Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
PDF
|
141,695
|
4,723
|
B
|
High
|
2
|
Banksy
|
122,297
|
4,076
|
B
|
Mid
|
3
|
Adobe Photoshop
|
88,927
|
2,964
|
C
|
Mid
|
4
|
Bauhaus
|
66,244
|
2,208
|
B
|
Top
|
5
|
Advertising
|
55,627
|
1,854
|
C
|
High
|
6
|
Tron
|
49,748
|
1,658
|
B
|
Low
|
7
|
Dash
|
47,465
|
1,582
|
B
|
Low
|
8
|
Printing press
|
45,321
|
1,510
|
B
|
High
|
9
|
Adobe Illustrator
|
44,834
|
1,494
|
C
|
Mid
|
10
|
Heart symbol
|
43,746
|
1,458
|
Start
|
Mid
|
11
|
Graphic design
|
41,174
|
1,372
|
C
|
Top
|
12
|
Gender symbol
|
31,972
|
1,065
|
Start
|
Low
|
13
|
Helvetica
|
30,282
|
1,009
|
C
|
High
|
14
|
Shepard Fairey
|
28,048
|
934
|
B
|
Low
|
15
|
Web design
|
27,425
|
914
|
C
|
High
|
16
|
Ideogram
|
26,065
|
868
|
Start
|
Mid
|
17
|
Pantone
|
22,502
|
750
|
Start
|
Low
|
18
|
Adobe Flash
|
21,845
|
728
|
C
|
Unknown
|
19
|
Adobe Acrobat
|
21,473
|
715
|
C
|
Mid
|
20
|
GIMP
|
21,451
|
715
|
B
|
Low
|
21
|
Jumpman (logo)
|
20,239
|
674
|
Start
|
Low
|
22
|
Minimalism
|
20,027
|
667
|
C
|
Mid
|
23
|
Typeface
|
18,577
|
619
|
B
|
Mid
|
24
|
Typography
|
18,155
|
605
|
C
|
Mid
|
25
|
Swoosh
|
16,580
|
552
|
Start
|
Low
|
26
|
Behance
|
15,420
|
514
|
Stub
|
Low
|
27
|
Corporate Memphis
|
15,399
|
513
|
Start
|
Low
|
28
|
Triptych
|
15,101
|
503
|
C
|
Low
|
29
|
Mascot
|
14,604
|
486
|
Start
|
Low
|
30
|
Barber's pole
|
13,893
|
463
|
B
|
Low
|
31
|
Adobe InDesign
|
13,587
|
452
|
Start
|
High
|
32
|
De Stijl
|
13,480
|
449
|
C
|
Mid
|
33
|
No symbol
|
13,346
|
444
|
C
|
Low
|
34
|
Raster graphics
|
13,324
|
444
|
C
|
Low
|
35
|
Creative director
|
13,009
|
433
|
Start
|
Mid
|
36
|
3D computer graphics
|
12,716
|
423
|
C
|
Mid
|
37
|
Graphic designer
|
12,483
|
416
|
Start
|
Top
|
38
|
Stationery
|
12,404
|
413
|
Start
|
Low
|
39
|
Eric Carle
|
12,309
|
410
|
C
|
Low
|
40
|
Voxel
|
11,853
|
395
|
C
|
Unknown
|
41
|
Paul Rand
|
11,615
|
387
|
B
|
High
|
42
|
Saul Bass
|
11,416
|
380
|
B
|
High
|
43
|
Parsons School of Design
|
11,239
|
374
|
C
|
Low
|
44
|
Desktop publishing
|
11,186
|
372
|
C
|
Mid
|
45
|
User interface design
|
11,053
|
368
|
C
|
Low
|
46
|
Comparison of European road signs
|
10,490
|
349
|
List
|
Low
|
47
|
Ambigram
|
10,114
|
337
|
B
|
Mid
|
48
|
Alfred A. Knopf
|
9,393
|
313
|
C
|
Low
|
49
|
I Love New York
|
9,333
|
311
|
Start
|
Low
|
50
|
Visual communication
|
9,216
|
307
|
Start
|
High
|
51
|
PostScript
|
9,149
|
304
|
C
|
High
|
52
|
Adobe Dreamweaver
|
8,969
|
298
|
C
|
Mid
|
53
|
Photograph manipulation
|
8,961
|
298
|
C
|
Low
|
54
|
Procreate (software)
|
8,844
|
294
|
C
|
Mid
|
55
|
Alpha compositing
|
8,178
|
272
|
Start
|
Unknown
|
56
|
Poster
|
8,156
|
271
|
C
|
High
|
57
|
List of airline liveries and logos
|
7,224
|
240
|
List
|
Low
|
58
|
Peter Saville (graphic designer)
|
7,218
|
240
|
C
|
Low
|
59
|
Mood board
|
6,900
|
230
|
Start
|
Low
|
60
|
Out-of-home advertising
|
6,823
|
227
|
Start
|
Low
|
61
|
Harvey Ball
|
6,706
|
223
|
C
|
Low
|
62
|
Native American mascot controversy
|
6,688
|
222
|
GA
|
Low
|
63
|
Image editing
|
6,592
|
219
|
C
|
Mid
|
64
|
Peter Blake (artist)
|
6,261
|
208
|
C
|
High
|
65
|
Letterpress printing
|
5,709
|
190
|
C
|
High
|
66
|
Marker pen
|
5,680
|
189
|
Start
|
Low
|
67
|
Three hares
|
5,564
|
185
|
B
|
Mid
|
68
|
László Moholy-Nagy
|
5,532
|
184
|
C
|
Unknown
|
69
|
Josef Albers
|
5,519
|
183
|
C
|
Low
|
70
|
Style guide
|
5,407
|
180
|
Start
|
Mid
|
71
|
Art director
|
5,215
|
173
|
Start
|
Mid
|
72
|
Signage
|
5,167
|
172
|
Start
|
Mid
|
73
|
Dribbble
|
5,166
|
172
|
Start
|
Low
|
74
|
2D computer graphics
|
5,101
|
170
|
C
|
Mid
|
75
|
Anti-aliasing filter
|
5,080
|
169
|
C
|
Low
|
76
|
Eric Haze
|
5,050
|
168
|
Start
|
Unknown
|
77
|
Milton Glaser
|
4,980
|
166
|
C
|
Mid
|
78
|
Craig Braun
|
4,868
|
162
|
B
|
Unknown
|
79
|
Spatial anti-aliasing
|
4,823
|
160
|
Start
|
Mid
|
80
|
Univers
|
4,722
|
157
|
C
|
Low
|
81
|
International Typographic Style
|
4,703
|
156
|
Start
|
Unknown
|
82
|
Visual design elements and principles
|
4,647
|
154
|
C
|
Unknown
|
83
|
J. Walter Thompson
|
4,621
|
154
|
Start
|
Low
|
84
|
Neon sign
|
4,563
|
152
|
Start
|
Mid
|
85
|
Edward Tufte
|
4,514
|
150
|
B
|
Mid
|
86
|
Everydays: the First 5000 Days
|
4,395
|
146
|
Stub
|
Low
|
87
|
Susan Kare
|
4,322
|
144
|
B
|
High
|
88
|
Wanted poster
|
4,277
|
142
|
Start
|
Low
|
89
|
Harvey balls
|
4,273
|
142
|
Start
|
Low
|
90
|
Film poster
|
4,239
|
141
|
B
|
Low
|
91
|
Business card
|
4,104
|
136
|
Start
|
Unknown
|
92
|
Paula Scher
|
4,104
|
136
|
C
|
Unknown
|
93
|
Book design
|
3,892
|
129
|
C
|
Unknown
|
94
|
Lisa Frank Incorporated
|
3,769
|
125
|
Start
|
Low
|
95
|
Harry Beck
|
3,728
|
124
|
C
|
Low
|
96
|
Ben Day process
|
3,698
|
123
|
Start
|
Mid
|
97
|
Minimalism (visual arts)
|
3,695
|
123
|
C
|
Low
|
98
|
Mike Winkelmann
|
3,688
|
122
|
Start
|
Low
|
99
|
Communication design
|
3,673
|
122
|
Start
|
Low
|
100
|
List of works by Banksy
|
3,520
|
117
|
List
|
Low
|
101
|
Sustainable design
|
3,392
|
113
|
C
|
Mid
|
102
|
Raster graphics editor
|
3,353
|
111
|
Start
|
Low
|
103
|
Page layout
|
3,227
|
107
|
B
|
Mid
|
104
|
Massimo Vignelli
|
3,209
|
106
|
C
|
High
|
105
|
D. Udaya Kumar
|
3,203
|
106
|
Start
|
Low
|
106
|
QuarkXPress
|
3,145
|
104
|
Start
|
High
|
107
|
Global spread of the printing press
|
3,056
|
101
|
B
|
High
|
108
|
Motion graphic design
|
3,024
|
100
|
Stub
|
Mid
|
109
|
Digital signage
|
2,969
|
98
|
Start
|
Mid
|
110
|
Cigarette card
|
2,958
|
98
|
Start
|
Mid
|
111
|
Chip Kidd
|
2,917
|
97
|
Start
|
Low
|
112
|
The Medium Is the Massage
|
2,881
|
96
|
Start
|
Low
|
113
|
Saul Steinberg
|
2,872
|
95
|
Start
|
Mid
|
114
|
Jan Tschichold
|
2,868
|
95
|
Start
|
Unknown
|
115
|
Web banner
|
2,864
|
95
|
Start
|
Mid
|
116
|
British Rail Double Arrow
|
2,830
|
94
|
C
|
Low
|
117
|
Polyptych
|
2,829
|
94
|
Start
|
Low
|
118
|
Screen space ambient occlusion
|
2,766
|
92
|
Start
|
Low
|
119
|
PGF/TikZ
|
2,758
|
91
|
Start
|
Low
|
120
|
Debbie Millman
|
2,695
|
89
|
Start
|
Low
|
121
|
Ed Thrasher
|
2,648
|
88
|
Stub
|
Low
|
122
|
Stefan Sagmeister
|
2,564
|
85
|
C
|
High
|
123
|
John Kiss (artist)
|
2,553
|
85
|
B
|
Unknown
|
124
|
Exit sign
|
