Wikipedia:Featured article candidates/Tell All Your Friends/archive1

Tell All Your Friends

 * Nominator(s):  danny music editor  oops 01:37, 20 December 2021 (UTC)
 * Primary contributor: 

Happy holidays, Wikipedia. This article is about the debut album by seminal emo band Taking Back Sunday, released in 2002. Although it received little radio support and charted very modestly, it sold at a steady pace, and became the band's best selling record. It became a gold record in America in 2009. In addition to its singles, it featured the emo staple "Cute Without the 'E' (Cut from the Team)" and the album was likened to Linkin Park's Hybrid Theory (2000) as an exemplary effort for its genre.

I am not the primary contributor to this article. That honor belongs to, who initially nominated this for good article status five years ago. As it turns out, I was the one who reviewed that nomination, but I have been mostly hands-off since then, with anything I've done being very minor. From the attitude I got earlier this year at the FAC talk page, I believe this should not be a problem.

MusicforthePeople and I are close colleagues, and we had a chat earlier this year about how both of us have so many good articles but neither of us can really take much credit for a Featured Article. They began making preparations to make this a featured article, but decided the process was not worth the hassle. I then offered if I could begin the process in their stead, and they accepted the offer. Me fulfilling this nomination and seeing it on the front page one day will be fulfillment of a dream seeing his work there. This will also be my first FA attempt in four years; my last attempts ended in failure, so hopefully I have learned from there. I appreciate any reviewers' time!  danny music editor  oops 01:37, 20 December 2021 (UTC)

Support from Aoba47

 * I'd link demo in the first instance in the lead and the article.
 * Done


 * I'd shorten the link for Long Island, New York hardcore scene to New York hardcore scene as the linked article is not specifically about Long Island.
 * Done


 * I have a question about this part, DeJoseph was unable to tour extensively because of personal issues. Do we know what these "personal issues" are? I'm only wondering as the current wording is rather vague.
 * If I recall correctly we attempted to investigate this issue at GAN but were unable to find anything further than what we've dug up. I will give it another look to see if anything has surfaced since that time.  danny music editor  oops 20:32, 20 December 2021 (UTC)
 * Thank you for the response. If further information cannot be found, then "personal issues" is fine. It could be a case where this was not disclosed to the public (which is perfectly fine and probably the healthiest thing). Aoba47 (talk) 20:47, 20 December 2021 (UTC)


 * For this part, with Victory Records sales/A&R representative Angel Juarbe, I'd link A&R as some readers may be unfamiliar with this concept. I'd also say sales and A&R as the slash looks a little too informal in my opinion.
 * Done


 * In this part, quiet verse, loud bridge, big chorus, repeat, breakdown, chorus, ending, I'd also link bridge and chorus.
 * Done


 * Brand New, Thursday, and Saves the Day are linked twice in the article. I'd double-check that other items are not overlinked as well.
 * Done


 * In the "Touring" section, there is a sentence with four citations. I'd avoid that per WP:Citation overkill.
 * Done


 * I am uncertain about the current structure of the "Critical reception" section. It has a lot of great information and citations, but it does not have a clear sense of structure. It somewhat comes across as a list of critics and their opinions, and does not support the sentence from the lead (i.e. positive reviews mostly focused on the album's mix of music styles) as well as it could. This kind of section is difficult to write, and I'd recommend looking at the WP:Reception essay for advice. Again, all the information and citations are there.
 * , got a question here. I'm reading the essay and working on it now, but point number two seems rather difficult. I had an idea, but don't know if it falls afoul of original research. I was going to lead it off with but the guideline seems to discourage that and I don't know what I'd look to do instead. This album was not collected by Metacritic, which is what I typically source that opinion to.  danny music editor  oops 17:39, 27 December 2021 (UTC)
 * I think it would be safe to add a sentence about the album receiving positive reviews since this section is almost all positive reviews (with some mixed ones but not any outright negative ones unless I have missed them). I would work on the wording though. The "dating from near the time of the album's release" part is unnecessarily wordy. I'd use something like Tell All Your Friends  was generally well received upon its release. I hope that is helpful, but please let me know if I can clarify anything further or anything else. Aoba47 (talk) 19:28, 27 December 2021 (UTC)


 * Since there is an entire sub-section on the album's influence and retrospective reviews, I'd include a brief part about that in the lead.
 * Done


