of the staircase landing.

The second floor included an art gallery or Pompeian room to the east, a ballroom to the west, and a music room in the center. The western and central rooms had a gilded ceiling cornice surrounding a painted ceiling. The western room's walls had gilded pilasters interspersed with lighting sconces and fabric panels. Within the central room, the walls were topped by a gilded entablature. There was also a musicians' gallery suspended above part of the music room. Within the easternmost room, the walls were wainscoted with wooden panels, interspersed with Doric columns, and there was a marble fireplace mantel on one wall. Above the eastern room's columns were a painted frieze and stained glass panels, the latter of which were backlit. The ceiling of the eastern room was coffered, and there was a panel in the middle of the ceiling. Originally, the art gallery room had red walls, upon which paintings were displayed, as well as a Persian carpet.

The upper stories were used as bedrooms. On the third story was a breakfast room, as well as three bedrooms, all with baths. One of the third-story bedrooms was used by J. R. De Lamar, while the other two were guest rooms. The easternmost third-story room had paneling and a frieze on the walls. Its ceiling was painted and had a crystal chandelier and dentils. On the fourth floor was a sewing room and two additional bedrooms with baths, one of which was for Alice De Lamar. The fifth floor contained the housekeeper's bedroom and various servants' bedrooms. There was also an attic within the mansard roof, which had a laundry room and a gymnasium.

History
Joseph Raphael De Lamar was a Dutch-born merchant seaman who was born around 1843. After becoming the captain of his own ship in the 1860s, he made a fortune in mining and metallurgy in Colorado and Idaho through the late 19th century. De Lamar also served in the Idaho Senate before ultimately deciding to move to New York City. He married Nellie Sands in 1893, and Sands gave birth to their only child, Alice, two years later. The De Lamar family was living in Paris at the time. De Lamar divorced Sands soon after their daughter was born. He moved back to New York City with his daughter and decided to construct a grand house in New York City.

Residential use
In April 1901, De Lamar bought a four-story brownstone at 233 Madison Avenue and 37th Street from Henry D. Noyes, with plans to develop a six-story mansion there. C. P. H. Gilbert was hired to design the house that month. De Lamar bought a four-story structure at 235 Madison Avenue (just north of 37th Street) from Marion C. Grimshaw that September. In August 1902, Gilbert submitted revised plans to the New York City Department of Buildings for a house measuring 50 by. The structure would cost $400,000 and would contain an underground garage with vehicle elevator. That month. Charles T. Wills was hired as the house's general contractor. Alice later recalled that, when she was eight years old, she was told that her father's mansion would be as large as the 130-room William A. Clark House on the Upper East Side.

De Lamar was considering selling the mansion in 1904, when the house was nearly completed; The New York Times wrote that he no longer had a strong desire to live in one of Murray Hill's largest mansions. The Times estimated at the time that the house would be worth $600,000 to $700,000 upon its completion. By 1905, De Lamar was planning to move into the house with his fiancee, the opera singer Lillian Nordica. According to the 1910 United States census, J. R. De Lamar lived in the house with Alice and nine servants. Among the events that took place at the mansion was a 1915 debutante party for Alice De Lamar. The house was valued at $400,000 by the mid-1910s.

De Lamar died in 1918 at the age of 75. He left an estate worth $32 million (equivalent to $ million in ), including a $10 million life trust to his daughter, a mechanic who was generally uninterested in high society. De Lamar bequeathed the house itself to three medical schools: those of Harvard, Columbia, and Johns Hopkins universities. The executors of De Lamar's estate auctioned off the mansion's decorations in November 1919, receiving more than $250,000. The objects on sale included Beauvais tapestries, silk rugs, and a copy of Hiram Powers's sculpture The Greek Slave. Alice eventually moved to 740 Park Avenue. In 1920, the city government valued the objects inside the house at $145,222, while his estate's executors gave a different valuation of $110,113.

Attempted sale to American Bible Society
By mid-1921, the house was on sale; at the time, the property was valued at $340,000. The proceeds of the sale would be donated to three colleges that were mentioned in De Lamar's will. The American Bible Society signed a contract in May 1921 to buy the house for $275,000, and it made a down payment of $5,000. The society planned to use the building as a Bible store. Although the New-York Tribune reported in June 1921 that another colonel named Floyd Brown was negotiating for the house, The New York Times wrote that no one was actively negotiating for the site. The executors of De Lamar's estate refused to sell the house to the American Bible Society, claiming that the building would need significant renovations to accommodate the group. In addition, the executors claimed that the American Bible Society's use of the building would violate the Murray Hill Restrictive Agreement, an 1847 covenant restricting the development of non-residential buildings on Madison Avenue, as well as the 1916 Zoning Resolution.

The structure was sold in September 1921 to Ella M. O'Kane. The agreement between the De Lamar estate and the American Bible Society had never been rescinded, and the society requested that the executors of De Lamar's estate return their down payment. When the payment was not returned, the American Bible Society sued the estate's executors in the New York Supreme Court in May 1922. A Supreme Court judge ruled in July that the payment had to be refunded but that the 1847 covenant precluded the house from being sold to the American Bible Society. The covenant itself was repealed less than a year later.

National Democratic Club
In January 1923, the National Democratic Club purchased the building as its headquarters, paying $287,000 for the structure. The club sold its previous headquarters at 617 Fifth Avenue to pay for the purchase, earning more than $1 million from its old clubhouse. Club leaders added a presidential suite and a governor's room, though the house's murals were preserved. The club opened within the De Lamar House in December 1923. Shortly after the Democratic Club moved into the mansion, in mid-1924, the city government began widening the adjacent stretch of Madison Avenue. This required the removal of an iron railing in front of the house on Madison Avenue.

Polish consulate
In 1973, the Republic of Poland bought the mansion for $900,000 (equal to $0 in ) to house its Consulate General in New York.

In the early 1990s, the Polish consular office hired Artenova of New York, a local Polish-American restoration firm, to restore the exterior for $200,000. The project included fixes to the facade, roof, columns, and copper cresting; the project was completed by 1992. The Polish government again repaired the house and cleaned the facade in 2008.

Impact
When the structure was being constructed, one newspaper described the building as "one of the handsomest palaces on Murray Hill". In their 1985 book Elegant New York, John Tauranac and Christopher Little wrote that the house was "uncontestably one of the grandest expressions of Beaux-Arts in the city, a great French-style palais from its concrete base to the copper cresting atop its mansard roof".

The De Lamar Mansion was designated a landmark by the New York City Landmarks Preservation Commission in 1975, and was added to the National Register of Historic Places in 1983.