2,548
|
84
|
Start
|
Low
|
125
|
Cover art
|
2,546
|
84
|
Start
|
High
|
126
|
Rabbits and hares in art
|
2,524
|
84
|
C
|
Low
|
127
|
Vector graphics editor
|
2,427
|
80
|
Start
|
Mid
|
128
|
David Carson (graphic designer)
|
2,405
|
80
|
Start
|
Low
|
129
|
Visiting card
|
2,371
|
79
|
Start
|
Unknown
|
130
|
Jessica Walsh
|
2,353
|
78
|
C
|
Mid
|
131
|
Pentagram (design firm)
|
2,340
|
78
|
Start
|
High
|
132
|
Digital on-screen graphic
|
2,225
|
74
|
Start
|
Low
|
133
|
Color code
|
2,217
|
73
|
Start
|
Mid
|
134
|
Warming stripes
|
2,150
|
71
|
B
|
Mid
|
135
|
Comparison of raster graphics editors
|
2,138
|
71
|
C
|
Mid
|
136
|
Commercial art
|
2,118
|
70
|
Start
|
Mid
|
137
|
Richard Saul Wurman
|
2,101
|
70
|
Start
|
Unknown
|
138
|
British Airways ethnic liveries
|
2,092
|
69
|
Start
|
Low
|
139
|
History of CAD software
|
2,068
|
68
|
Start
|
Low
|
140
|
Adobe FreeHand
|
2,025
|
67
|
B
|
Mid
|
141
|
Ben Shahn
|
1,974
|
65
|
B
|
Low
|
142
|
Suki Lopez
|
1,928
|
64
|
C
|
Low
|
143
|
Josef Müller-Brockmann
|
1,926
|
64
|
Start
|
Unknown
|
144
|
Emily Carr University of Art and Design
|
1,909
|
63
|
Start
|
Mid
|
145
|
List of common 3D test models
|
1,900
|
63
|
List
|
Low
|
146
|
Alexey Brodovitch
|
1,898
|
63
|
B
|
Low
|
147
|
Isotype (picture language)
|
1,883
|
62
|
Start
|
Low
|
148
|
Depth map
|
1,868
|
62
|
Start
|
Low
|
149
|
Cassandre
|
1,848
|
61
|
Start
|
Mid
|
150
|
History of graphic design
|
1,817
|
60
|
C
|
Unknown
|
151
|
Matthew Carter
|
1,805
|
60
|
Start
|
Mid
|
152
|
Vignette (graphic design)
|
1,801
|
60
|
Start
|
Mid
|
153
|
Bruno Munari
|
1,785
|
59
|
C
|
Mid
|
154
|
Extinction symbol
|
1,780
|
59
|
Start
|
Low
|
155
|
Blob emoji
|
1,778
|
59
|
Start
|
Low
|
156
|
Hermann Zapf
|
1,777
|
59
|
C
|
Low
|
157
|
Alfred A. Knopf Sr.
|
1,720
|
57
|
Start
|
Low
|
158
|
Secession (art)
|
1,719
|
57
|
B
|
Unknown
|
159
|
Kuwahara filter
|
1,706
|
56
|
C
|
Low
|
160
|
Atkinson Hyperlegible
|
1,699
|
56
|
C
|
Low
|
161
|
Herbert Bayer
|
1,673
|
55
|
Start
|
Mid
|
162
|
Otl Aicher
|
1,644
|
54
|
Start
|
High
|
163
|
AARON
|
1,642
|
54
|
Start
|
Low
|
164
|
Picnik
|
1,632
|
54
|
Start
|
Low
|
165
|
Particle system
|
1,626
|
54
|
C
|
High
|
166
|
Grid (graphic design)
|
1,626
|
54
|
Start
|
Low
|
167
|
The Designers Republic
|
1,609
|
53
|
C
|
Low
|
168
|
List of desktop publishing software
|
1,597
|
53
|
List
|
Unknown
|
169
|
Herb Lubalin
|
1,595
|
53
|
Start
|
Mid
|
170
|
Leo Lionni
|
1,583
|
52
|
C
|
Low
|
171
|
Graphic communication
|
1,558
|
51
|
C
|
Mid
|
172
|
Kirby Jenner
|
1,547
|
51
|
Start
|
Low
|
173
|
Gerald Holtom
|
1,530
|
51
|
Start
|
Low
|
174
|
April Greiman
|
1,505
|
50
|
C
|
Mid
|
175
|
Pen & Pixel
|
1,446
|
48
|
Start
|
Unknown
|
176
|
Chermayeff & Geismar & Haviv
|
1,439
|
47
|
Start
|
High
|
177
|
Yinka Ilori
|
1,437
|
47
|
B
|
Mid
|
178
|
John Maeda
|
1,432
|
47
|
Start
|
Unknown
|
179
|
Creative Market
|
1,412
|
47
|
Start
|
Low
|
180
|
ISO 690
|
1,386
|
46
|
C
|
Unknown
|
181
|
MyPaint
|
1,342
|
44
|
Start
|
Low
|
182
|
Michael Bierut
|
1,320
|
44
|
C
|
High
|
183
|
Ecological design
|
1,309
|
43
|
Start
|
Low
|
184
|
S. Neil Fujita
|
1,291
|
43
|
Start
|
Low
|
185
|
Bill Gold
|
1,264
|
42
|
C
|
Low
|
186
|
Visual hierarchy
|
1,263
|
42
|
B
|
Unknown
|
187
|
Tadanori Yokoo
|
1,236
|
41
|
Start
|
Low
|
188
|
XX (novel)
|
1,230
|
41
|
Stub
|
Low
|
189
|
Charles Bigelow (type designer)
|
1,210
|
40
|
Start
|
Low
|
190
|
Shigetaka Kurita
|
1,207
|
40
|
Start
|
Low
|
191
|
Storyboard artist
|
1,162
|
38
|
Start
|
Mid
|
192
|
Stanley Morison
|
1,151
|
38
|
Start
|
Mid
|
193
|
Paste up
|
1,147
|
38
|
Start
|
Low
|
194
|
Bumper sticker
|
1,136
|
37
|
Start
|
Low
|
195
|
Alan Fletcher (graphic designer)
|
1,136
|
37
|
Start
|
High
|
196
|
Section (typography)
|
1,136
|
37
|
Start
|
Low
|
197
|
Seymour Chwast
|
1,117
|
37
|
C
|
Mid
|
198
|
Design management
|
1,112
|
37
|
GA
|
Top
|
199
|
Obama logo
|
1,102
|
36
|
B
|
Mid
|
200
|
For position only
|
1,081
|
36
|
Stub
|
Low
|
201
|
Graphic design occupations
|
1,080
|
36
|
Start
|
Mid
|
202
|
Cartographic design
|
1,080
|
36
|
B
|
Unknown
|
203
|
Tibor Kalman
|
1,066
|
35
|
Start
|
Mid
|
204
|
George Lois
|
1,062
|
35
|
Start
|
Low
|
205
|
GUI
|
1,036
|
34
|
Redirect
|
NA
|
206
|
Emory Douglas
|
1,035
|
34
|
C
|
Low
|
207
|
Frederic Goudy
|
1,031
|
34
|
Start
|
Mid
|
208
|
Web typography
|
1,030
|
34
|
B
|
Low
|
209
|
PicMonkey
|
1,020
|
34
|
Stub
|
Low
|
210
|
American Institute of Graphic Arts
|
1,001
|
33
|
Start
|
Unknown
|
211
|
John Pasche
|
989
|
32
|
Start
|
High
|
212
|
Page header
|
977
|
32
|
Stub
|
Low
|
213
|
Armin Hofmann
|
963
|
32
|
Stub
|
Mid
|
214
|
Michael Okuda
|
963
|
32
|
Start
|
Mid
|
215
|
Leonard Baskin
|
956
|
31
|
Start
|
Low
|
216
|
Page footer
|
937
|
31
|
Start
|
Low
|
217
|
99designs
|
920
|
30
|
Start
|
Low
|
218
|
Adobe ImageReady
|
911
|
30
|
Stub
|
Low
|
219
|
International Council of Design
|
908
|
30
|
Start
|
Mid
|
220
|
Joshua Davis (designer)
|
875
|
29
|
Start
|
Low
|
221
|
Richard Amsel
|
861
|
28
|
C
|
Low
|
222
|
Jonathan Hoefler
|
858
|
28
|
Start
|
Unknown
|
223
|
Bayer Cross Leverkusen
|
851
|
28
|
Redirect
|
Low
|
224
|
Error diffusion
|
842
|
28
|
C
|
Low
|
225
|
Pix4D
|
841
|
28
|
Stub
|
Unknown
|
226
|
Vizrt
|
840
|
28
|
Start
|
Low
|
227
|
ASCII porn
|
793
|
26
|
Stub
|
Low
|
228
|
Hamid Nadimi
|
779
|
25
|
Redirect
|
NA
|
229
|
Print design
|
778
|
25
|
Stub
|
Mid
|
230
|
Retail design
|
775
|
25
|
C
|
Low
|
231
|
Alston Purvis
|
774
|
25
|
Start
|
Low
|
232
|
Reggie Parks
|
772
|
25
|
Start
|
Unknown
|
233
|
Kyle Cooper
|
770
|
25
|
C
|
Low
|
234
|
21 21 Design Sight
|
766
|
25
|
Start
|
Low
|
235
|
Municipal device of Chicago
|
761
|
25
|
Stub
|
Low
|
236
|
Tomato (design collective)
|
754
|
25
|
Stub
|
Low
|
237
|
Polish School of Posters
|
746
|
24
|
C
|
Low
|
238
|
William Addison Dwiggins
|
743
|
24
|
Start
|
Unknown
|
239
|
Steven Heller (design writer)
|
740
|
24
|
Start
|
Low
|
240
|
Dedication (publishing)
|
740
|
24
|
C
|
Low
|
241
|
Jonathan Barnbrook
|
733
|
24
|
Start
|
Low
|
242
|
Modo (software)
|
724
|
24
|
Start
|
Low
|
243
|
Lucian Bernhard
|
720
|
24
|
Start
|
Mid
|
244
|
You mean a woman can open it?