 * I'm uncertain about the title of the "Accolades, influence and retrospective reviews" sub-section, specifically the "Accolades" part. It seems like that part is referencing how the album was placed on best-of lists, and while that is something worthy of including and is nice overall, that does not really fit my first impressions of accolades (which I associate more with awards like Grammy Awards, etc.).
 * I've switched this to "Best-of lists, influence and retrospective reviews" – is this better? MusicforthePeople (talk) 21:09, 20 December 2021 (UTC)
 * That seems like a clearer header to me, but I would also see what other reviewers say about it. Aoba47 (talk) 00:11, 21 December 2021 (UTC)

I hope this review is helpful. I will look through the article again when all of my above comments have been addressed. Let me know if you have any questions, and have a great rest of your day and/or night! Aoba47 (talk) 20:04, 20 December 2021 (UTC)


 * Thank you! We will be sure to follow up on this.  danny music editor  oops 20:32, 20 December 2021 (UTC)


 * Thank you. Take as much time as you need. Just so you know, it is discouraged to use the done template as it can slow down the page load time, and complex templates can lead to errors in the FAC archives. Aoba47 (talk) 00:04, 21 December 2021 (UTC)


 * Noted. I will refrain from doing so in the future.  danny music editor  oops 04:46, 21 December 2021 (UTC)


 * Thank you for the response. I'd also remove the templates used above. Aoba47 (talk) 04:49, 21 December 2021 (UTC)

I have done some significant retooling of the article's reception, hopefully in accordance with the essay you provided me. I also added some new information I thought would be not only pertinent, but helpful and important background. Is my work enough to garner your support?  danny music editor  oops 01:33, 4 January 2022 (UTC)


 * Thank you for the ping and the update. The section does look better. I'd remove the star ratings from the prose as done in this part (and awarded the record four out of five stars) as it does not add much to the prose and this information should already be in the table. Once that is done, I will look through the section again. I hope you are having a great 2022 so far. Aoba47 (talk) 01:40, 4 January 2022 (UTC)
 * Done.  danny music editor  oops 01:44, 4 January 2022 (UTC)
 * Thank you for your patience with my review. Everything looks good to me now. I support the article for promotion based on the prose. If possible, I'd greatly appreciate any input on my current FAC although I understand if you do not have the time or the interest. Best of luck with the FAC! Aoba47 (talk) 02:24, 4 January 2022 (UTC)

Image review

 * Might a non-free music sample be justified?
 * That might be a good idea, actually. I have a song in mind which would work, and I know what I need to do for the licensing and rationales once the file is uploaded, but I may need assistance with actually creating the sample itself - is there someone I could look to for that, if doesn't do it here? Also, I hope you're alright with me making a section out of your heading, since Aoba's list was rather long.  danny music editor  oops 03:49, 9 January 2022 (UTC)
 * I added a clip here. This is the first time I've uploaded audio, so let me know if I need to adjust it. MusicforthePeople (talk) 15:37, 9 January 2022 (UTC)
 * In the FUR the parameters marked "n.a." should be filled in, and some of what's currently in "not replaceable" might work better in "purpose of use". Nikkimaria (talk) 13:40, 10 January 2022 (UTC)
 * This better? MusicforthePeople (talk) 13:53, 10 January 2022 (UTC)
 * Yes. Nikkimaria (talk) 02:38, 11 January 2022 (UTC)


 * File:Tellallyourfriends.jpg: source links are dead. Nikkimaria (talk) 20:57, 8 January 2022 (UTC)
 * Fixed the file source link. MusicforthePeople (talk) 21:09, 8 January 2022 (UTC)


 * Side note,, I did not think of it until after you reviewed the two images in the article - is my addition of a picture of John Nolan a fair call here?  danny music editor  oops 04:58, 10 January 2022 (UTC)
 * Addition is fine but suggest adding alt text. Nikkimaria (talk) 13:40, 10 January 2022 (UTC)
 * I've added the alt text. MusicforthePeople (talk) 16:06, 10 January 2022 (UTC)

Coordinator note
This has been open for more than three weeks and has only picked up a single general support. Unless it attracts further attention over the next four or five days I am afraid that it is liable to be archived. Gog the Mild (talk) 19:07, 11 January 2022 (UTC)