|
719
|
23
|
Start
|
Low
|
245
|
Shigeo Fukuda
|
711
|
23
|
Start
|
Low
|
246
|
List of graphic designers
|
701
|
23
|
List
|
Low
|
247
|
2020 Summer Olympic pictograms
|
691
|
23
|
C
|
Low
|
248
|
Cipe Pineles
|
681
|
22
|
Start
|
High
|
249
|
Camera-ready
|
677
|
22
|
Start
|
Low
|
250
|
Irma Boom
|
677
|
22
|
Start
|
Unknown
|
251
|
Louise Fili
|
673
|
22
|
C
|
Low
|
252
|
Human Rights Logo
|
654
|
21
|
Start
|
Mid
|
253
|
Zuzana Licko
|
653
|
21
|
C
|
Low
|
254
|
Trade card
|
639
|
21
|
Unknown
|
Mid
|
255
|
Maxime Plescia-Büchi
|
629
|
20
|
Start
|
Low
|
256
|
Ellen Lupton
|
622
|
20
|
Start
|
Unknown
|
257
|
Separation of content and presentation
|
616
|
20
|
Start
|
High
|
258
|
Design studies
|
614
|
20
|
C
|
Mid
|
259
|
Java 3D
|
612
|
20
|
Start
|
Low
|
260
|
Daniel Sotomayor
|
612
|
20
|
Start
|
Low
|
261
|
Edward McKnight Kauffer
|
606
|
20
|
Start
|
Mid
|
262
|
Gary Grimshaw
|
600
|
20
|
B
|
Unknown
|
263
|
Elaine Bass
|
598
|
19
|
C
|
Low
|
264
|
Mark Farrow
|
595
|
19
|
Start
|
Mid
|
265
|
Muriel Cooper
|
572
|
19
|
C
|
Unknown
|
266
|
Reid Miles
|
567
|
18
|
Start
|
Low
|
267
|
Push Pin Studios
|
566
|
18
|
C
|
Low
|
268
|
Alex Steinweiss
|
559
|
18
|
Start
|
Low
|
269
|
Paul Bacon (designer)
|
558
|
18
|
C
|
Low
|
270
|
Chorochromatic map
|
554
|
18
|
B
|
Unknown
|
271
|
Content designer
|
553
|
18
|
Start
|
Mid
|
272
|
NCAA Native American mascot decision
|
544
|
18
|
C
|
Low
|
273
|
Bradbury Thompson
|
524
|
17
|
Start
|
Low
|
274
|
Brian Collins (designer)
|
514
|
17
|
C
|
Low
|
275
|
Keith Roberts
|
512
|
17
|
C
|
Low
|
276
|
Henry Wolf
|
508
|
16
|
Start
|
Unknown
|
277
|
Ed Benguiat
|
505
|
16
|
C
|
Low
|
278
|
Duospaced font
|
501
|
16
|
Start
|
Low
|
279
|
Visual variable
|
501
|
16
|
C
|
Mid
|
280
|
Oswald Bruce Cooper
|
500
|
16
|
B
|
Low
|
281
|
Chimping
|
499
|
16
|
Start
|
Low
|
282
|
Noesis (software)
|
491
|
16
|
Start
|
Low
|
283
|
Adobe GoLive
|
486
|
16
|
Start
|
Low
|
284
|
Chicago Athenaeum
|
486
|
16
|
Start
|
Low
|
285
|
Annie Atkins
|
478
|
15
|
Start
|
Low
|
286
|
Lester Beall
|
476
|
15
|
Stub
|
Mid
|
287
|
Sheila Levrant de Bretteville
|
469
|
15
|
C
|
Unknown
|
288
|
User experience evaluation
|
469
|
15
|
Start
|
Low
|
289
|
Yusaku Kamekura
|
469
|
15
|
C
|
Low
|
290
|
Web content development
|
456
|
15
|
Start
|
Mid
|
291
|
TVBoy
|
456
|
15
|
Start
|
Low
|
292
|
Jules Siegel
|
448
|
14
|
Stub
|
Low
|
293
|
Emigre (magazine)
|
442
|
14
|
Start
|
Mid
|
294
|
Pablo Ferro
|
442
|
14
|
C
|
Low
|
295
|
Alvin Lustig
|
442
|
14
|
Start
|
Unknown
|
296
|
Irina Blok
|
442
|
14
|
Start
|
Low
|
297
|
Herbert Matter
|
439
|
14
|
Start
|
Mid
|
298
|
Karoly Grosz (illustrator)
|
430
|
14
|
GA
|
Mid
|
299
|
Lella Vignelli
|
429
|
14
|
B
|
Mid
|
300
|
Will H. Bradley
|
425
|
14
|
Start
|
Low
|
301
|
DTP artist
|
421
|
14
|
Stub
|
Low
|
302
|
Henry Steiner
|
420
|
14
|
C
|
Unknown
|
303
|
Image fidelity
|
419
|
13
|
Start
|
Low
|
304
|
Jacqueline Casey
|
414
|
13
|
C
|
Unknown
|
305
|
Porter Garnett
|
414
|
13
|
Start
|
Low
|
306
|
Screen space directional occlusion
|
408
|
13
|
Stub
|
Low
|
307
|
Bruce Rogers (typographer)
|
403
|
13
|
Start
|
Mid
|
308
|
Emigre Fonts
|
402
|
13
|
Start
|
Low
|
309
|
Marian Bantjes
|
402
|
13
|
Start
|
Low
|
310
|
Gail Anderson (graphic designer)
|
401
|
13
|
C
|
Low
|
311
|
Mobirise
|
398
|
13
|
Start
|
Unknown
|
312
|
David Dees
|
397
|
13
|
Stub
|
Unknown
|
313
|
Cey Adams
|
396
|
13
|
C
|
Low
|
314
|
The Longing for Less
|
394
|
13
|
Stub
|
Low
|
315
|
Robert Brownjohn
|
390
|
13
|
Start
|
Unknown
|
316
|
Comprehensive layout
|
383
|
12
|
Start
|
Mid
|
317
|
Icon design
|
382
|
12
|
Start
|
Unknown
|
318
|
News design
|
379
|
12
|
Start
|
High
|
319
|
Gudrun Zapf von Hesse
|
379
|
12
|
B
|
Low
|
320
|
Piet Zwart
|
376
|
12
|
Start
|
Low
|
321
|
List of AIGA medalists
|
371
|
12
|
List
|
Unknown
|
322
|
Production artist
|
363
|
12
|
Stub
|
Low
|
323
|
Angela Guzman
|
362
|
12
|
Start
|
Unknown
|
324
|
Nebiolo Printech
|
359
|
11
|
Start
|
Low
|
325
|
Lance Wyman
|
353
|
11
|
Start
|
Unknown
|
326
|
Barbara Stauffacher Solomon
|
351
|
11
|
Start
|
Unknown
|
327
|
Joseph Binder (graphic designer)
|
351
|
11
|
C
|
Low
|
328
|
Goal structuring notation
|
348
|
11
|
Stub
|
Mid
|
329
|
Ehrenstein illusion
|
346
|
11
|
C
|
Low
|
330
|
Jessica Wallenfels
|
343
|
11
|
C
|
Low
|
331
|
SK1 (program)
|
340
|
11
|
Start
|
Mid
|
332
|
Desk pad
|
336
|
11
|
Stub
|
Low
|
333
|
Georg Olden (graphic designer)
|
327
|
10
|
Stub
|
Low
|
334
|
Tom Geismar
|
324
|
10
|
Stub
|
Unknown
|
335
|
Seashore (software)
|
321
|
10
|
Start
|
Low
|
336
|
The Beatles Illustrated Lyrics
|
315
|
10
|
Start
|
Low
|
337
|
23 Envelope
|
313
|
10
|
Start
|
Low
|
338
|
Mick Haggerty
|
309
|
10
|
Stub
|
Unknown
|
339
|
Haibao
|
308
|
10
|
Stub
|
Low
|
340
|
Ladislav Sutnar
|
307
|
10
|
Stub
|
Low
|
341
|
National Design Awards
|
306
|
10
|
List
|
Mid
|
342
|
John Gilroy (artist)
|
306
|
10
|
Stub
|
Low
|