Comments Support from ChrisTheDude

 * "After that, Nolan and Cooper left Taking Back Sunday and replaced by Fred Mascherino and Matt Rubano" => "After that, Nolan and Cooper left Taking Back Sunday and were replaced by Fred Mascherino and Matt Rubano"
 * "By that point, a music video was released" => "By that point, a music video had been released"
 * "highlighting its mix of music styles" => "highlighting its mix of musical styles"
 * "and has sold 790,000 copies as of 2009" - 2009 was thirteen years ago. If no more up-to-date sales figures are available, change it to "and had sold 790,000 copies as of 2009"
 * "Lazzara asked if they need a permanent bassist" => "Lazzara asked if they needed a permanent bassist"
 * "Reyes stated the main complaint" => "Reyes stated that the main complaint"
 * "O'Connell suggested the group needed a bassist" => "O'Connell suggested that the group needed a bassist"
 * "Among these offers was one from Triple Crown Records, who was apprehensive" - either "which was" or "who were", but not "who was"
 * "having to miss on one-to-two weeks of recording time" => "having to miss one to two weeks of recording time"
 * "Villanueva had contributed guitar work and co-mixed the recordings with Rumblefish" - who is/are Rumblefish? A person?  A group?
 * "they realized the studio staff had altered the recordings" => "they realized that the studio staff had altered the recordings"
 * "mentioned the intro to "Great Romances of the 20th Century" was similarly altered" => "mentioned that the intro to "Great Romances of the 20th Century" was similarly altered"
 * "They wanted [...] but was" - plural/singular disagreement
 * "For Nolan, several instances filtered into this lyrics" - "this lyrics"? Should that be "his lyrics"?
 * "the falling-out with Lacey, who he had known all of his life" => "the falling-out with Lacey, whom he had known all of his life"
 * "while at Lazzara's dad's house" => "while at Lazzara's father's house"
 * "which was hoped would increase sales" => "which it was hoped would increase sales"
 * "Cooper felt this drove a wedge between their friendship" => "Cooper felt this drove a wedge between them"
 * "The band's scheduled appearance on Jimmy Kimmel Live! and a stint on Warped Tour was cancelled" => "The band's scheduled appearance on Jimmy Kimmel Live! and a stint on Warped Tour were cancelled"
 * "frontman Fred Mascherino, who had had known for years" => "frontman Fred Mascherino, whom he had known for years"
 * "Siebelt compared the album to All and the Descendents, retaining "enough of its own identity" " => "Siebelt compared the album to All and the Descendents, saying that it retained "enough of its own identity" "
 * "As of April 2010, the album has sold over one million copies worldwide" =? "As of April 2010, the album had sold over one million copies worldwide"
 * "the Waiting Process, who they were friends with" => "the Waiting Process, with who they were friends"
 * "Though the feud has been viewed as overblown to begin with Nolan received a thank-you credit in the liner notes for Your Favorite Weapon, and the same for Lacey in the liner notes for Tell All Your Friends." - this isn't a complete sentence, are there any words missing?
 * That's what I got. This was a really engaging read about a band I'd not heard of (not really my scene :-) ) -- ChrisTheDude (talk) 21:54, 13 January 2022 (UTC)
 * Done. MusicforthePeople (talk) 08:01, 14 January 2022 (UTC)


 * Support -- ChrisTheDude (talk) 08:42, 14 January 2022 (UTC)
 * Thank you so much for reviewing! Your support is much appreciated.  danny music editor  oops 12:05, 14 January 2022 (UTC)

Source review from Ealdgyth

 * What makes the following "high quality reliable sources":
 * CMJ New Music Monthly?
 * Rock Sound?
 * https://web.archive.org/web/20080327004146/http://www.europunk.net/interviews.php?id=71?
 * Forgive me if I'm mistaken, but wouldn't interviews be considered RS since they're interviewing one of subjects (a member of the band in this case)? MusicforthePeople (talk) 17:29, 19 January 2022 (UTC)
 * No, the publishing of the interview is a big part of the process - does the publisher have a reputation for accurately reporting interviews? -- Ealdgyth (talk) 17:36, 19 January 2022 (UTC)
 * Removed since its only sourcing a minor detail. MusicforthePeople (talk) 17:07, 23 January 2022 (UTC)