343
|
Peter Corriston
|
305
|
10
|
Stub
|
Low
|
344
|
First Things First 2000 manifesto
|
302
|
10
|
Start
|
Low
|
345
|
Ruth Ansel
|
302
|
10
|
Start
|
Low
|
346
|
Tom Eckersley
|
300
|
10
|
C
|
Unknown
|
347
|
ROSTA windows
|
299
|
9
|
Stub
|
Low
|
348
|
Art Chantry
|
294
|
9
|
Start
|
Mid
|
349
|
Max Huber (graphic designer)
|
294
|
9
|
Start
|
Mid
|
350
|
Creative brief
|
293
|
9
|
Start
|
Low
|
351
|
Ootje Oxenaar
|
291
|
9
|
Stub
|
Unknown
|
352
|
Willem Sandberg
|
286
|
9
|
Start
|
Unknown
|
353
|
3D Slash
|
281
|
9
|
Start
|
Low
|
354
|
Michael Wolff (graphic designer)
|
280
|
9
|
Stub
|
Low
|
355
|
German Design Award
|
278
|
9
|
Start
|
Unknown
|
356
|
Earnest Elmo Calkins
|
276
|
9
|
C
|
Mid
|
357
|
R. O. Blechman
|
273
|
9
|
Start
|
Low
|
358
|
Dori Tunstall
|
273
|
9
|
C
|
High
|
359
|
Artkraft Strauss
|
272
|
9
|
Start
|
Low
|
360
|
Edward Fella
|
272
|
9
|
Start
|
Mid
|
361
|
Carlo Vivarelli
|
272
|
9
|
Stub
|
Unknown
|
362
|
Michael Rock (graphic designer)
|
270
|
9
|
Start
|
Low
|
363
|
Dawn Baillie
|
270
|
9
|
Start
|
Low
|
364
|
Jan van Krimpen
|
268
|
8
|
Start
|
Mid
|
365
|
Peter Mendelsund
|
268
|
8
|
Start
|
Low
|
366
|
European Design Awards
|
267
|
8
|
Stub
|
Low
|
367
|
Python Anghelo
|
266
|
8
|
Start
|
Low
|
368
|
Inkie
|
264
|
8
|
Start
|
Mid
|
369
|
Unimark International
|
263
|
8
|
Start
|
Low
|
370
|
Jean-Pascal Fournier
|
259
|
8
|
Stub
|
Unknown
|
371
|
Kiyoshi Awazu
|
252
|
8
|
C
|
Low
|
372
|
Bob Gill (artist)
|
248
|
8
|
Start
|
Low
|
373
|
Leif Podhajsky
|
248
|
8
|
Start
|
Mid
|
374
|
Xanti Schawinsky
|
248
|
8
|
Start
|
Unknown
|
375
|
Gilbert (typeface)
|
246
|
8
|
Start
|
Low
|
376
|
Richard Turley (graphic designer)
|
242
|
8
|
C
|
Low
|
377
|
George Macy
|
240
|
8
|
Start
|
Low
|
378
|
Representative image
|
240
|
8
|
Stub
|
Low
|
379
|
Daniel Berkeley Updike
|
239
|
7
|
Start
|
Low
|
380
|
William Golden (graphic designer)
|
238
|
7
|
C
|
Low
|
381
|
Lettering guide
|
237
|
7
|
Start
|
Low
|
382
|
Paul Brooks Davis
|
233
|
7
|
Start
|
Mid
|
383
|
Bob Cato
|
230
|
7
|
Start
|
Low
|
384
|
Giorgia Lupi
|
228
|
7
|
Start
|
Low
|
385
|
William Rose (illustrator)
|
228
|
7
|
GA
|
Low
|
386
|
Rudolph de Harak
|
227
|
7
|
Start
|
Low
|
387
|
Jennifer Morla
|
226
|
7
|
C
|
Low
|
388
|
Jerry Dior
|
224
|
7
|
Start
|
Low
|
389
|
P. Scott Makela
|
222
|
7
|
C
|
Low
|
390
|
Rudy VanderLans
|
221
|
7
|
Stub
|
Unknown
|
391
|
Erik Nitsche
|
221
|
7
|
Stub
|
Unknown
|
392
|
Aviary (image editor)
|
219
|
7
|
Start
|
Low
|
393
|
MtPaint
|
219
|
7
|
C
|
Low
|
394
|
Bea Feitler
|
217
|
7
|
Start
|
Low
|
395
|
Derek Birdsall
|
217
|
7
|
Start
|
Low
|
396
|
Samuel Burgess-Johnson
|
217
|
7
|
Start
|
Low
|
397
|
Karlsruhe University of Arts and Design
|
216
|
7
|
C
|
Low
|
398
|
Corporate design
|
216
|
7
|
Redirect
|
Mid
|
399
|
Brett Wickens
|
216
|
7
|
Start
|
Low
|
400
|
Henryk Tomaszewski (poster artist)
|
215
|
7
|
Start
|
Low
|
401
|
Dard Hunter
|
215
|
7
|
Start
|
Low
|
402
|
Gui Bonsiepe
|
215
|
7
|
Stub
|
Unknown
|
403
|
Rolf Weijburg
|
215
|
7
|
Start
|
Unknown
|
404
|
Alliance Graphique Internationale
|
212
|
7
|
Stub
|
Low
|
405
|
RAWGraphs
|
212
|
7
|
Start
|
Low
|
406
|
Armando Testa
|
211
|
7
|
C
|
Low
|
407
|
Matrix Feminist Design Co-operative
|
211
|
7
|
C
|
Low
|
408
|
Deena Mohamed
|
211
|
7
|
C
|
Low
|
409
|
Paul Kuhr
|
210
|
7
|
Start
|
Low
|
410
|
Deborah Sussman
|
208
|
6
|
C
|
Low
|
411
|
Officina Bodoni
|
206
|
6
|
Start
|
Low
|
412
|
Elaine Lustig Cohen
|
205
|
6
|
C
|
Low
|
413
|
Jessica Helfand
|
204
|
6
|
Start
|
Unknown
|
414
|
Out of Home Advertising Association of America
|
204
|
6
|
Stub
|
Low
|
415
|
Deborah Adler
|
204
|
6
|
Start
|
Low
|
416
|
International Design Awards
|
203
|
6
|
Stub
|
Low
|
417
|
Rosmarie Tissi
|
200
|
6
|
Stub
|
Unknown
|
418
|
See Red Women's Workshop
|
199
|
6
|
Start
|
Unknown
|
419
|
Katherine McCoy
|
198
|
6
|
B
|
High
|
420
|
Ernie Cefalu
|
197
|
6
|
Start
|
Low
|
421
|
Emily Oberman
|
197
|
6
|
C
|
Low
|
422
|
Michael Cho (illustrator)
|
196
|
6
|
Stub
|
Low
|
423
|
Dan Friedman (graphic designer)
|
196
|
6
|
Start
|
Mid
|
424
|
Rajie Cook
|
195
|
6
|
C
|
Low
|
425
|
Neue Grafik
|
195
|
6
|
Start
|
Low
|
426
|
Away3D
|
193
|
6
|
B
|
Low
|
427
|
MetaDesign
|
192
|
6
|
Start
|
Low
|
428
|
Vignelli Associates
|
189
|
6
|
C
|
High
|
429
|
Frederic G. Melcher
|
188
|
6
|
Start
|
Low
|
430
|
Saffron Brand Consultants
|
188
|
6
|
Start
|
Mid
|
431
|
Jobbing press
|
187
|
6
|
Start
|
Mid
|
432
|
Ammunition Design Group
|
184
|
6
|
Start
|
Low
|
433
|
Richard Hollis
|
184
|
6
|
Stub
|
Unknown
|
434
|
Bob Noorda
|
184
|
6
|
C
|
Mid
|
435
|
Colin Forbes (graphic designer)
|
182
|
6
|
Stub
|
Mid
|
436
|
Television presentation
|
180
|
6
|
Start
|
Low
|
437
|
Boxology
|
180
|
6
|
Start
|
Low
|
438
|
Curve (tonality)
|
180
|
6
|
Stub
|
Mid
|
439
|
Art Directors Club Hall of Fame
|
178
|
5
|
List
|
Low
|
440
|
Zoltron
|
178
|
5
|
C
|
Unknown
|
441
|
News Bunny
|
174
|
5
|
Start
|
Low
|
442
|
Jane Davis Doggett
|
174
|
5
|
Start
|
Unknown
|
443
|
John Casado
|
174
|
5
|
Start
|
Mid
|
444
|
Steve Jenkins (author)
|
173
|
5
|
C
|
Low
|
445
|
David Costa (graphic designer)
|
172
|
5
|
Start
|
Low
|
446
|
Marc Balet
|
172
|
5
|
Start
|
Low
|
447
|
Visual brand language
|
171
|
5
|
Start
|
Low
|
448
|
Mehemed Fehmy Agha
|
171
|
5
|
Start
|
Mid
|
449
|
List of Art on the Underground Tube map covers
|
169
|
5
|
List
|
Unknown
|
450
|
Timothy Cole
|
168
|
5
|
Start
|
Low
|
451
|
Ray-traced ambient occlusion
|
168
|
5
|
Stub
|
Low
|
452
|
Arnold Armitage
|
166
|
5
|
Stub
|
Low
|
453
|
Lawrence C. Wroth
|
165
|
5
|
Start
|
Low
|
454
|
Lou Dorfsman
|
163
|
5
|
Start
|
Low
|
455
|
Kii Arens
|
163
|
5
|
C
|
Unknown
|
456
|
Object co-segmentation
|
162
|
5
|
C
|
Low
|
457
|
Mackey Saturday
|
161
|
5
|
Start
|
Mid
|
458
|
Robert Blakeley
|
161
|
5
|
C
|
Low
|
459
|
Jer Thorp
|
160
|
5
|
Start
|
Unknown
|
460
|
Quentin Fiore
|
159
|
5
|
C
|
Low
|
461
|
Broadcast designer
|
158
|
5
|
Stub
|
Mid
|
462
|
Best Art Vinyl
|
158
|
5
|
List
|
Low
|
463
|
Impossible Dream (advertisement)
|
157
|
5
|
Start
|
Low
|
464
|
Patrick Clair
|
157
|
5
|
C
|
Low
|
465
|
Rod Dyer
|
156
|
5
|
Stub
|
Low
|
466
|
Graphical time warping
|
156
|
5
|
C
|
Low
|
467
|
Student design competition
|
155
|
5
|
Start
|
Low
|
468
|
Web template
|
155
|
5
|
Redirect
|
NA
|
469
|
Design School Kolding
|
155
|
5
|
Start
|
Unknown
|
470
|
Astrid Stavro
|
154
|
5
|
Start
|
Low
|
471
|
M & Co. (design firm)
|
152
|
5
|
Start
|
Mid
|
472
|
Epica Awards
|
149
|
4
|
Start
|
Low
|
473
|
Margo Chase
|
148
|
4
|
C
|
Low
|
474
|
Rick Poynor
|
147
|
4
|
Stub
|
Low
|
475
|
J. Abbott Miller
|
147
|
4
|
Start
|
Low
|
476
|
Steven Brower
|
147
|
4
|
Start
|
Low
|
477
|
Thomas Spitzer
|
145
|
4
|
Start
|
Low
|
478
|
Papervision3D
|
145
|
4
|
Start
|
Unknown
|
479
|
Template generator
|
145
|
4
|
Start
|
High
|
480
|
Invisible Creature
|
144
|
4
|
Stub
|
Low
|
481
|
Screen reading
|
144
|
4
|
Start
|
Unknown
|
482
|
Paul Sahre
|
143
|
4
|
Start
|
Low
|
483
|
Michael Doret
|
141
|
4
|
Start
|
Low
|
484
|
William Drenttel
|
140
|
4
|
Start
|
Low
|
485
|
Carin Goldberg
|
140
|
4
|
Start
|
Low
|
486
|
Jugate
|
139
|
4
|
C
|
Low
|
487
|
Tony Lane
|
139
|
4
|
Stub
|
Low
|
488
|
Sustainable furniture design
|
138
|
4
|
Stub
|
Low
|
489
|
Michael Schwab (designer)
|
138
|
4
|
Stub
|
Unknown
|
490
|
Safiya al Bahlani
|
136
|
4
|
Start
|
Low
|
491
|
William S. Harvey
|
135
|
4
|
Start
|
Low
|
492
|
Philip B. Meggs
|
134
|
4
|
Start
|
Mid
|
493
|
Jost Hochuli
|
134
|
4
|
Start
|
Low
|
494
|
Simon Halfon
|
133
|
4
|
Stub
|
Low
|
495
|
Rack card
|
133
|
4
|
Stub
|
Low
|
496
|
Reynold Ruffins
|
133
|
4
|
C
|
Low
|
497
|
Frank Parkinson Newbould
|
131
|
4
|
Stub
|
Low
|
498
|
Tomoko Miho
|
130
|
4
|
Start
|
Low
|
499
|
Tony Chambers
|
130
|
4
|
C
|
Mid
|
500
|
Colorway
|
126
|
4
|
Redirect
|
NA
|
501
|
Bob Pepper (illustrator)
|
126
|
4
|
Start
|
Low
|
502
|
The Ant Farm
|
125
|
4
|
Stub
|
Low
|
503
|
Pulsonix
|
123
|
4
|
Start
|
Unknown
|
504
|
Society of Graphic Designers of Canada
|
121
|
4
|
Start
|
Low
|
505
|
Bruno Monguzzi
|
121
|
4
|
Start
|
Unknown
|
506
|
Roger Black (graphic designer)
|
121
|
4
|
Start
|
Low
|
507
|
Matt Willey
|
121
|
4
|
Stub
|
Low
|
508
|
Hans Schleger
|
120
|
4
|
C
|
Mid
|
509
|
Carnegie Mellon School of Design
|
119
|
3
|
Start
|
Mid
|
510
|
Patrick Thomas (graphic artist)
|
119
|
3
|
Start
|
Low
|
511
|
Rudolph Ruzicka
|
118
|
3
|
Start
|
Low
|
512
|
Fons Hickmann
|
118
|
3
|
Start
|
Low
|
513
|
Abraham Nathanson
|
118
|
3
|
Start
|
Low
|
514
|
Hans Rudi Erdt
|
117
|
3
|
Start
|
Unknown
|
515
|
Yorgo Tloupas
|
117
|
3
|
B
|
Low
|
516
|
Will Burtin
|
116
|
3
|
B
|
Mid
|
517
|
Pegasus (artist)
|
115
|
3
|
Start
|
Low
|
518
|
Sandy Dvore
|
113
|
3
|
Start
|
Low
|
519
|
Jay Alders
|
113
|
3
|
C
|
Low
|
520
|
Khoi Vinh
|
111
|
3
|
Stub
|
Low
|
521
|
James Victore
|
111
|
3
|
Stub
|
Unknown
|
522
|
Franzisca Baruch
|
111
|
3
|
GA
|
Low
|
523
|
Burkey Belser
|
110
|
3
|
Start
|
Low
|
524
|
Chemical X (artist)
|
110
|
3
|
Start
|
Unknown
|
525
|
E-Lab
|
110
|
3
|
Unknown
|
Unknown
|
526
|
Bruce Blackburn
|
110
|
3
|
Start
|
Low
|
527
|
Michael Vanderbyl
|
109
|
3
|
Stub
|
Low
|
528
|
David Plunkert
|
108
|
3
|
Stub
|
Unknown
|
529
|
Mirko Hanák
|
107
|
3
|
Stub
|
Low
|
530
|
Edley ODowd
|
107
|
3
|
Start
|
Low
|
531
|
George Tscherny
|
106
|
3
|
Start
|
Mid
|
532
|
E-Types
|
105
|
3
|
Stub
|
Low
|
533
|
E. C. Stoner
|
104
|
3
|
GA
|
Low
|
534
|
Mikhail Sokolov
|
103
|
3
|
Start
|
Low
|
535
|
Michael Patrick Cronan
|
102
|
3
|
C
|
Low
|
536
|
Base Design
|
102
|
3
|
Stub
|
Unknown
|
537
|
Kevin Reagan
|
102
|
3
|
Stub
|
Low
|
538
|
Andrew Blauvelt
|
101
|
3
|
Start
|
Low
|
539
|
Art Sims
|
101
|
3
|
Start
|
Unknown
|
540
|
David Berman (graphic designer)
|
100
|
3
|
Start
|
Low
|
541
|
Nabil Abou-Harb
|
100
|
3
|
C
|
Low
|
542
|
Hisui Sugiura