 * https://www.allmusic.com/? (Note that WP:RSP is quite equivocal on the basic reliablity of the site)
 * https://archive.ph/20020818073653/http://www.absolutepunk.net/sub_pages/interviews/files/takingbacksunday.htm?
 * https://www.ultimate-guitar.com/?
 * So the Steven Rosen usage can be considered an expert, but I'm not seeing that the other two uses of Guitar World are covered under the "expert source" exception - since I'm not seeing anything pointing to the site as a whole be a high quality source. Ealdgyth (talk) 13:46, 12 February 2022 (UTC)
 * Kept Rosen, removed the other two. MusicforthePeople (talk) 15:17, 12 February 2022 (UTC)
 * https://web.archive.org/web/20060630165955/http://www.chartattack.com/DAMN/2002/04/0201.cfm?
 * https://www.punknews.org/?
 * I'm not seeing that this is necessarily a high quality source still, although it's closer. If it wasn't used so much... Ealdgyth (talk) 13:46, 12 February 2022 (UTC)
 * Drowned in Sound?
 * Still borderline, but not used a lot and mostly for opinion that's attributed to them. Ealdgyth (talk) 13:46, 12 February 2022 (UTC)
 * https://www.thefader.com/home?
 * Nothing you listed speaks to the specific experience of the writer for this, but it's not used a lot so I'll leave it out for other reviewers to decide for themselves. Ealdgyth (talk) 13:46, 12 February 2022 (UTC)
 * The writer, Jeremy Goldstein, has worked for Matador Records and the Beggars Group. It won't let me post a direct link, so remove the the brackets for this: (zoominfo.com)/p/Jeremy-Goldstein/-589992. MusicforthePeople (talk) 15:17, 12 February 2022 (UTC)
 * http://www.melodic.net/?
 * This is just used for a sales figure - can we source it to something else? Ealdgyth (talk) 13:46, 12 February 2022 (UTC)
 * Replaced by press release. MusicforthePeople (talk) 15:17, 12 February 2022 (UTC)
 * For all of the above except for europunk, see WikiProject_Albums/Sources. MusicforthePeople (talk) 17:29, 19 January 2022 (UTC)
 * Please note that the standard at FAC isn't just meeting WP:RS, but being "high quality" - just as the prose for an FA is better than average, so should the sourcing be. -- Ealdgyth (talk) 17:36, 19 January 2022 (UTC)
 * All of those are high quality, else they wouldn't even be there. This is an indie record which barely cracked the charts and had almost no radio airplay, what are you expecting? Billboard journalists in 2002 weren't going to pick up some random Long Island indie label's debut record and put it in the magazine. Some of these you've questioned are actually (or at least once were) print-published sources. Those kinds of sources didn't appear until years later after the band became successful. The one I could see an argument for removing was the Allmusic biography; we already have another source covering the information, and I see it is supposedly a last resort per WP:ALLMUSIC.  danny music editor  oops 18:07, 19 January 2022 (UTC)
 * Merely being a print source does not make a source reliable for wikipedia purposes - if that was so, WP:DAILYMAIL wouldn't exist and we'd be using The Daily Mail. As for the fact its an indie record, I did actually take that into account. The subject matter does dictate whether the sources given are going to be high quality or not. I clicked through to all the sources if they were available (not just the ones I"ve questioned), or checked out the wikipedia page on a source if available. Some of the above may meet the bar for "high quality" but it's not clear to me that they do. You can demonstrate their high quality by showing that they are experts in the field, or that other high quality sources use them as sources, or in other ways. It's not impossible, but it's also part of the FAC reqs for sourcing to be "high quality" - with that of course having some leeway for subjects - I certainly don't expect academic journals or university presses for indie records, but I do expect them for historical or scientific articles. Ealdgyth (talk) 23:46, 19 January 2022 (UTC)
 * Also, is there some kind of process that establishes WikiProject Albums/Sources? Just because a WikiProject recommends a certain source does not automatically entail that this source will satisfy the WP:WIAFA criteria. Jo-Jo Eumerus (talk) 10:51, 20 January 2022 (UTC)