|
100
|
3
|
Start
|
Mid
|
543
|
Clement Mok
|
99
|
3
|
Stub
|
Low
|
544
|
Lorraine Wild
|
99
|
3
|
Stub
|
Low
|
545
|
Sun Raster
|
99
|
3
|
Start
|
Low
|
546
|
Lucille Tenazas
|
99
|
3
|
C
|
Low
|
547
|
Rufus Segar
|
99
|
3
|
Start
|
Low
|
548
|
Angus Hyland
|
98
|
3
|
Start
|
Low
|
549
|
Jason Munn
|
97
|
3
|
C
|
Low
|
550
|
Semi-Permanent
|
96
|
3
|
Start
|
Low
|
551
|
Louis Oppenheim
|
95
|
3
|
Start
|
Low
|
552
|
Hussain Almossawi
|
95
|
3
|
C
|
Low
|
553
|
ICE Advertisements
|
93
|
3
|
Start
|
Low
|
554
|
FXT1
|
93
|
3
|
Start
|
Low
|
555
|
Jaap Drupsteen
|
93
|
3
|
Stub
|
Unknown
|
556
|
Lo-Type
|
91
|
3
|
Stub
|
Low
|
557
|
Italpinas
|
91
|
3
|
Stub
|
Low
|
558
|
Association of Registered Graphic Designers
|
90
|
3
|
Start
|
Low
|
559
|
Marina Willer
|
90
|
3
|
Stub
|
Unknown
|
560
|
Mag+
|
88
|
2
|
C
|
Low
|
561
|
Neal Layton
|
88
|
2
|
Stub
|
Low
|
562
|
Autonomous Design Group
|
88
|
2
|
Stub
|
Unknown
|
563
|
Giovanni Pintori
|
87
|
2
|
Start
|
Mid
|
564
|
Antonio Peticov
|
87
|
2
|
C
|
Low
|
565
|
Paul Balin
|
86
|
2
|
Stub
|
Low
|
566
|
Ernst Bettler
|
85
|
2
|
Start
|
Low
|
567
|
Matt Gondek
|
85
|
2
|
Start
|
Low
|
568
|
Adrian Shaughnessy
|
85
|
2
|
C
|
Low
|
569
|
Sons of Chaos
|
84
|
2
|
C
|
Low
|
570
|
John J. Graham
|
83
|
2
|
Start
|
Unknown
|
571
|
Chrysler Design Award
|
83
|
2
|
List
|
Unknown
|
572
|
Antigirl
|
83
|
2
|
C
|
Low
|
573
|
Lisa Strausfeld
|
82
|
2
|
C
|
Low
|
574
|
Inge Druckrey
|
82
|
2
|
Start
|
Low
|
575
|
Fré Cohen
|
82
|
2
|
Start
|
Low
|
576
|
Paul Giambarba
|
81
|
2
|
Start
|
Low
|
577
|
Alexander Isley
|
81
|
2
|
Start
|
Low
|
578
|
Paul Shaw (design historian)
|
81
|
2
|
Stub
|
Low
|
579
|
Steve Duenes
|
80
|
2
|
Start
|
Low
|
580
|
Chepman and Myllar Press
|
79
|
2
|
C
|
Low
|
581
|
Colin Elgie
|
79
|
2
|
Stub
|
Unknown
|
582
|
Stefan G. Bucher
|
78
|
2
|
C
|
Low
|
583
|
Graphics coordinator
|
78
|
2
|
Start
|
Low
|
584
|
Olga Kaljakin
|
78
|
2
|
Stub
|
Low
|
585
|
Faride Mereb
|
78
|
2
|
Start
|
Unknown
|
586
|
Deva Pardue
|
78
|
2
|
Start
|
Unknown
|
587
|
Michael Hertz Associates
|
77
|
2
|
Start
|
Low
|
588
|
Jerome Snyder
|
77
|
2
|
Start
|
Low
|
589
|
Fatpaint
|
77
|
2
|
Start
|
Low
|
590
|
Paul Soulellis
|
77
|
2
|
C
|
Low
|
591
|
Dennis Kois
|
76
|
2
|
Start
|
Low
|
592
|
Rick Valicenti
|
76
|
2
|
C
|
High
|
593
|
May Massee
|
75
|
2
|
C
|
Unknown
|
594
|
John Gall (designer)
|
75
|
2
|
Start
|
Low
|
595
|
Karl Bickel
|
74
|
2
|
C
|
Low
|
596
|
Carbone Smolan Agency
|
72
|
2
|
C
|
Low
|
597
|
The Gehenna Press
|
72
|
2
|
C
|
Low
|
598
|
8vo (design)
|
71
|
2
|
Stub
|
Low
|
599
|
Bram de Does
|
71
|
2
|
Start
|
Mid
|
600
|
Woody Pirtle
|
71
|
2
|
Start
|
Low
|
601
|
Malcolm Grear
|
71
|
2
|
Start
|
Low
|
602
|
Artwork (graphic arts)
|
71
|
2
|
Stub
|
Mid
|
603
|
Urso Chappell
|
70
|
2
|
Stub
|
Low
|
604
|
Lee Moyer
|
70
|
2
|
C
|
Low
|
605
|
Leon Friend
|
70
|
2
|
Start
|
Low
|
606
|
AutoCollage 2008
|
69
|
2
|
Stub
|
Low
|
607
|
The Electronic Font Foundry
|
69
|
2
|
Stub
|
Low
|
608
|
Amanda Marie
|
69
|
2
|
C
|
Unknown
|
609
|
Jurriaan Schrofer
|
69
|
2
|
Stub
|
Unknown
|
610
|
A Smile in the Mind
|
68
|
2
|
Start
|
Unknown
|
611
|
Henry Lewis Bullen
|
68
|
2
|
Start
|
Low
|
612
|
List of Adobe Flash software
|
67
|
2
|
List
|
Low
|
613
|
WRDSMTH
|
67
|
2
|
Start
|
Unknown
|
614
|
Stefanie Posavec
|
67
|
2
|
Start
|
Unknown
|
615
|
Michael Manwaring
|
67
|
2
|
Start
|
Low
|
616
|
Bitmap textures
|
66
|
2
|
Stub
|
Low
|
617
|
Germano Facetti
|
66
|
2
|
Stub
|
Low
|
618
|
Gene Federico
|
66
|
2
|
Start
|
Low
|
619
|
Hansje van Halem
|
66
|
2
|
Start
|
Low
|
620
|
Roy Kuhlman
|
65
|
2
|
Start
|
Low
|
621
|
Walter Herdeg
|
64
|
2
|
B
|
Mid
|
622
|
Rudolf Modley
|
63
|
2
|
C
|
Unknown
|
623
|
Tod Lippy
|
62
|
2
|
C
|
Low
|
624
|
Norman Ives
|
62
|
2
|
C
|
Low
|
625
|
Louise Sandhaus
|
61
|
2
|
Start
|
Mid
|
626
|
Emmett McBain
|
61
|
2
|
Start
|
Unknown
|
627
|
Stephen H. Horgan
|
60
|
2
|
Stub
|
Low
|
628
|
Pino Tovaglia
|
60
|
2
|
Start
|
Mid
|
629
|
Lou Nolan (artist)
|
60
|
2
|
Start
|
Unknown
|
630
|
Sandra Eisert
|
59
|
1
|
B
|
Mid
|
631
|
Mike Warren (designer)
|
58
|
1
|
C
|
Unknown
|
632
|
Michael Gericke
|
58
|
1
|
C
|
Low
|
633
|
Julia Hasting
|
58
|
1
|
C
|
Unknown
|
634
|
Peter Seitz
|
56
|
1
|
Start
|
Low
|
635
|
Jim Phillips (illustrator)
|
56
|
1
|
Unknown
|
Low
|
636
|
Decorative Designers
|
55
|
1
|
Start
|
Low
|
637
|
Number Seventeen (design)
|
54
|
1
|
Stub
|
Unknown
|
638
|
Catherine Zask
|
54
|
1
|
C
|
Low
|
639
|
Gene Greif
|
54
|
1
|
Stub
|
Low
|
640
|
Rob Roy Kelly
|
54
|
1
|
Start
|
Low
|
641
|
Jianping He
|
54
|
1
|
C
|
Unknown
|
642
|
Harrie Geelen
|
51
|
1
|
Stub
|
Unknown
|
643
|
Guo Chunning
|
51
|
1
|
Stub
|
Unknown
|
644
|
O'Plérou
|
51
|
1
|
Stub
|
Low
|
645
|
Vicente Rojo Almazán
|
51
|
1
|
Stub
|
Unknown
|
646
|
Carl Fischer (photographer)
|
51
|
1
|
C
|
Low
|
647
|
Gordon Andrews (industrial designer)
|
51
|
1
|
C
|
Low
|
648
|
Doremus & Co.
|
50
|
1
|
Stub
|
Low
|
649
|
Thomas Maitland Cleland
|
50
|
1
|
Start
|
Low
|
650
|
Clarence P. Hornung
|
50
|
1
|
Start
|
Low
|
651
|
Burt Goldblatt
|
50
|
1
|
Start
|
Low
|
652
|
Ben Blank
|
49
|
1
|
Start
|
Low
|
653
|
Alan Peckolick
|
49
|
1
|
Start
|
Unknown
|
654
|
Kit Hinrichs
|
49
|
1
|
C
|
Low
|
655
|
Tony DiSpigna
|
49
|
1
|
Start
|
Low
|
656
|
Laurie Haycock Makela
|
49
|
1
|
C
|
Low
|
657
|
Digital typography
|
48
|
1
|
Redirect
|
NA
|
658
|
Alvin Eisenman
|
48
|
1
|
Stub
|
Low
|
659
|
Noiseless
|
48
|
1
|
Start
|
Low
|
660
|
Janet Froelich
|
48
|
1
|
Start
|
Low
|
661
|
It is. A Magazine for Abstract Art
|
48
|
1
|
B
|
Low
|
662
|
Francesco Torniello
|
47
|
1
|
Start
|
Low
|
663
|
Söre Popitz
|
47
|
1
|
Start
|
Low
|
664
|
Hiwa Pashaei
|
47
|
1
|
C
|
Low
|
665
|
Henrietta Condak
|
47
|
1
|
Start
|
Unknown
|
666
|
Alexis Georgacopoulos
|
47
|
1
|
Start
|
Low
|
667
|
Makoto Saitō (designer)
|
46
|
1
|
Stub
|
Low
|
668
|
Simon C. Page
|
46
|
1
|
Start
|
Low
|
669
|
ANY (magazine)
|
45
|
1
|
Stub
|
Low
|
670
|
Georgianna Stout
|
45
|
1
|
Start
|
Low
|
671
|
Hans Neuburg
|
45
|
1
|
Stub
|
Unknown
|
672
|
Gertrude Huston
|
45
|
1
|
C
|
Low
|
673
|
Trevor Johnson (designer)
|
44
|
1
|
Stub
|
Unknown
|
674
|
Ougrapo
|
43
|
1
|
Stub
|
Unknown
|
675
|
Visualizer (advertising)
|
43
|
1
|
Redirect
|
Low
|
676
|
Michael Hendrix
|
43
|
1
|
C
|
Low
|
677
|
John Charles Norman
|
43
|
1
|
Stub
|
Low
|
678
|
Agrafka Creative Workshop
|
43
|
1
|
Start
|
Low
|
679
|
Dafi Kühne
|
43
|
1
|
C
|
Low
|
680
|
Modern College of Design
|
42
|
1
|
Stub
|
Low
|
681
|
Maggie Baylis
|
42
|
1
|
Start
|
Unknown
|
682
|
Michael Mabry
|
42
|
1
|
Stub
|
Unknown
|
683
|
Italo Lupi
|
42
|
1
|
Start
|
Low
|
684
|
Fabrizio Schiavi
|
41
|
1
|
Start
|
Low
|
685
|
Robert E. Pearlman
|
41
|
1
|
C
|
Low
|
686
|
The History of Graphic Design
|
41
|
1
|
Start
|
Low
|
687
|
Do Good Design
|
40
|
1
|
Stub
|
Low
|
688
|
Clive Piercy
|
40
|
1
|
C
|
Low
|
689
|
Dorothy Shepard
|
40
|
1
|
Start
|
Unknown
|
690
|
Strategy visualization
|
39
|
1
|
Stub
|
Low
|
691
|
Melbert B. Cary Jr.
|
39
|
1
|
Start
|
Low
|
692
|
Graphex
|
39
|
1
|
Redirect
|
NA
|
693
|
Leo Obstbaum
|
39
|
1
|
Start
|
Unknown
|
694
|
Louis Silverstein
|
39
|
1
|
Stub
|
Low
|
695
|
Henry Watson Kent
|
39
|
1
|
C
|
Low
|
696
|
Independent Publishing Resource Center
|
39
|
1
|
Start
|
Low
|
697
|
Signal (typeface)
|
39
|
1
|
Start
|
Low
|
698
|
Ismar David
|
39
|
1
|
Stub
|
Low
|
699
|
Basmah Felemban
|
39
|
1
|
Start
|
Low
|
700
|
Homer Lee
|
38
|
1
|
Stub
|
Low
|
701
|
The Blockhouse of Boston
|
37
|
1
|
C
|
Low
|
702
|
Lorraine Louie
|
37
|
1
|
Stub
|
Low
|
703
|
Nico de Haas
|
36
|
1
|
Stub
|
Unknown
|
704
|
Ron Miriello
|
36
|
1
|
C
|
Low
|
705
|
Jayme Odgers
|
36
|
1
|
Stub
|
Low
|
706
|
Adam and Sophie Gimbel Design Library
|
36
|
1
|
Stub
|
Low
|
707
|
Marget Larsen
|
36
|
1
|
Start
|
Low
|
708
|
Institute of Designers in Ireland
|
36
|
1
|
Start
|
Low
|
709
|
Jauhien Kulik
|
36
|
1
|
Start
|
Low
|
710
|
Jarlath Hayes
|
36
|
1
|
Start
|
Low
|
711
|
Demian Conrad
|
36
|
1
|
C
|
Unknown
|
712
|
Morton Goldsholl Associates
|
35
|
1
|
Start
|
Low
|
713
|
Stratford Press (Cincinnati)
|
35
|
1
|
C
|
Low
|
714
|
Noreen Morioka
|
35
|
1
|
Start
|
Unknown
|
715
|
Andriy Chebykin
|
35
|
1
|
Start
|
Low
|
716
|
Rob Carter
|
34
|
1
|
Start
|
Low
|
717
|
Graphic Thought Facility
|
34
|
1
|
Stub
|
Unknown
|
718
|
Meredith Davis
|
34
|
1
|
Start
|
Low
|
719
|
Alison Forbes
|
34
|
1
|
C
|
Low
|
720
|
Pablo Martín (graphic designer)
|
34
|
1
|
Start
|
Unknown
|
721
|
JESS3
|
33
|
1
|
Start
|
Low
|
722
|
Joseph Blumenthal (printer)
|
33
|
1
|
C
|
Mid
|
723
|
The Poster
|
33
|
1
|
Stub
|
Low
|
724
|
Gail Swanlund
|
33
|
1
|
Start
|
Unknown
|
725
|
Tinc (retail)
|
33
|
1
|
Stub
|
Low
|
726
|
Moses Bahelfer
|
33
|
1
|
Start
|
Unknown
|
727
|
Paul Dumas
|
33
|
1
|
Start
|
Low
|
728
|
Evert Bloemsma
|
32
|
1
|
Start
|
Unknown
|
729
|
Advertising Producers Association
|
32
|
1
|
Stub
|
Low
|
730
|
Brett Yasko
|
32
|
1
|
C
|
Low
|
731
|
Assil Diab
|
32
|
1
|
Start
|
Low
|
732
|
Linked by Air
|
32
|
1
|
C
|
High
|
733
|
Paul Bennett (typographer)
|
31
|
1
|
Stub
|
Unknown
|
734
|
Web button
|
31
|
1
|
Redirect
|
Low
|
735
|
Gideon Amichay
|
31
|
1
|
Start
|
Low
|
736
|
Donald M. Anderson
|
31
|
1
|
Start
|
Low
|
737
|
Paul Clark (designer)
|
31
|
1
|
C
|
Unknown
|
738
|
Jo Mazelis
|
31
|
1
|
C
|
Mid
|
739
|
LiveQuartz
|
31
|
1
|
Start
|
Low
|
740
|
Will Ransom
|
30
|
1
|
Unknown
|
Unknown
|
741
|
Rudi Bass
|
30
|
1
|
Start
|
Unknown
|
742
|
Lita Talarico
|
30
|
1
|
Start
|
Low
|
743
|
Bernie Haynes Robynson
|
30
|
1
|
Start
|
Low
|
744
|
Thomas Letts
|
29
|
0
|
Start
|
Low
|
745
|
Roland Hobart
|
29
|
0
|
C
|
Mid
|
746
|
Jennifer Kinon
|
29
|
0
|
Stub
|
Unknown
|
747
|
Robert Ballagh postage stamp designs
|
29
|
0
|
List
|
Low
|
748
|
Willy de Majo
|
28
|
0
|
C
|
Unknown
|
749
|
John G. Agar (lawyer)