I'm glad you asked,. I'm not sure there is a strict by-step process, but they are generally thoroughly discussed (or not if a source obviously isn't usable), and background checks on the sources actually come down to proving they are "experts in the field", as mentioned. Ultimate Guitar, CMJ, Rock Sound, Drowned in Sound and AbsolutePunk in particular gained consensus that they have established credentials; see the linked discussions for those. The others I would be happy to show you, what exactly are you asking me to look for? If they weren't "experts in their field", I would not expect them to be listed there, but if there's anything I can do to show that, I will.  danny music editor  oops 15:21, 20 January 2022 (UTC)
 * So... I go to WikiProject Albums/Sources for the first source I questioned - CMJ New Music Monthly - I assume it's "CMJ" on the chart - which links to a "2014 discussion" Wikipedia talk:WikiProject Albums/Archive 49 in this archive. However ... there's no discussion in the discussion. I searched the page for "CMJ" and there is one mention on the page - in Wikipedia talk:WikiProject Albums/Archive 49 where it's listed in a bunch of other external links. Okay .. so lets see the second one - Rock Sound - the chart says Wikipedia_talk:WikiProject_Albums/Archive_32 - which is not exactly showing how this is a "high quality" source for FAC purposes. Europunk's not on the chart. Absolute punk's on the chart, but says "only use staff reviews" - which isn't exactly a ringing endorsement of its reliablity, much less being "high quality". Ultimate punk's listing says "Only cite articles written by the "UG Team" (list of staff writers) or any writer with reliable credentials elsewhere." - which, again, isn't a ringing endorsement of its meeting WP:RS, much less being of a higher standard. ChartAttack has no listing of any discussion on how it got added to the chart. (oh, sorry for the bad pun). Punknews says "use staff reviews only". Drowned in Sound says "only use staff reviews". The Fader has no discussion linked in the chart. Nor does Melodic.net (I"m assuming that's "Melodic" on the chart). I'm going to take it that the allmusic source will be removed. I'm not trying to shoot down the nomination - just trying to make sure the article is the best it can be, and that includes using the highest quality sources possible for its subject. Ealdgyth (talk) 16:44, 20 January 2022 (UTC)
 * I'm aware that some of these don't have discussion, I just wanted to point the others out. The Allmusic biography indeed has been removed, but I still believe the album review is perfectly valid. As for the others, I'm afraid I'll have to disagree. The BBC loves Rock Sound, among others, and that is a sound endorsement (ba dum tss) in my opinion. Punknews, Drowned in Sound, Ultimate Guitar and AbsolutePunk had/have a forum and the ability to self-publish content, which is to be ignored; this is what is being alluded to in the discussion of staff, and just because that is allowed should not mean the sources should be excluded from consideration of expertise. I believe such clear-cut portions of the site designated usable and to avoid should validate its use here. On the AbsolutePunk discussion, did you actually click on it and read the whole discussion? I remember MusicforthePeople and I participating in that discussion, with them doing the most heavy lifting. If better sources exist for the same content, I would be happy to replace them, but I'm not seeing the issue here. If there are any publications I haven't addressed in your previous reply I'll get back to you on those. I believe that this article is the best it can be, among source choices.  danny music editor  oops 18:21, 20 January 2022 (UTC)
 * I'm not convinced, though. I can see Rock Sound - the BBC usage pushes it enough to make it "high quality" for the subject matter, but the others are not convincing to me. The bar isn't "reliable" .. but "high quality". We're looking for experts writing for them, that other sources thus use the source for their coverage. Just because the Album project decided to list some sources on a page (and keep in mind, that page isn't for "high quality sources", but just the plain "reliable sources") doesn't make them high quality unless we can see why they meet the FA criteria. Ealdgyth (talk) 16:05, 22 January 2022 (UTC)
 * See, that's where we hit a brick wall - I think that for them to be listed, they are considered "high quality sources". In any case, would credentials of staff at these websites on other publications sway anything? According to founder Jason Tate's LinkedIn, he oversaw the company while it was a part of SpinMedia, who also operated Spin and Stereogum, among others. I would think that to secure such a publishing agreement, the company would have to be recognized as legitimate enough that they would be experts, right? Still working on the others, just wanted to give an update on that one while I found it.  danny music editor  oops 15:43, 28 January 2022 (UTC)


 * Danny, wearing my FAC coordinator hat, it seems to me that Ealdgyth is right and you aren't. Unless has any further input I would suggest that you take that on board before I look to close this nomination, which will be in the near future. Thanks. Gog the Mild (talk) 10:40, 6 February 2022 (UTC)


 * To be quite honest with you,, I feel like I'm not being paid enough attention to. I am actively trying to work out solutions and I'm waiting on a response - did you look at the evidence I provided below?  danny music editor  oops 05:23, 7 February 2022 (UTC)
 * I'm following this - but it said in the hatted section "More on other sources will be coming" so I assumed there was ... more to come. Nothing I saw below was hugely game changing, but I was waiting on the totality of the information rather than rushing to oppose on sourcing issues. Ealdgyth (talk) 14:51, 7 February 2022 (UTC)
 * I'll be honest, I was assuming I might get some clarification that I was at least on the right track before I completed it. Sorry to keep you hanging. Anyway, I've completed the list, but Melodic might be moot.  danny music editor  oops 19:55, 9 February 2022 (UTC)
 * Sorry I was a bit delayed - I had a husband home for a few days and spent some time with him. I've struck a few above - the main issue is punknews - and give the other issues being resolved (the lists helped a lot, so it wasn't wasted at all), I think I'm comfortable saying that other reviewers can decide for themselves on these last ones. Marking this one complete in my book and unwatching. Thank you for the effort and listing, may I suggest you copy these over to the album project page for future reference? Ealdgyth (talk) 13:46, 12 February 2022 (UTC)

AbsolutePunk


 * As previously mentioned, founder Jason Tate operated the company under oversight of SpinMedia.