|
28
|
0
|
Start
|
Low
|
750
|
Linas Garsys
|
28
|
0
|
Stub
|
Low
|
751
|
Huda Smitshuijzen AbiFarès
|
28
|
0
|
Start
|
Low
|
752
|
Abel Mignon
|
28
|
0
|
Start
|
Low
|
753
|
Pieter Brattinga
|
27
|
0
|
Stub
|
Unknown
|
754
|
Robert L. Leslie
|
27
|
0
|
Start
|
Low
|
755
|
Gruye-Vogt Organization
|
27
|
0
|
Start
|
Low
|
756
|
Gene Mackles
|
27
|
0
|
Unknown
|
Unknown
|
757
|
List of trademarks featuring Native Americans
|
26
|
0
|
List
|
Low
|
758
|
Friedrich Kurt Fiedler
|
26
|
0
|
Start
|
Unknown
|
759
|
GumCo
|
26
|
0
|
Stub
|
Low
|
760
|
Romana Javitz
|
26
|
0
|
C
|
Low
|
761
|
Wiesław Rosocha
|
25
|
0
|
Stub
|
Low
|
762
|
Noel Martin
|
25
|
0
|
Start
|
Low
|
763
|
William A. Kittredge
|
25
|
0
|
Start
|
Low
|
764
|
Anne-Birthe Hove
|
25
|
0
|
Stub
|
Low
|
765
|
Joel Robinson (graphic designer)
|
25
|
0
|
Start
|
Low
|
766
|
Norman T.A. Munder
|
24
|
0
|
C
|
Mid
|
767
|
Józef Mroszczak
|
24
|
0
|
Start
|
Unknown
|
768
|
75B
|
24
|
0
|
Start
|
Low
|
769
|
Erkki Ruuhinen
|
24
|
0
|
Start
|
Unknown
|
770
|
Eric Thake
|
24
|
0
|
C
|
Low
|
771
|
Alioum Moussa
|
24
|
0
|
Start
|
Low
|
772
|
Suranga Udari
|
24
|
0
|
Start
|
Low
|
773
|
Fra Paalman
|
24
|
0
|
C
|
Low
|
774
|
Raymond Ameijide
|
23
|
0
|
Stub
|
Low
|
775
|
Bob Salpeter
|
23
|
0
|
Start
|
Low
|
776
|
Frank Rocholl
|
23
|
0
|
C
|
Low
|
777
|
Elmer Adler
|
23
|
0
|
Start
|
Low
|
778
|
Yang Sung-chun
|
22
|
0
|
Start
|
Low
|
779
|
Helene Nonné-Schmidt
|
22
|
0
|
Start
|
Low
|
780
|
Robert Rabinowitz
|
21
|
0
|
Stub
|
Low
|
781
|
Jan V. White
|
21
|
0
|
Start
|
Low
|
782
|
Ann Willoughby
|
21
|
0
|
C
|
Low
|
783
|
Stanisław Czerski
|
20
|
0
|
Stub
|
Unknown
|
784
|
P. J. Conkwright
|
20
|
0
|
Start
|
Low
|
785
|
Kijuro Yahagi
|
20
|
0
|
Start
|
Low
|
786
|
Association of Professional Design Firms
|
18
|
0
|
Stub
|
Low
|
787
|
Warren Group – Studio Deluxe
|
18
|
0
|
Start
|
Low
|
788
|
Sony Ziris
|
18
|
0
|
Start
|
Mid
|
789
|
Kim Rees
|
18
|
0
|
Start
|
Unknown
|
790
|
Alfred H. Howard
|
18
|
0
|
Stub
|
Unknown
|
791
|
Norman Wilson (graphic designer)
|
18
|
0
|
Start
|
Unknown
|
792
|
Communicate: Independent British Graphic Design since the Sixties
|
17
|
0
|
Stub
|
Unknown
|
793
|
Roger Ferriter
|
17
|
0
|
Start
|
Low
|
794
|
Ivo Puhonny
|
17
|
0
|
Start
|
Low
|
795
|
Michel Wlassikoff
|
17
|
0
|
Stub
|
Low
|
796
|
Calori & Vanden-Eynden
|
16
|
0
|
Start
|
Low
|
797
|
Trickett & Webb
|
16
|
0
|
Unknown
|
Unknown
|
798
|
Karen TenEyck
|
16
|
0
|
Start
|
Unknown
|
799
|
Glenn Goluska
|
16
|
0
|
Stub
|
Unknown
|
800
|
Harmen Liemburg
|
16
|
0
|
Start
|
Unknown
|
801
|
Futuracha Pro
|
16
|
0
|
Stub
|
Low
|
802
|
Carl Purington Rollins
|
16
|
0
|
Start
|
Low
|
803
|
América Sánchez
|
16
|
0
|
Stub
|
Low
|
804
|
Monica Ulmanu
|
16
|
0
|
Stub
|
Unknown
|
805
|
Elsa Jernås
|
16
|
0
|
Start
|
Low
|
806
|
Sally Carns
|
15
|
0
|
Stub
|
Low
|
807
|
Edward Epstean
|
15
|
0
|
Start
|
Low
|
808
|
Harry Lapow
|
15
|
0
|
C
|
Low
|
809
|
100 Beste Plakate
|
15
|
0
|
Start
|
Low
|
810
|
Axel Bertram
|
15
|
0
|
C
|
Unknown
|
811
|
Ryszard Grzyb
|
14
|
0
|
Stub
|
Low
|
812
|
Anna Sipkema
|
14
|
0
|
C
|
Unknown
|
813
|
Dennis Ichiyama
|
13
|
0
|
Start
|
Unknown
|
814
|
Tevfik Fikret Uçar
|
13
|
0
|
Start
|
Low
|
815
|
Société des designers graphiques du Québec
|
13
|
0
|
Start
|
Low
|
816
|
Adobe Illustrator CS6 (Macintosh)
|
13
|
0
|
Redirect
|
NA
|
817
|
Gerrit Willem Ovink
|
13
|
0
|
Stub
|
Low
|
818
|
Gyorgy Bp. Szabo
|
12
|
0
|
Start
|
Low
|
819
|
Charles Burki
|
12
|
0
|
Stub
|
Low
|
820
|
Burton Emmett
|
11
|
0
|
Start
|
Unknown
|
821
|
Ivan Ivanitsky
|
11
|
0
|
Start
|
Low
|
822
|
Boudewijn Ietswaart
|
11
|
0
|
C
|
Low
|
823
|
Erik Heyl
|
11
|
0
|
Start
|
Unknown
|
824
|
VertigoXmedia
|
10
|
0
|
Stub
|
Low
|
825
|
The Firecracker Press
|
10
|
0
|
Start
|
Low
|
826
|
Pierre Kleykamp
|
10
|
0
|
Start
|
Unknown
|
827
|
Marion Sampler
|
10
|
0
|
C
|
Low
|
828
|
Jacques Koeweiden
|
9
|
0
|
Start
|
Low
|
829
|
Péter Virágvölgyi
|
9
|
0
|
C
|
Low
|
830
|
Karmele Leizaola
|
9
|
0
|
C
|
Unknown
|
831
|
3D Artist
|
8
|
0
|
Redirect
|
Low
|
832
|
Ray Nash
|
7
|
0
|
Start
|
Low
|
833
|
Don Trousdell
|
7
|
0
|
Start
|
Low
|
834
|
Jabbar Gasimov
|
7
|
0
|
Start
|
Low
|
835
|
Marie Victor Poterlet
|
7
|
0
|
Start
|
Low
|
836
|
Herbert Temple Jr.
|
7
|
0
|
C
|
Low
|
837
|
Comparison of user features of chatbots
|
6
|
0
|
Redirect
|
NA
|
838
|
Piet Gerards
|
5
|
0
|
Start
|
Unknown
|
839
|
Hugo Puttaert
|
4
|
0
|
Start
|
Low
|
840
|
J. Thompson Willing
|
3
|
0
|
Start
|
Low
|
841
|
Graphical design
|
3
|
0
|
Redirect
|
NA
|
842
|
Ari Forman
|
3
|
0
|
Redirect
|
NA
|
843
|
Standing Committee of Trade Unions in the Graphic Industry
|
2
|
0
|
Stub
|
Low
|
844
|
Spectrum Award for Advertising
|
2
|
0
|
Redirect
|
Low
|
845
|
AIGA, the professional association for design
|
0
|
0
|
Redirect
|
NA
|
846
|
Nick de Ville
|
0
|
0
|
Start
|
Unknown
|
847
|
Eulindra Lim
|
0
|
0
|
Start
|
Low
|