 * Blender called Mr. Tate one of the 25 "Most Influential People in Online Music" and the website as "the essential Web echo chamber for all things punk and emo". (source: (https://web.archive.org/web/20081228211720/http://www.blender.com/guide/articles.aspx?ID=2752])

Ultimate Guitar


 * Justin Beckner has worked for Guitar Magazine (source: )


 * Steven Rosen has worked for Guitar World, Guitar Player, Goldmine, Rolling Stone, Sounds, others (source: )


 * Alec Plowman has worked for Record Collector (source: )


 * Amy Sciarretto – see bottom of the CMJ section

Drowned in Sound


 * Sean Adams (founder) has worked for The Patriot-News, Sunday Times, BBC (source: )


 * Jimi Arundell has worked for NME, Gigwise, Under the Radar, LeftLion (source: )


 * Dom Gourlay has worked for Under the Radar, Gigwise, Contact Music (source: )


 * Marc Burrows has worked for The Guardian, The Daily Telegraph, New Statesman, The Quietus, musicOMH, few others (source: )


 * Elizabeth Aubrey has worked for The Independent, The Guardian, Yahoo! News, Evening Standard, NME, Gigwise, The Quietus, Empire, DIY, loads more (source: )


 * Andrzej Lukowski has worked for The Guardian, The New York Times, The Independent, Time Out, a few others (source: )


 * Jon Clark has worked for Forbes, Daily Star (editor in chief), York Daily Record, Devon Live, The Register-Herald, a few others (source: )


 * Matthew Neale has worked for NME, Vice, The Quietus, Clash, Uncut, Consequence of Sound, few others (source: )


 * John-Paul Shiver has worked for The Daily Wire, Bandcamp Daily, Resident Advisor, San Francisco Weekly (source: )


 * Nick Roseblade has worked for DIY, The Quietus, God Is in the TV (source: )


 * Kellan Miller has worked for AllHipHop and HipHopDX (source: )


 * William Lewis has worked for Anchorage Daily News, The Herald-Palladium, The Daily Independent, Carteret County News-Times, and a few others (source: )

Punknews.org


 * First and foremost, co-founder Scott Heisel, has worked for Alternative Press for a decade, as his involvement in Uproxx and Substream Magazine. (source: )


 * Aubin Paul (co-founder) has worked for Exclaim! (source: )


 * Kip Doyle (editor) has worked for Olean Times Herald, Salamanca Press, Buffalo Rising, few others (source: )


 * Brian Shultz has worked for Vice, The A.V. Club and Substream Magazine (source: )


 * John Gentile (editor) has worked for Rolling Stone, Bandcamp Daily, The Mercury News (source: )


 * Ben Conoley has worked for Alternative Press and Exclaim! (source: )


 * Bryne Yancey has worked for Alternative Press, Bandcamp Daily (source: / )


 * Adam Eisenberg has worked for Orlando Sentinel (source: )


 * John Flynn has worked for Yahoo News, NorthJersey.com, Consequence of Sound, Sacramento News & Review, several others (source: )


 * Chris Moran has worked for The Guardian, The Independent, The Telegraph, Yahoo, and a few others (source: )


 * Renaldo Matadeen has worked for Trinidad and Tobago Newsday and ESPN (source: )


 * Joe Pelone has worked for Philadelphia City Paper (source: )


 * Xan Mandell has worked for AMP (source: )


 * William Jones has worked for AMP and Skratch Magazine (source: )


 * Gen Handley has worked for Vue Weekly, Metro International, Noisey, Alternative Press, Spin (source: )


 * Eric Rosso has worked for The York Dispatch, Pennsylvania Capital-Star (source: )


 * Churchill Downs has worked for Lexington Herald-Leader, The Courier-Journal, The Blood-Horse, News and Tribune, a lot of radio stations as well (source: )


 * Brian Cogan has worked for The New York Post, Chunklet; written or co-wrote the books The Punk Rock Encylopedia, The Encylopedia of Popular Culture, Media and Politics, and co-edited Mosh the Polls: Youth Voters, Popular Culture, and Democratic Engagement. (source: )


 * Used as a source in Punk Rock is My Religion by Francis Stewart, Punks: A Guide to an American Subculture by Sharon M. Hannon, Writing Queer Women of Color by Monalesia Earle, Listen to Punk Rock! Exploring a Musical Genre by June Michele Pulliam, Globalizing Knowledge by Michael D. Kennedy, Punk Record Labels and the Struggle for Autonomy by Alan O'Connor (for some reason it says no results, even though the mention is 2/3s down the page), Contemporary Punk Rock Communities by Ellen M. Bernhard, Women Drummers: A History from Rock and Jazz to Blues and Country by Angela Smith, Screaming for Change: Articulating a Unifying Philosophy of Punk Rock by Lars J. Kristiansen (ed.), Discourses on Violence and Punishment by Krešimir Petković (search says its on an inaccessible page), Asian Americans and the Media by Kent A. Ono and Vincent N. Pham, The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror by Brian Flota, The Philosophy Student Writer's Manual and Reader's Guide by Anthony J. Graybosch, Gregory M. Scott, and Stephen M. Garrison, Damaged: Musicality and Race in Early American Punk by Evan Rapport, Women's Rights: Reflections in Popular Culture by Ann M. Savage, Superheroes and Critical Animal Studies by J. L. Schatz and Sean Parson (both ed.), Metallica - The Early Years And The Rise Of Metal by Neil Daniels, and Sellout by Dan Ozzi (doesn't show up in search but is cited according to the works cited section in the book).


 * After the Public Turn: Composition, Counterpublics, and the Citizen Bricoleur by Frank Farmer calls it "clearinghouses for all things punk", alongside AbsolutePunk. All Time Low - Don't Panic. Let's Party: The Biography by Joe Shooman mentions the site a few times when discussing All Time Low's releases. Lastly, The site is used for albums on Metacritc.

CMJ
 * Nick Fulton has worked for i-D, Vice, Billboard, Pitchfork, The Fader, many more (source: )


 * Carson Vaighan has worked for The New York Times, Salon, Naional Geographic, Variety, The Hollywood Reporter, many more (source: )


 * Enrique Lavin has worked for NorthJersey.com, Los Angeles Times, Cleveland.com, The Star-Ledger, The Oregonian, few others (source: )


 * Stephen Matteo has worked for Los Angeles Times, Newsday, Chicago Tribune, The Baltimore Sun, Orlando Sentinel, Time Out New York, many others (source: )


 * Stephen Slaybaugh has worked for The Village Voice, Paste, Columbus Monthly, LimeWire, Columbus Alive, few others (source: )


 * Eric Davidson has worked for The Village Voice, San Francisco Bay Guardian (source: )


 * Kelso Jones has worked for Screen Rant (source: ) [mentioned here https://muckrack.com/cynthia-bond/articles]


 * Michael Tedder has worked for The Village Voice, Spin, Salon, The Orlando Sentinel, few others (source: )


 * Tiffany Kilfeather has worked for Metro New York (source: )


 * Liz Pelly has worked for The Baffler, In These Times, NPR, Pitchfork, many others (source: https://lizpelly.info/writing.html)


 * Kaitlyn Piccoli has worked for Long Island Press (source:


 * Christopher Weingarten has written a book for the 33 1/3 series (source: )


 * Amy Sciarretto has worked for Alternative Press, Guitar World, The Aquarian Weekly, Noisecreep, Ultimate Guitar, many others (source: )

Chart Attack


 * Jordan Darville has worked for The Fader (source: )


 * Brittany Goldfield Rodrigues has worked for HuffPost, Refinery29, The Baltimore Examiner (source: )


 * Tom Beedham has worked for Vice, Exclaim!, Now, Musicworks (source: )


 * Kristel Jax has worked for Vice, Now, Musicworks, National Post, Broken Pencil (source: )


 * Benjamin Boles has worked for Vice, Now, Daily Hive (source: )


 * Julia Lennox has worked for Entertainment Tonight Canada, Global News (source: )


 * Anders Marshall has worked for HotNewHipHop, Daily Hive, Now (source: )


 * Kate Killet has worked for Vice, Now, BeatRoute, (source: )


 * Ryan McNutt has worked for The Hill, Exlcaim!, The Walrus, Literary Review of Canada, (source: )


 * Jesse Locke has worked for Vice, Pitchfork, Bandcamp Daily, The Ringer, Exlcaim!, Now, Slant, many others (source: )


 * Charlotte Cardin has worked for Exclaim!, Fashion (source: )


 * Laura Stanley has worked for Springer Science+Business Media, Exlcaim!, Now, Under the Rader, No Depression, many others (source: )


 * Richard Trapunski has worked for Now, National Post, The Walrus, The Georgia Straight, Canadian Jewish News (source: )

The Fader


 * Nick Felton - see the top of the CMJ section


 * David Renshaw has worked for The Guardian, Vice, Time Out London, NME, The Face (source: )


 * Jordan Darville has worked for Chart Attack (source: )


 * Brandon Callender has worked for Pitchfork (source: )


 * Will Gendron has worked for Complex Magazine, Paper (source: )


 * Shibon Kennedy has worked for Bloomberg News, Independent Online, Refinery29, Thecut.com (source: )


 * Salvatore Maicki has worked for i-D, NPR, Paper, various radio stations (source: )


 * Alex Robert Ross has worked for Noisey, Deadspin, Telegraph & Argus, Express and Star, few others (source: )


 * Matthew Trammell has worked for The New Yorker, Billboard, Rolling Stone, Pitchfork, few others (source: )


 * Raphael Helfand has worked for Pitchfork, Bandcamp Daily, The Times-Picayune/The New Orleans Advocate, The Advocate, OffBeat (source: )


 * Andy Cohn has worked for Spin, The Source (source: )


 * Elliot Simpson has worked for Complex Magazine, Louder Than War, The Face (source: )


 * Bao Ngo has worked for The 405, Impose (source: )


 * Dean Blunt has worked for PopMatters (source: )

Melodic


 * Arie Van Der Graaf has worked for KNAC.com (source: )


 * Ola Gränshagen has worked for AOR Classics, RockUnited (source: / )


 * Pär Winberg has worked for EMI Music Sweden, Lionheart Music Group (source: )


 * While Johan Wippsson and Nick Anastasia have mostly focused their journalism career working for Melodic, they have worked with the publication for extended periods - 22 and 16 years each with the business, respectively. (sources: Nick and Johan)


 * Azerrad, Michael (1994). Come as You Are: The Story of Nirvana. Doubleday. ISBN 0-385-47199-8. lacks a publisher location, which is given for all the other books in the sources.
 * Per MOS:ACCESS, we shouldn't use pseudo-headings like Footnotes - best practice is ===Footnotes=== This applies in the body of the article also.
 * Done the above two. MusicforthePeople (talk) 17:29, 19 January 2022 (UTC)


 * I randomly googled three sentences and nothing showed up except mirrors. Earwig's tool shows no signs of copyright violations.
 * Otherwise everything looks good. Note that I will be claiming points from this review for the wikicup. Ealdgyth (talk) 16:55, 19 January 2022 (UTC)
 * Done. MusicforthePeople (talk) 17:29, 19 January 2022 (UTC)
 * The Melodic ref was sourcing the amount of copies sold; would this press release be a better alternative? MusicforthePeople (talk) 19:51, 9 February 2022 (UTC)

Comments by Wehwalt
I'm very familiar with the album and saw TBS live a couple of times, and saw Nolan with Straylight Run more times than that. My comments:
 * The background section could be the background section for the TBS article. Can it be focused a bit more on TAYF? Do we really need to know where DeJoseph's final show was?
 * This better? MusicforthePeople (talk) 17:18, 24 February 2022 (UTC)
 * "the separation of a guy and a girl.[35]" Perhaps a little informal? And you should be clearer on what you mean by separation.
 * " A Yahoo! Group with over 1,300 Taking Back Sunday fans could download demos of "Bike Scene" and "Head Club", which it was hoped would increase sales.[47] " Not sure this makes grammatical sense.
 * "on the bus". I'd guess that to be the band's tour bus; did Nolan overhear?
 * For the above three, is this better? I'm presuming that Nolan overheard but I don't recall if that was mentioned in the source (I don't have it at hand currently to check). MusicforthePeople (talk) 17:18, 24 February 2022 (UTC)
 * That's about it.--Wehwalt (talk) 15:28, 24 February 2022 (UTC)
 * Done. MusicforthePeople (talk) 17:18, 24 February 2022 (UTC)
 * Support--Wehwalt (talk) 17:23, 24 February 2022 (UTC)

Gog the Mild (talk) 13:37, 28 February 2022 (UTC)